Posted by Jared Mobarak on June 29, 2012 · Leave a Comment
“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]
Category film features, posterized propaganda · Tags 20th Century Fox Domestic Theatrical Creative Advertising, A Very Long Engagement, Adventures in Babysitting, Andrew Garfield, Andrew McCarthy, ARSONAL, Audrey Tautou, Bandits, Bemis Balkind, BLT Communications LLC, Buried, Casper Christensen, Cate Blanchett, Channing Tatum, Christopher Nolan, City Rain Design, Concept Arts, Cowboys & Aliens, Crazy Eyes, Creative Domain, District 9, Easy Money, Elisabeth Shue, Flipped, Footloose, Frank Hvam, Gravillis Inc., Green Lantern, Havoc, Headhunters, Ice Age: Continental Drift, Ice Age: Dawn of the Dinosaurs, Ignition Print, Into the Abyss, Jaqueline Siegel, Jean-Baptiste-Andre Gautier d'Agoty, Joel Kinnaman, Jonah Hill, Katy Perry: Part of Me, Killer Joe, Klown, KO Creative, Kustom Creative, Le Cercle Noir, Machete Maidens Unleashed!, Madagascar 3: Europe's Most Wanted, Madeline Zima, Madman Entertainment, Mannequin, Matthew McConaughey, Mena Suvari, Mojo, Morgan Freeman, My Blueberry Nights, Oliver Stone, P+A, Paul Dano, Red Lights, REV CREATIVE, Richard Ayoade, Rob Reiner, Rodrigo Cortés, Roger Corman, Ruby Sparks, Russell Brand, Sam Raimi, Savages, Spider-Man, Spider-Man 2, Spider-Man 3, Step Up 2: The Streets, Step Up Revolution, Tell No One, The Amazing Spider-Man, The Arterie, The Best Exotic Marigold Hotel, The Bucket List, The Cimarron Group, The Dark Knight, The Dark Knight Rises, The Hunger Games, The Imposter, The Magic of Belle Isle, The Queen of Versailles, The Simpsons, The Watch, The Way Back, Trayvon Martin, Vantage Point
Posted by Jared Mobarak on March 29, 2012 · Leave a Comment
“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]
Category film features, posterized propaganda · Tags Agency 71, Alyson Hannigan, American Psycho, American Reunion, Atlas Shrugged: Part I, ATM, Bemis Balkind, Benicio Del Toro, Bernie, Black Hawk Down, Buried, Call of Duty, Cardinal Communications USA, Chris Diamantopoulos, Chris Sparling, Chuck, City Rain Design, Coach, Colombiana, Comic-Con Episode IV: A Fan's Hope, Craig T. Nelson, Darling Companion, Diane Keaton, Emily Blunt, Emma Watson, Farrelly Brothers, Friends with Kids, Gothika, Greenlight Creative, Headhunters, Ignition Print, Indika Entertainment Advertising, Into the Wild, Jack Black, Jason Segel, Jason Spevack, Jesus Henry Christ, Jim Carrey, John Cho, John Cusack, Joss Whedon, Kevin Kline, KO Creative, Lawrence Kasdan, Le Cercle Noir, Mallrats, Mary Harron, Michael Sheen, Mohamed Fellag, Monsieur Lazhar, Morgan Spurlock, Nicholas Sparks, Philip McNulty, Ralph Steadman, Richard Linklater, Rudy, Samantha Weinstein, Sean Astin, Sean Penn, Sideways, Sunshine Cleaning, Taylor Schilling, Teefury.com, The Arterie, The Assault, The Big Chill, The Break-Up, The Cabin in the Woods, The Cimarron Group, The Five-Year Engagement, The Hunter, The Lookout, The Lucky One, The Moth Diaries, The Quiet, The Raven, The Squid and the Whale, The Three Stooges, The Twilight Saga: Breaking Dawn Part 1, The Vow, Thumbsucker, Toni Collette, Touchback, Vodka Creative, When Harry Met Sally, Whit Stillman, Will Sasso, Willem Dafoe, WORKS ADV, Wrath of the Titans, Zac Efron
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