REVIEW: The Amazing Spider-Man [2012]

“Up your what, Dad?” Ten years after Sam Raimi‘s Spider-Man joined Bryan Singer‘s X-Men in proving the superhero genre could be taken seriously in the annals of cinematic history, the reset button has been pressed for a fresh new look. Between Marvel taking the initiative to pool their collective, solely-owned properties into one giant universe of quasi sequels with 2008’s Iron Man and DC Comics lucking into Christopher Nolan‘s vision of Batman as more than a surreally cartoonish romp in the darkness, what was one of the most legitimate comic…

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REVIEW: Kaboom [2011]

“Are you, like, gay or whatever too, or, like, normal?” Using a soundtrack as the score to a generation’s penchant for drugs, sex, and enlightenment, Gregg Araki’s Kaboom portrays a college of liberated psyches running wild to the sounds of The Pains of Being Pure at Heart, Cut Copy, The xx, and Interpol. It’s a collection of music that can define the new century’s beginning—one ruled by a youth without borders, without limitations, and without fear. But the songs don’t blare over the visuals, the characters don’t make blatant reference…

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