REVIEW: Les plages d’Agnès [The Beaches of Agnès] [2008]

“I feel pain everywhere” I think it should be a new rule that documentaries about filmmakers can only be made if the subject him/herself directs. How could you not want this enforced after watching Agnès Varda‘s Les plages d’Agnès [The Beaches of Agnès]? It surely helps that the Frenchwoman is candid, funny, and fearless when […]

INTERVIEW: Olivier Nakache, cowriter/codirector of Samba

Olivier Nakache and Eric Toledano‘s (shown above at middle and right with Omar Sy) Intouchables was France’s Oscar hopeful in 2012 and did make the January shortlist. An infectious crowd-pleaser based on a true story, it vaulted Sy into stardom with a César win over The Artist‘s Jean Dujardin and ultimately co-staring roles in Hollywood […]

REVIEW: Nymphomaniac: Vol. II [2014]

“I’m a virgin. I’m innocent.” I had heard there was a drop off in quality with Nymphomaniac: Vol. II compared to the first half, but I wasn’t quite prepared for how far. A much crueler portion of the tale, the second part of Lars von Trier‘s sex epic is also more outlandish as new characters […]

REVIEW: Nymphomaniac: Vol. I [2014]

“Mea Vulva. Mea Maxima Vulva.” I don’t intend it to be a smirk at those who think otherwise, but Lars von Trier‘s Nymphomaniac: Vol. I is much tamer than I expected. I’m not sure why I thought it would simply be gratuitous sex from start to finish—I guess I let the hype surrounding it taint […]

TIFF14 REVIEW: Samba [2014]

“Red paper. Then … no more.” Every movie should have a score by Ludovico Einaudi and it’s comforting to see Olivier Nakache and Eric Toledano agree. After using his haunting music on the brilliant Intouchables, the duo take a few tracks from his album In a Time Lapse to enhance their latest work Samba. Another […]

Posterized Propaganda January 2014: The Top 10 Movie Posters of 2013

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]

TIFF11 REVIEW: Melancholia [2011]

“Two million and six beans” Director Lars von Trier has never been easily accessible. Part of his genius is the ability to go places others might not dare, shoot imagery no one else could even fathom, and push his actors into authentic performances that risk sending them into the same psychological tailspin as their characters. […]

Picking Winners at the 83rd Annual Academy Awards

Spree contributing writer William Altreuter, graphic designer Jared Mobarak, and I are going to share our thoughts on this week’s Oscar nominations. Let’s kick things off with a category whose victor—Colin “Mr. Darcy” Firth—seems to have already been agreed upon. — Christopher Schobert Best Actor: Javier Bardem: Biutiful Jeff Bridges: True Grit Jesse Eisenberg: The […]

The Most Anticipated Films of 2011

While Jon Favreau may say that 2011 looks to have a bloodbath summer on its hands with blockbusters galore taking 3D screens from each other, I’ll say right now that those aren’t the movies most intriguing me. Next year sees a return for Jack Sparrow, Lightning McQueen, Holmes and Watson, the Witwickys, Ethan Hunt, and, […]

360|365FF10 REVIEW: The City of Your Final Destination [2010]

“How could any outsider understand this place?” A two and a half hour round trip to see a movie may appear crazy on the surface, but when it’s for opening night of something as well put together as the 360|365 George Eastman House Film Festival, all is completely sane. Attending the first screening wasn’t in […]

Keith Schofield … Music Videography

Keith Haverbrook, Eric Schoman & Jeff Mayfield make up the directing collective known as Keith Schofield. It’s an award-winning team from Los Angeles, CA that has been crafting very innovative music videos since 2004, almost all of which utilize some sort of camera trick, using the artifice of the medium to lend a unique visual […]