REVIEW: Cars 3 [2017]

“I call you my senior project” I know I’m in the critical minority when admitting my enjoyment of the Cars franchise, but I honestly do. It’s not even that I am a “car guy” either—I’ve never seen the appeal of them beyond their utility as a transportation vehicle. So my enjoyment of the first film was solely on the level of its message and humor. It dealt with the theme of ego and humility as Lightning McQueen (Owen Wilson) discovered you simply cannot get through life on an island alone.…

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REVIEW: Toy Story of Terror [2013]

“And if something does happen to the potato—I don’t want to miss it!” While Disney/Pixar has dove into children’s television with Cars-centric offerings and a Buzz Lightyear spin-off, it’s surprising it’s taken this long to craft a primetime special. With what used to be a flawless feature film enterprise bolstered by award-winning shorts, perhaps they believed themselves above the small screen until now. But as Pixar evolves from luxury brand to simply one more animation arm of Disney proper, good press and high ratings aren’t something to ignore out of…

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REVIEW: Planes [2013]

“I fly for truth” What should be an auspicious occasion for DisneyToons Studios earning its first theatrical release since 2005’s Pooh’s Heffalump Movie, the Cars spin-off Planes sadly does little to affirm the decision. Actually, the fact Disney supposedly decided to upgrade its status because of how impressive early scenes looked only makes things appear more like a cash grab to milk the universe for extra box office dollars. A second read-through of Jeffrey M. Howard‘s script—he of home video Tinker Bell fame—shouldn’t have been necessary as it’s pun-heavy dialogue…

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REVIEW: Monsters University [2013]

“Technically I caught the pig” I entered the theatre with low expectations and a willingness to be surprised, curious towards Monsters University’s trailers lacking plot description besides a generalized notion of witnessing Mike Wazowski (Billy Crystal) and Jimmy “Sulley” Sullivan (John Goodman) becoming best friends. What would first-time Pixar feature-film director Dan Scanlon and co-writers Robert L. Baird and Daniel Gerson have up their sleeves? How would they fill the inevitable gaping hole of not bringing back the adorable Boo from Monsters, Inc. due to their newest installment’s status as…

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REVIEW: Madagascar 3: Europe’s Most Wanted [2012]

“I’m like a candy cane in a black and white movie” A round of applause for directors Eric Darnell and Tom McGrath—and Conrad Vernon who joins them to expand on his responsibilities playing Mason the monkey—because they have kind of accomplished the impossible with Madagascar 3: Europe’s Most Wanted. I was surprised at how much better Escape 2 Africa was in comparison to the original Madagascar, but never expected my level of enjoyment to rise even more with the third. Darnell—also a co-writer with Noah Baumbach—and McGrath have grown alongside…

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REVIEW: Crazy, Stupid, Love. [2011]

“Be better than the Gap” Love can make you do stupid things. Love can drive you crazy. It can break your heart, make you better than you ever thought you could be, or be used as a reason to cling on when there is nothing left to hold. We seek it out, question whether it’s true, hope he or she feels the same, and pray that it’s enough. Even when we do something that should sever all bonds for eternity, somehow there is always a tiny miniscule thread with the…

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REVIEW: Cars 2 [2011]

“I vant to siphon your gas” Being that I was not in what appeared to be a vast majority of people who thought Cars was ‘lesser’ Pixar, I can’t say I was too surprised to find I was on the outside of the even bigger group of critics who trashed Cars 2 as a sequel based solely on toy manufacturing profit. Yes, it is totally a cash-grab—I’m not questioning that fact—but alongside this is an attempt to create something the studio has yet to do, an entertaining comedy existing on…

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REVIEW: Toy Story [1995]

“Ages three and up! It’s on my box!” It’s hard to believe that, with Toy Story 3 coming out soon, it has been fifteen years since the original film. Back in 1995, Toy Story ushered in an animation renaissance for not only Disney, but also the medium as a whole. Pixar Studios had created something that changed the game forever, spawning countless other computer-graphic studios to follow suit and never fully reach the potential consistently exceeded by the Mouse House’s little buddy. Starting as a small-scale studio inside the Lucasfilm…

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The 82nd Oscars recap through tweets …

@jaredmobarak • NPH in sequins … i guess that’s something … The 82nd Annual Oscars ceremony begins, yet the hosts are nowhere to be found. Have we gotten to the point now where we need a lead-in for the most assuredly lame/very PC stand-up routine? We need to get the ball rolling for the ball that gets the show rolling? And they wonder why it always goes over its allotted timeslot. So, not only do we have to be introduced to all the lead acting nominees—because anyone watching doesn’t know…

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REVIEW: Up [2009]

“A land lost in time” I don’t know how long Pixar can keep it up, especially with a second sequel to Toy Story coming and a first sequel to Cars on the way, but as of now, no one does it better. Over the years, the studio has gone from heartfelt children’s fare to more heady dramas—still with a youthful touch, but deeper and more resonate than your standard “stick the kid in front of the screen and have quiet for a couple hours”. It began with Ratatouille, a tale…

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REVIEW: Monster House [2006]

“It’s gonna be a bloodbath” I really wasn’t sure what I’d be getting with the new film from Robert Zemeckis, utilizing his technology from the enjoyable Polar Express. I have been intrigued by the buzz I heard saying that Monster House was a bit darker and scarier than parents initially thought when taking their children. Also, being nominated for the animation Oscar, along with the wonderful Cars and utter garbage Happy Feet, I put the dvd in with some nice anticipation. Thankfully the animation is leaps and bounds better than…

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