REVIEW: Carrie [1976]

“Sin never dies” As a Maine resident trying his hand at literary horror, it shouldn’t be surprising that Stephen King would gravitate towards a New England topic such as witchcraft so early in his career. Carrie was his fourth novel (first to be published) and showed the potential for the skewed gaze on common tropes […]

REVIEW: De Palma [2016]

“I’m driven by unrealistic ideas” I’ve seen twelve Brian De Palma films in my lifetime—a seemingly healthy number when you consider the industry. A guy like Terrence Malick began his career just five years after Brian and it’s only his seventh film that hit DVD this week. Unfortunately for me, twelve doesn’t come close to […]

Posterized Propaganda October 2013: The Faces of ‘Gravity,’ ’12 Years a Slave,’ ‘The Counselor’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]

REVIEW: The Loved Ones [2010]

“I’m ready to draw on him now” Writer/director Sean Byrne is one Australian unafraid to go for broke. Had his horror film The Loved Ones been made in America, I can think of multiple instances of places where things would have been toned down or stopped altogether. There must have been something every five minutes […]

REVIEW: Black Swan [2010]

“Get ready to give me more of that bite” The line from Darren Aronofsky’s debut feature Pi, ‘When I was a little kid, my mother told me not to stare into the sun. So when I was six, I did.’ wouldn’t get out of my head throughout his newest, Black Swan. After tackling a pretty […]