REVIEW: Mudbound [2017]

“They say it’s bad luck to watch somebody leave” People too often speak about America’s scars as though the damage was done, skin healed over, and remnants already mostly faded away. But this isn’t true. Ask any member of a group that has been marginalized from the moment Europeans landed on the Atlantic shore until […]

REVIEW: Inside Llewyn Davis [2013]

“Llewyn is the cat” Can I chalk my ambivalence to the Coen Brothers‘ newest film Inside Llewyn Davis up to knowing nothing about the Greenwich Village folk music scene of 1961? It is after all loosely inspired by the life of Dave Van Ronk, containing aspects of his autobiography The Mayor of MacDougal Street for […]

REVIEW: The Great Gatsby [2013]

“Once again I was within and without” Visionary filmmaker Baz Luhrmann returns with a big screen adaptation of F. Scott Fitzgerald’s magnum opus The Great Gatsby, filmed in the ostentatious aesthetic that made his jukebox musical Moulin Rouge! such a divisively stunning work. Love him or hate him, no one can deny the man has […]

Picking Winners at the 84th Annual Academy Awards

For the next week and a half, Spree contributor William C. Altreuter, our online film reviewer Jared Mobarak, and me will share our thoughts on who will take home the Oscars. Let’s kick things off with … Best Supporting Actress. —C. S. BEST SUPPORTING ACTRESS: Bérénice Bejo – The Artist as Peppy Miller Jessica Chastain – […]

Posterized Propaganda January 2012: The Top 10 Movie Posters of 2011

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]

Posterized Propaganda December 2011: Numbers and Faces

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]

REVIEW: Drive [2011]

“There are no good sharks?” Part-time stuntman, part-time mechanic, part-time wheelman, and full-time brood—this is Ryan Gosling‘s Driver. He’s a man of few words with determination stamped on his face and a code of morals that exist inside a very murky gray area blurring the line between right and wrong when loyalty comes into play. […]

TIFF11 REVIEW: Shame [2011]

“Blue or green?” Three years after their first collaboration—and the director’s debut film—Steve McQueen and star Michael Fassbender return with the viscerally intense Shame. To call a movie assured to receive an NC-17 rating more mainstream than their previous Hunger is insane, but it’s true. Whereas that film took a more formal approach to the […]

Top Ten Films of 2010: Dark Fantasy Cinema

This list is accurate as of post-date. So many films and not enough time to see them all—141 seen is this year’s number—the potential for future change is inevitable, but as of today here are the best … I remember thinking around April that there hadn’t been a truly great film released yet. After summer […]

Picking Winners at the 83rd Annual Academy Awards

Spree contributing writer William Altreuter, graphic designer Jared Mobarak, and I are going to share our thoughts on this week’s Oscar nominations. Let’s kick things off with a category whose victor—Colin “Mr. Darcy” Firth—seems to have already been agreed upon. — Christopher Schobert Best Actor: Javier Bardem: Biutiful Jeff Bridges: True Grit Jesse Eisenberg: The […]

REVIEW: Wall Street: Money Never Sleeps [2010]

“Growing old’s not for sissies, kid” Stupid subtitle aside, dare I say Wall Street: Money Never Sleeps surpasses its predecessor pretty much across the board cinematically? Allan Loeb and Stephen Schiff have woven together an intricate plot of dueling con jobs amidst a young romance between idealists in a capitalist world where greed is a […]