Posterized Propaganda November 2014: ‘Foxcatcher,’ ‘Interstellar,’ ‘The Imitation Game,’ and More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]

REVIEW: You Will Meet a Tall Dark Stranger [2010]

“Where is my life heading? I need direction.” Whether you’re a fan or not, Woody Allen’s ability to churn out a film a year is nothing short of astounding. They are not all masterpieces—in my opinion few of them are—but that only makes the greats greater. His current renaissance abroad in Europe has had a […]

REVIEW: True Grit [2010]

“A saucy line will not get you very far with me” The Coen Brothers have been on such a roll the past four years. While they’ve gone serious for the most part, the trademark wit has not disappeared from the dramatic entries to their oeuvre. Still able to hit the funny bone full bore—see Burn […]

REVIEW: Blood Simple. [1984]

“I ain’t done nothin’ funny” It took Fargo—thirteen years later—for the Coen Brothers to finally get recognition at the Oscars with three nominations culminating in a win for Best Screenplay. Then it was another eleven before their first Best Picture win. And if you look at that victory with No Country for Old Men alongside […]

REVIEW: A Serious Man [2009]

“Did he tell you about the Goy’s teeth?” Despite the prevalent use of Hebrew without translation and, I’m sure, many instances of Jewish culture that I am unfamiliar with, I really enjoyed the new Coen Brothers film A Serious Man. The film, while a bit odd and seemingly schizophrenic in tone, is vintage Coen, harkening […]

REVIEW: Burn After Reading [2008]

“His optometrist has a sense of humor” Last year’s No Country for Old Men showed the world that the Coen Brothers could make a great film. After a pair of not-so-good flicks, no one really cared about them, two creative geniuses that crafted some of cinema’s best black comedies of the 80s and 90s. Then […]