Posterized Propaganda November 2014: ‘Foxcatcher,’ ‘Interstellar,’ ‘The Imitation Game,’ and More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. I guess studios are gearing up for a huge December push because this month has a pretty sparse line-up. Thankfully, however, it appears quality has trumped quantity because most of…

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REVIEW: You Will Meet a Tall Dark Stranger [2010]

“Where is my life heading? I need direction.” Whether you’re a fan or not, Woody Allen’s ability to churn out a film a year is nothing short of astounding. They are not all masterpieces—in my opinion few of them are—but that only makes the greats greater. His current renaissance abroad in Europe has had a few gems, so rather than the late-90s/early-00s sense of trepidation and lack of interest in what he created, I’ve actually been excited for much of his newest work. You Will Meet a Tall Dark Stranger…

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REVIEW: True Grit [2010]

“A saucy line will not get you very far with me” The Coen Brothers have been on such a roll the past four years. While they’ve gone serious for the most part, the trademark wit has not disappeared from the dramatic entries to their oeuvre. Still able to hit the funny bone full bore—see Burn After Reading—the comedies have gone subtler with a more dire tone, (A Serious Man), and the dramas have gone grimmer themselves, right into consistent Oscar contention, (No Country for Old Men). Going back to Charles…

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REVIEW: Blood Simple. [1984]

“I ain’t done nothin’ funny” It took Fargo—thirteen years later—for the Coen Brothers to finally get recognition at the Oscars with three nominations culminating in a win for Best Screenplay. Then it was another eleven before their first Best Picture win. And if you look at that victory with No Country for Old Men alongside their more recently acclaimed A Serious Man, you should force yourself to go all the way back to 1984 for a glimpse at their genetic originator. You can’t help but see the dark noir atmosphere…

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REVIEW: A Serious Man [2009]

“Did he tell you about the Goy’s teeth?” Despite the prevalent use of Hebrew without translation and, I’m sure, many instances of Jewish culture that I am unfamiliar with, I really enjoyed the new Coen Brothers film A Serious Man. The film, while a bit odd and seemingly schizophrenic in tone, is vintage Coen, harkening to the days of Barton Fink with its dark subtlety. Following up an all-out comedy in Burn After Reading, the new movie would seem out of place for viewers unfamiliar with the directors’ work, however,…

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REVIEW: Burn After Reading [2008]

“His optometrist has a sense of humor” Last year’s No Country for Old Men showed the world that the Coen Brothers could make a great film. After a pair of not-so-good flicks, no one really cared about them, two creative geniuses that crafted some of cinema’s best black comedies of the 80s and 90s. Then came the Oscar winner, showing an attention to detail and precision pacing worthy of the accolades if not, in my opinion, the best film of the year. But it was so serious and unlike anything…

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