REVIEW: A Very Harold & Kumar 3D Christmas [2011]

“They serve pancakes in hell” When your leads are a pair of co-eds who love pot and desire the delicious goodness of White Castle burgers to satisfy the inevitable munchies, throwing a litany of oddball situations and raunchy characters their way makes complete sense. It’s an asinine world populated by one-note figures somehow working within their contextual limitations to induce laughter from an audience’s need of immaturity’s release. As a result, Harold & Kumar Go to White Castle was a brilliant stoner comedy with longevity, its surprising success birthing the…

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FILM MARATHON: Movie Musicals #10: Bugsy Malone [1976]

“I’ve spent my entire life coming back tomorrow” A director with a career infused by music for three decades, Alan Parker’s feature length debut came in the form of Bugsy Malone. Completely populated by kids under seventeen, it’s a gangster film that exists as though in an alternate reality, working on all levels whether treated seriously or as farce. The child actors are in Prohibition-era specific costumes, attend a popular speakeasy run by the biggest crime boss in town, and talk the talk as though they’ve lived the life, seen…

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FILM MARATHON #3: Movie Musicals (Broadway & Original)

The reason I started doing my marathon series was to finally start seeing films I’ve neglected and needed to see. Doing the filmography of Terrence Malick couldn’t have turned out better with some of the greatest works of cinema I’ve ever seen. Days of Heaven easily vaulted itself into my top 10 of all-time and The Thin Red Line wasn’t too far behind. Checking out Julia Roberts films might have made me realize I’ve been wrongly ignoring her abilities as an actor, but Malick has given me a new auteur…

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INTERVIEW: Debra Granik, writer/director of Winter’s Bone

While attending the 360|365 George Eastman House Film Festival in Rochester, I was struck by the selection of festival winners screening for its Upstate New York audience. With so many award-winners, I went in blindly to whatever fit into my schedule, experiencing work I wouldn’t have a chance to see in theatres for months, if at all, here in Buffalo. After three straight days of movies, Winter’s Bone, the winner of the 2010 Sundance Grand Jury Prize for Drama, ended up being the final film of my tenure there. I…

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Top 50 Films of the Decade (2000–2009)

As always, I have not seen every film made in the decade, so this list is only complete as of posting. There are those diamonds in the rough I’ve yet to witness that could render this entire list obsolete. The ‘Naughts’, I believe an appropriate term being used for the decade spanning from 2000–2009, the years we feared wouldn’t come thanks to Y2K, brought with them some amazing films. Technological advancements aside, this time period contained a number of singular auteurs both continuing on already stellar careers and others beginning…

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REVIEW: Brick [2006]

“Where do you eat lunch?” This is a film I have been highly anticipating for over a year. After first hitting the festival circuit in January of 2005 it went through the cycles, finally getting a stateside limited release at the end of March 2006. Buffalo, I ask you now to open your eyes to a masterpiece of cinema as Brick finally debuts at the Amherst Dipson. Brick is a not a film as much as a symphony where each instrument is tuned to the beat of the conductor. Each…

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