REVIEW: Die Hard [1988]

“Make fists with your toes” It’s become such an action classic with numerous sequels, copycats, and homages and yet Die Hard as we know it almost never was—by choice. Novelist Roderick Thorp wrote Nothing Lasts Forever, his follow-up to The Detective, thirteen years after the original because he saw The Towering Inferno and dreamt up […]

REVIEW: The Player [1992]

“… with a heart” When thinking about a satire on Hollywood, the idea to glorify its luck, ego, and excess rather than vilify probably wouldn’t be the direction your mind gravitates towards. To some extent this may ensure the exercise will prove pointless because the message shifts from showing everything wrong that needs fixing into […]

Posterized Propaganda August 2014: ‘Guardians of the Galaxy,’ ‘Sin City,’ ‘Starred Up,’ and More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]

REVIEW: RED 2 [2013]

“I was very touched that you cried at my funeral” For DC Comics imprint Homage’s RED, screenwriters Jon and Erich Hoeber turned Warren Ellis and Cully Hamner’s original work into a surprise box office hit with an inspired cast of aged, former CIA operatives presently labeled “retired: extremely dangerous”. The goal with any successful comic […]

REVIEW: G.I. Joe: Retaliation [2013]

“You love my panties” I have to give Paramount Pictures credit as they saw what did and didn’t work in G.I. Joe: The Rise of Cobra and sought a way to rectify their mistakes. Were they going to end up with a good film? No. Did they at least want to find a way to […]

REVIEW: A Good Day to Die Hard [2013]

“I don’t want my life back” While A Good Day to Die Hard may never truly feel like a Die Hard flick, it isn’t for a lack of entertainment. Fans love the idea of John McClane (Bruce Willis) going above and beyond his duties as a policeman to the point of reckless endangerment, destruction of […]

Posterized Propaganda February 2013: A Snort of Fresh Air with ‘Warm Bodies’, ‘Identity Thief,’ ‘Charles Swan’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]

Picking Winners at the 85th Annual Academy Awards

Supporting Actress: Amy Adams: The Master Sally Field: Lincoln Anne Hathaway: Les Misérables Helen Hunt: The Sessions Jacki Weaver: Silver Linings Playbook William Altreuter: It often seems to me that the Best Supporting categories are where the most interesting things are to be found in the Academy Award nominations, and this year is proving me right. What we often get—especially with Best Actress […]

REVIEW: Looper [2012]

“I gave you something that was yours” Like he did film noir (Brick) and the grift (The Brothers Bloom), writer/director Rian Johnson has infused his uniquely personal touch into the science fiction genre with Looper. Time travel as a concept isn’t new, but how it’s handled will provide varying degrees of success. Generally utilized by […]

Posterized Propaganda September 2012: White Space Rules the Month

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]

Posterized Propaganda August 2012: A Summer Lull

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]