REVIEW: The Better Angels [2014]

“All that I am, or hope to be, I owe to my angel mother” It only takes one look at a tree canopy from below in gorgeous black and white photography to know writer/director A.J. Edwards is a student of Terrence Malick. He’s actually been the auteur’s editor since To the Wonder after holding positions as editorial intern and key artistic consultant on The New World and The Tree of Life respectively. It’s hardly surprising Edwards’ own style would therefore mimic Malick’s poetic visuals and penchant for voiceover subtly inferring…

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REVIEW: Faults [2015]

“What did you lose?” There’s an inherent paradox to the universally held idea of cults being destructive. So quick to deem what occurs within them unnatural—namely a leader using his charisma to indoctrinate the weak into a “family” that understands them—we forget to acknowledge how much of our own lives follow the same pattern. As children we look up to our parents, grandparents, role models, etc. As adults we seek validation from bosses, peers, and spouses, measuring our success on a scale built upon what a public we hold as…

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REVIEW: I Origins [2014]

“You’re not going to regret this in the morning are you?” Faith is a powerful, impossible thing. By definition it’s something we cannot know with certainty. However, just as those of scientific minds demean believers of God for taking the easy road towards fairy tale, one could say similar sentiments about them for refusing to accept that which they haven’t seen for themselves. After all, isn’t it harder to allow yourself to know without knowing? To hold something in your heart that you have no basis for other than a…

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Posterized Propaganda July 2014: ‘Magic in the Moonlight,’ ‘A Most Wanted Man,’ ‘Life Itself’ and More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. Oof. There are a couple good posters this month. That’s it. And I don’t mean “a couple” hyperbolically either. There are maybe two I’d consider looking at again at the…

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Posterized Propaganda May 2013: Super Sequel Summer with ‘Iron Man,’ ‘Hangover,’ ‘Star Trek,’ ‘Fast & Furious’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. One of these years Alamo Drafthouse has to organize some crazy Mondo Tees sponsored summer where every big tent pole release receives a unique artistic interpretation on paper. They get…

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Top Ten Films of 2012: Ensembles upon ensembles

Many have been saying 2012 was a great year for movies. I’m not sure I fully agree. There were a ton of solid 7/10s and 8/10s, yes, but how does that compare with previous years when the amount of 10/10s were also drastically reduced? It took until September for me to give a film four stars and the two I did laud with such a distinction that month were the only ones. Rather than a showcase of masterpiece cinema, 2012 was instead a year of the performance. And I mean…

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Posterized Propaganda January 2013: The Top 10 Movie Posters of 2012

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. Another year is complete and the time has come to revisit the best one-sheets that did all they could to help their films achieve box office glory. Unsurprising to those…

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REVIEW: Sound of My Voice [2012]

“Why do I like being lame?” There is a new, legitimate voice in science fiction and her name is Brit Marling. A steadily rising actress seen in a collection of intellectually stimulating independent films the past two years, her writing talents have surprisingly proven to be an even greater asset. In fact, it’s fascinating to learn her breakthrough movies—as co-writer and star—debuted together at the 2011 Sundance Film Festival. Another Earth turned public heads first only a few months later, but I believe it’s her work on Sound of My…

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TIFF12 REVIEW: The Company You Keep [2013]

“We made mistakes, but we were right” In Robert Redford and Lem Dobbs‘ adaptation of Neil Gordon‘s novel The Company You Keep, the personal futures fought for by the militant Weather Underground during the Vietnam War risk being destroyed as the last surviving members of a Bank of Michigan robbery find their past catching up to them after thirty years. Hidden with new identities and normal, domestic lives far from the bombings and murders of a previous era, they’ve begun to take stock and find the guilt of what they…

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REVIEW: Another Earth [2011]

“Wish upon a little blue star” If there is one thing Rhoda Williams (Brit Marling) remembers, it is what she was doing the moment she first laid eyes on Earth 2. Driving home from a party days before her first semester at MIT, the DJ on the radio prompted her to peer into the night sky. But looking at this new planet couldn’t be a quick glimpse up for a science major with a shelf full of physics books and Asimov at home. Space was her world, the place her…

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