TIFF19 REVIEW: Just Mercy [2019]

“Trees swaying in the breeze” The story of Walter McMillian’s incarceration and subsequent time on death row is a powerful one with themes spanning police corruption, Southern racism, and justice itself as a means of finding truth rather than convenience. This is an innocent man with a concrete alibi sentenced to death because of coerced […]

REVIEW: Avengers: Endgame [2019]

“I love you three thousand” The best thing Marvel ever did was split their Avengers 1.0 saga’s final chapter in two since it allowed Infinity War to deliver what no other entry could: stakes. Despite knowing they were always false due to the giant gauntlet in the room that literally bends time and space to […]

REVIEW: Captain Marvel [2019]

“I’m not what you think I am” With the snap of his fingers, Thanos made half of Earth’s population disappear. It was the Marvel Cinematic Universe’s most harrowing climactic cliffhanger and it did possess an emotional response despite knowing most if not all of our beloved characters would find their way back before the war […]

REVIEW: The Glass Castle [2017]

“You learn from living. Everything else is a damn lie.” It’s easy to dismiss films like Destin Daniel Cretton‘s The Glass Castle for losing their bite upon reaching a conclusion nobody can deny is melodramatically sentimental. You’ve watched Jeannette Walls’ (Brie Larson) decades-long journey of psychological pain and suffering wrought during her upbringing and ever-present […]

REVIEW: Kong: Skull Island [2017]

“Eating’s for the living” It’s amazing how a film’s success can create a tidal wave, but that’s exactly what Gareth Edwards‘ Godzilla did in 2014. We’re talking critical acclaim, half a billion dollars at the box office, and a rejuvenated plea for monster flicks. Well the first two are fact, the third merely hope on […]

TIFF16 REVIEW: Free Fire [2017]

“Talk about a fucking sledgehammer to crack a nut” TIFF’s Colin Geddes was correct when introducing Ben Wheatley‘s bottle episode of a film Free Fire with the words: “This will wake you up.” The gunfire alone risks perforating your eardrums as John Denver blares from a 1978-era van’s eight-track, but I think it’s the surprising […]

Top Ten Films of 2015: Where emotions run high

I have no problem saying 2015 was a great year for cinema. Putting together a Top Ten was difficult at every turn—both because each time I had to do so meant I had seen more films and as a result of my preferences constantly changing. There are more than a few from 11-20 that easily […]

Picking Winners at the 88th Annual Academy Awards

For those handicapping at home, here are the guesses of Buffalo film fanatics Christopher Schobert, William Altreuter, and myself. Jared Mobarak: Here’s hoping Chris Rock does his best Ricky Gervais as far as not caring about political correctness or duty to kissing up to the celebrities all dressed-up nice because having him host the 2016 […]

Online Film Critics Society Ballot 2015

Below is my December 12th ballot for the 19th annual Online Film Critics Society Awards honoring movies released domestically in the United States during the 2015 calendar year. Group winners are highlighted in red. Best Picture #1Inside Out. #2Carol. #3Spotlight. #4Ex Machina. #5Mad MaxFury Road #6Brooklyn #7The Revenant #8Room #9The Martian #10Sicario Best Animated Film […]

REVIEW: Room [2015]

“There’s Room then outer space with the TV planets then Heaven.” ***POTENTIAL SPOILERS*** I’m not sure a more intensely emotional film than Lenny Abrahamson‘s Room has been released in the past decade let alone this year. Nothing hits home deeper than the bond of a mother and child, but the situation novelist/screenwriter Emma Donoghue constructs […]

REVIEW: Trainwreck [2015]

“Monogamy isn’t realistic” Here I thought I could blame the editor for why Judd Apatow‘s films have been lackluster and overlong since The 40-Year-Old Virgin only to discover his latest Trainwreck is the first of his theatrical quintet not in part handled by Brent White. Instead we have William Kerr, Peck Prior, and Paul Zucker: […]