REVIEW: Child’s Play [2019]

Are we having fun now? It’s not everyday a remake gets produced of a currently running franchise, but that’s exactly what’s happened with Child’s Play. While original screenwriter Don Mancini continues to advance the escapades of his version’s murderous doll possessed by a serial killer’s soul (most recently in 2017’s Cult of Chucky with a television show on Syfy arriving in 2020) thanks to the help of Universal Pictures, MGM and United Artists decided to flex their legal retention of ownership in the property by branching off anew. After Mancini…

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REVIEW: Family [2019]

Take control of your life. One of many side effects (central tenets) of the patriarchy is this notion that women must either follow a workaholic career trajectory devoid of distractions (family) or choose to stay at home and devote their time to being housewives without distractions (career). It’s a very conscious duality with which to place women in boxes and thus punish them for doing what men have done for millennia. Too many people see this contrast as deciding between a path towards ostracization for going against your unrealistic gender…

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REVIEW: Spider-Man: Into the Spider-Verse [2018]

“It’s just puberty” You have to hand it to Sony for thinking outside the box. Not long ago they had the number one cinematic superhero property with Tobey Maguire donning the Spidey-suit to take on the Osborns. They tried to strike gold twice with a new “Amazing” iteration starring Andrew Garfield, but the results simply couldn’t compete with the creative and financial gains Marvel proper had with their Disney-backed universe. So they buckled. They made the compromise they said they never would and allowed the Spider-Man character to become an…

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REVIEW: Widows [2018]

“This isn’t your world” When the first trailer for Widows dropped, I thought, “Steve McQueen is branching out to genre fare now.” This wasn’t a slight, just an observation. I obviously wanted to see it, but thought I could wait before the notes out of TIFF declared it a must-see. Suddenly I needed to reevaluate my perception of what this thing was behind its marketing push. Would there be more than just revenge and heist-based thrills? Would this be a slower burn a la co-writer Gillian Flynn‘s novels augmented by…

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TIFF18 REVIEW: If Beale Street Could Talk [2018]

“Flesh of each other’s flesh” Fonny Hunt (Stephan James) puts out his arms for a hug upon seeing an old friend in Daniel (Brian Tyree Henry) after too much time and too many men their age have passed. Smiles and laughter enter the scene before they are soon replaced by beers and reminiscing. And then comes the hard truth of absence—the explanation of his disappearance. Daniel had been in jail two years for a crime he didn’t commit and Fonny feels for his plight. Despite anything he could possibly say…

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TIFF REVIEW: White Boy Rick [2018]

“We’re goddamn lions” The pitch is as follows: Ricky Wershe Jr. (newcomer Richie Merritt) was a street hustler, drug kingpin, and FBI informant by the age of seventeen. If that doesn’t hook you, the added bonus of it all being real should. Welcome to White Boy Rick, a look at the American Dream that cuts through the bullshit to show what the term truly means outside of false promises. Ricky isn’t some hotshot who worked through the ranks and got too close to the sun. The order of those labels…

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