TIFF18 REVIEW: First Man [2018]

It’s kinda neat The non-controversy surrounding Damien Chazelle‘s First Man shouldn’t surprise anyone who knows how political parties have appropriated art into their agendas since the dawn of time. Of course they’d glom onto the decision to ignore the lunar flag planting as some “un-American” thing rather than read the script, watch the movie, or ask for clarification—options which would have all supplied insight into the reality that Chazelle and screenwriter Josh Singer aren’t telling the story of the moon landing. That goal might be the driving force behind what’s…

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TFF18 REVIEW: All These Small Moments [2018]

And then, somehow over time, I stopped smiling. It’s called All These Small Moments for a reason—one that becomes clear with a final, out-of-nowhere moment of voiceover narration in case you hadn’t figured it out yourself by acknowledging how formative, complex, and emotionally draining each one of writer/director Melissa B. Miller-Costanzo‘s dense scenes prove. Whether her current focal point is young Howie Sheffield (Brendan Meyer), one of the other teenagers at her disposal, the older object of his affection (Jemima Kirke‘s Odessa), or his on-the-brink-of-divorce parents (Molly Ringwald‘s Carla and…

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REVIEW: Spotlight [2015]

“What arraignment?” If Thomas McCarthy’s maligned fairy tale The Cobbler provided any help in securing money to put his script Spotlight in front of cameras, it was worth every disparaging word thrown its way. Co-written with Josh Singer, this 2013 Blacklist alum proves an informative and accurate look at the investigative journalism process as well as an engrossing exposé that refuses to let go despite our knowing the story it exposed. Much like famed predecessor All the President’s Men, audiences arrive keenly aware of the Catholic Church scandal at its…

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