REVIEW: El Camino: A Breaking Bad Movie [2019]

“Nothing beats cash on-hand” Obviously contains “Breaking Bad” spoilers. I’m neither alone in this thinking nor objectively correct, but “Better Call Saul” is superior to its predecessor “Breaking Bad”. I didn’t even really get into the latter until the season three finale and even then it was tough to stay invested in its cast of monsters doing monstrous things to each other ad nauseam. I say that because they used to be good people—or at least innocent of murder. The intrigue was therefore rooted in how deep they’d fall. Since…

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VIDEO: “Barely Legal Pawn”

“Cable money, though” A partial ad for Audi—in the way that Jerry Seinfeld‘s “Comedians in Cars Getting Coffee” is for Acura (product placement)—and full viral promotion for the 2014 Primetime Emmys, former award-winners Bryan Cranston, Aaron Paul, and Julia Louis-Dreyfus have some fun spoofing “Pawn Stars”. “Barely Legal Pawn” is a comedic treat for all involved with the “Breaking Bad” co-stars going full white trash and the “Veep” star straight man. Complete with a few barbs volleyed at each other as far as acting diffculity in their respective programs—and at…

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REVIEW: Hellion [2014]

“I will take responsibility for my actions and the consequences of those actions” The first real stunner of 2014 not from A24 has arrived with Kat Candler‘s heart-wrenching drama Hellion. Much like last year’s Short Term 12, this is a feature length film expanded from an already produced short that depicts troubled kids and the equally troubled adults tasked with providing stability in an unstable world. Anchored by an amazing cast who give their all to conjure emotionally-draining performances you won’t soon forget, each character is set onto a path…

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INTERVIEW: Timothy J. Cox, star of Simple Mind, Choosing Sides, and more

Becoming a working actor is hardly an easy career path chosen lightly. For character actor Timothy J. Cox the journey towards independent film began by accident in 8th grade yet became a calling it would seem he was born to follow. Still, it took him almost a decade of living in New York City before making the decision to focus his professional efforts onto the film set above the theatrical stage. Whether performing in student thesis projects, indie shorts, contests, or features, Cox has made a name for himself through…

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Posterized Propaganda October 2013: The Faces of ‘Gravity,’ ’12 Years a Slave,’ ‘The Counselor’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. Not too many movies open up in October—and only one studio horror flick at that, despite Halloween. What’s the best way to sell tickets then? Star power. Celebrity faces are…

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REVIEW: It’s a Disaster [2013]

“The conversation is real Glenn. The problem is hypothetical.” Even though the Mayans and 2012 have passed, filmmakers still appear utterly fascinated by the end of the world and our reaction to it. I’m not talking post-apocalyptic tales occurring years later—Oblivion or After Earth—I mean true “end is nigh” stuff like Rapture-palooza, Seeking a Friend for the End of the World, or This is the End. This is where true, unadulterated introspection is possible, when our feelings lay bare without threat of consequence since in a few short hours nothing…

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