TIFF15 REVIEW: High-Rise [2016]

“I think he’s lost his focus” As soon as the voice of Tom Hiddleston‘s Dr. Robert Laing was heard speaking narration above his weathered and crazed visage manically moving from cluttered, dirty room to darkened feverish corner, my mind started racing. Terry Gilliam‘s Fear and Loathing in Las Vegas popped into my consciousness and then […]

REVIEW: The Zero Theorem [2014]

“Making sense of the good things in life” If the end were empty—as was the beginning—wouldn’t life be meaning in itself? Why do we constantly ask the question and seek its answer if so many believe our present existence is merely a stepping-stone towards eternity? If that’s truly the case one could label life as […]

INTERVIEW: Richard Ayoade, cowriter/director of The Double

I didn’t know who Richard Ayoade was until 2010 and boy was it the perfect time to find out. My introduction was courtesy of the brilliant British television show “The IT Crowd” and his fantastically drawn Maurice Moss. I had tried watching the show a couple years previously only to forget about it after the […]

Posterized Propaganda May 2014: ‘Godzilla’, ‘Amazing Spider-Man 2′, ‘Maleficent’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]

REVIEW: Brazil [1985]

“Care for a little necrophilia?” Although Terry Gilliam had already established the highly imaginative filmic style we now associate him with above his Monty Python animations, no one could have imagined the scale of what would become his unequivocal masterpiece, Brazil. There were shades of its escapism in Time Bandits and its bureaucratic satire in […]

TIFF13 REVIEW: The Double [2014]

“It’s terrible to be alone too much” Comically dry like director Richard Ayoade‘s debut Submarine, his sophomore effort takes more than a few steps towards an even more arid realm of complete existentialist surrealism. Adapted by he and Avi Korine, The Double brings Fyodor Dostoyevsky‘s novella to the big screen with a surefire confidence in […]

DVDS: Criterion Collection

My collection of DVDs from the venerable Criterion Collection, in order by spine number. (the package art is almost better than the films themselves) [fb-like-button]

REVIEW: The Imaginarium of Doctor Parnassus [2009]

“Can you put a price on your dreams?” Director Terry Gilliam is one of the few people working in the industry today whose work I will go to no matter what I’ve heard telling me I shouldn’t. I’m not saying this because press for his new The Imaginarium of Doctor Parnassus was lackluster; in fact, […]

REVIEW: The Trial [1962]

“To be in chains is sometimes safer than to be free” What do you get when you combine two masters at their craft like Franz Kafka and Orson Welles? Why, The Trial, of course—a heady, surrealistic commentary on society and justice. Much like the novel Atlas Shrugged, laws here are made not to be followed, […]