REVIEW: Frozen [2013]

“Conceal it. Don’t feel it.” Over half a century in the making, Disney’s adaptation of Hans Christian Andersen’s The Snow Queen has finally made it to the big screen. It was 1943 when Walt Disney and Samuel Goldwyn decided to co-create a live-action/animation hybridized biography of the Danish author—an idea that stalled due to their […]

REVIEW: Monsters University [2013]

“Technically I caught the pig” I entered the theatre with low expectations and a willingness to be surprised, curious towards Monsters University’s trailers lacking plot description besides a generalized notion of witnessing Mike Wazowski (Billy Crystal) and Jimmy “Sulley” Sullivan (John Goodman) becoming best friends. What would first-time Pixar feature-film director Dan Scanlon and co-writers […]

The 85th Oscars recap through tweets …

@jaredmobarak • and the #Oscars begin … #Oscars13 @jaredmobarak • SUCCESS!! Tommy Lee Jones smiles! #Oscars13 @jaredmobarak • poor Don Cheadle #Oscars13 Welcome to the 85th annual Academy Awards from the newly renamed Dolby Theatre. Bankruptcy is a drag, ain’t it Kodak? Hopes were high after host Seth MacFarlane‘s surprisingly hilarious Ted made me wonder […]

REVIEW: Wreck-It Ralph [2012]

“Who doesn’t like a brat with dirty hair?” The news that Disney bought Lucasfilm for four billion dollars had me thinking about another of the powerhouse’s key acquisitions—no, not Marvel and its potential for crazy property crossover. To me Mickey and friends’ best move this past decade was ensuring that Pixar Studios and its unparalleled […]

REVIEW: Brave [2012]

“Mend the bond torn by pride” Following two of Pixar Animation Studios’ most successfully original films, WALL-E and Up, came a pair of sequels that honestly left me a bit wanting. While most would agree with me on Cars 2—although I still liked it for what it was—I’m sure many think I’m crazy for being […]

Posterized Propaganda June 2012: Blockbusters Arrive, Creativity Stays Home

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]