REVIEW: Frozen [2013]

“Conceal it. Don’t feel it.” Over half a century in the making, Disney’s adaptation of Hans Christian Andersen’s The Snow Queen has finally made it to the big screen. It was 1943 when Walt Disney and Samuel Goldwyn decided to co-create a live-action/animation hybridized biography of the Danish author—an idea that stalled due to their inability to bring the aforementioned fairy tale and The Little Mermaid to life. While Disney of course figured out the latter in 1989, the former continuously proved troublesome as it failed to come together in…

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REVIEW: Monsters University [2013]

“Technically I caught the pig” I entered the theatre with low expectations and a willingness to be surprised, curious towards Monsters University’s trailers lacking plot description besides a generalized notion of witnessing Mike Wazowski (Billy Crystal) and Jimmy “Sulley” Sullivan (John Goodman) becoming best friends. What would first-time Pixar feature-film director Dan Scanlon and co-writers Robert L. Baird and Daniel Gerson have up their sleeves? How would they fill the inevitable gaping hole of not bringing back the adorable Boo from Monsters, Inc. due to their newest installment’s status as…

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The 85th Oscars recap through tweets …

@jaredmobarak • and the #Oscars begin … #[email protected] • SUCCESS!! Tommy Lee Jones smiles! #[email protected] • poor Don Cheadle #Oscars13 Welcome to the 85th annual Academy Awards from the newly renamed Dolby Theatre. Bankruptcy is a drag, ain’t it Kodak? Hopes were high after host Seth MacFarlane‘s surprisingly hilarious Ted made me wonder if the dude wasn’t the real deal after all. A poor man’s Ricky Gervais, the Academy was probably wise in going for the watered-down Americanized version of unbridled snark because one would think the “Family Guy” creator…

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REVIEW: Wreck-It Ralph [2012]

“Who doesn’t like a brat with dirty hair?” The news that Disney bought Lucasfilm for four billion dollars had me thinking about another of the powerhouse’s key acquisitions—no, not Marvel and its potential for crazy property crossover. To me Mickey and friends’ best move this past decade was ensuring that Pixar Studios and its unparalleled team of creative visionaries would be their in-house animation studio with John Lasseter at its head. Not only would he have the foresight to re-open Walt Disney’s 2-D animation shingle, but he’d also find himself…

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REVIEW: Brave [2012]

“Mend the bond torn by pride” Following two of Pixar Animation Studios’ most successfully original films, WALL-E and Up, came a pair of sequels that honestly left me a bit wanting. While most would agree with me on Cars 2—although I still liked it for what it was—I’m sure many think I’m crazy for being a bit disappointed in Toy Story 3. By far the funniest of the series, you cannot deny that the emotional resonance so intrinsically connected to the studio was lacking until a tacked on finale that…

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Posterized Propaganda June 2012: Blockbusters Arrive, Creativity Stays Home

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. Summer is here and the marketing materials look as vapid as the films. Not to say there isn’t a couple gems coming to multiplexes with blockbuster budgets; there simply aren’t…

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