The 92nd Oscars recap through tweets …

What a weird, wild night. After the debacle that was Kevin Hart’s appointment as Oscar host last year and the straight-up refusal by everyone else to dare take the baton in the wake of his dismissal, The Academy chose right from the start to not have a host for their 92nd annual event. So what do they do after Janelle Monáe’s opening number (itself strange for representing more films that weren’t nominated than those that were)? They ask Steve Martin and Chris Rock—two former hosts—to go on-stage and deliver an…

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Picking Winners at the 92nd Annual Academy Awards

The 92nd Annual Academy Awards hits airwaves Sunday, February 9th, 2020 at 8:00pm on ABC. For those handicapping at home, here are the guesses of Buffalo film fanatics Christopher Schobert, William Altreuter, and myself. Jared Mobarak: Let’s face it. The Oscars have been irrelevant from a creative standpoint since … probably forever. The whole thing is a marketing ploy to boost box office numbers and give trailer makers something to put next to names of creative. That’s why theaters re-release nominees. That’s why boutique studios hold wide rollouts until foreign…

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Online Film Critics Society Ballot 2019

Below is my December 26th ballot for the 23rd annual Online Film Critics Society Awards honoring movies released domestically in the United States during the 2019 calendar year. Each category is ordered according to my preferential rankings. Group winners were announced on January 6th, 2020 and are labeled in red.

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REVIEW: Ad Astra [2019]

Most of us spend our entire life in hiding. In our quests for more, many of us forget that which we already have. This is true on a micro (sacrificing family for career) and macro (domination no matter the collateral damage) level. Space exploration can often become a rather direct example of this as a common reason for advancement in interstellar travel stems from our desire to find a new home to replace the one we’ve destroyed. We latch onto those things that we can only hope to achieve while…

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REVIEW: Once Upon a Time … in Hollywood [2019]

Give me sexy, evil Hamlet. It was around midnight between August 8th and 9th, 1969 that Tex Watson, Susan Atkins, and Patricia Krenwinkel arrived at 10050 Cielo Drive in Los Angeles on a mission from their cult leader Charles Manson. They were told to go to that house (a former renter named Terry Melcher once rebuked Manson) and kill everyone inside as gruesomely as possible. By morning five people were dead including a pregnant Sharon Tate (whose husband, director Roman Polanski, was in Europe working on a new film) with…

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REVIEW: Allied [2016]

“Look for the hummingbird” Sometimes that story you’ve had bouncing around your head needs time to gestate and your career the opportunity to blossom before it can be released upon the world. For Steven Knight it was a bit of both. Already nominated for an Oscar back in 2004 for the brilliant Dirty Pretty Things, the screenwriter soon wrote Eastern Promises before directing the intriguing one-man show Locke. A couple underrated gems (Pawn Sacrifice), some duds (Seventh Son), and a critically acclaimed television series later (“Peaky Blinders”), he finally put…

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REVIEW: The Big Short [2015]

“Trust me. This happened.” I can honestly say I learned something watching The Big Short. That’s no small feat considering it was directed and cowritten by funnyman Adam McKay. His collaborations with Will Ferrell acting like a doofus are generally the exact opposite of educational. But he couldn’t have told this story about the handful of eccentrics who bet against the American economy and won by seeing the mortgage bubble everyone else couldn’t (or fraudulently ignored) without a financial crash course. CDOs, tranches, and sub-primes were as synonymous with gibberish…

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REVIEW: Mr. & Mrs. Smith [2005]

“Right. Five or six years.” It was the aggressive nature of the stories told to screenwriter Simon Kinberg by friends in couples therapy that inspired Mr. & Mrs. Smith—his MFA thesis turned half billion dollar moneymaker at the box office. The leap from the tit for tat dynamic between bickering spouses to secret lives is hardly unique, but making those hidden existences equally successful assassin careers instead of extramarital affairs certainly was. Killers need to work through issues too, especially when the question of whether they married out of love…

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REVIEW: Fury [2014]

“Are you saved?” I can relate when people look at David Ayer‘s Fury and shake their heads saying, “We get it. War is brutal.” I can because I remember sitting down to watch The Reader in 2008 only to think how completely over Holocaust movies I was that year. I believe I saw four or five—each good, relevant, and powerful on its own terms if not overwhelming when put together. That’s kind of the point, though, isn’t it? At the end of the day the truth of the matter is…

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Posterized Propaganda October 2014: ‘Gone Girl,’ ‘Nightcrawler,’ ‘Whiplash,’ and More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. Say goodbye to summer. Tent pole season is over and the critical darlings have begun to pop up on the Fandango queue. October is still a weird month, however, since…

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Toronto International Film Festival 2014 Preview

We may have two consistent film festivals here in town showcasing small releases and restored classics, but you might not realize how close we are to one of the biggest in the world. Most “in the know” will center on five events when thinking about the best of the best film festivals and while Venice, Cannes, and Berlin are an ocean away and Sundance is across the country, The Toronto International Film Festival is less than a two-hour drive via the QEW into Canada. Even better than proximity, though, is…

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