REVIEW: The Revenant [2015]

“As long as you can still grab a breath … you fight” If we’re to go by the setting of Michael Punke‘s novel The Revenant on which Mark L. Smith based his script—director Alejandro González Iñárritu gets a co-writing credit after coming onboard—the year is 1822 and the Central American frontier is loaded with fur […]

Top Ten Films of 2014: A deluge of sci-fi doppelgängers and one-word titles

I don’t want to label 2014 as a good, bad, or average year. I want to call it inventive, original, and delightfully dark. Whether it’s doppelgänger paradoxes leading to murderous rage, the bleak carnage of war, prison violence, or psychologically debilitating struggles to be great, my favorite films had an edge that cut to the […]

The 87th Oscars recap through tweets …

I’m not sure why I keep filling myself with false hope that the Oscars will one day be an entertaining show to watch. The optimism is almost completely unfounded by this point. Whether they go weird (Anne Hathaway and James Franco), safe (Billy Crystal), hip (Seth MacFarlane), or try and steal another show’s success (Neil […]

Picking Winners at the 87th Annual Academy Awards

Things look pretty cut and dry where the Academy is concerned in 2015. The Oscars are always a somewhat watered-down look at what really mattered in the past year of cinema and this installment is no exception. In fact, it may be all water at this point. That doesn’t mean there can’t be some intriguing […]

REVIEW: Birdman or (The Unexpected Virtue of Ignorance) [2014]

“The truth is always interesting” It’s true what the film’s Times‘ theater critic (Lindsay Duncan) says: an artist should bleed for his craft. Physically, spiritually, metaphorically—blood must be spilt so the world knows he was here, selflessly (selfishly?) making us laugh, cry, and reflect on lives well lived and squandered. This is why those who […]

Posterized Propaganda October 2014: ‘Gone Girl,’ ‘Nightcrawler,’ ‘Whiplash,’ and More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]