REVIEW: Justice League [2017]

“I don’t have to recognize it. I just have to save it.” There are a lot of haters out there—those who pile on Zack Snyder, the DC Extended Universe, and both. I’m not one of them. But that doesn’t mean I’ve loved what they’ve delivered. We’ve received one good film (Wonder Woman), one ambitiously enjoyable […]

REVIEW: Alien: Covenant [2017]

“One wrong note eventually ruins the entire symphony” I was in the minority with Prometheus in 2012, declaring its brilliantly nuanced story diving beneath its genre conventions as the best entry in the Alien franchise since the original. It was spirituality-tinged science fiction whereas Ridley Scott‘s 1979 classic was character-based horror with palpable emotion-laden terror. […]

REVIEW: Jackie [2016]

“When something’s written down—does that make it true?” It’s rather intriguing how we feel we know our presidents. They represent us as a leader of the free world and we in turn love them enough to mourn their passing even when it’s decades after their run in the Oval Office ceased. But what is it […]

REVIEW: 20th Century Women [2016]

“You wish you were crazy” There’s a lot to unpack in 20th Century Women, Mike Mills‘ look at lost souls adrift on paths towards happiness (if happiness even exists). For one he’s a man writing progressive feminists who in turn earnestly educate the two men in their lives how to be men. That alone takes […]

REVIEW: Spotlight [2015]

“What arraignment?” If Thomas McCarthy’s maligned fairy tale The Cobbler provided any help in securing money to put his script Spotlight in front of cameras, it was worth every disparaging word thrown its way. Co-written with Josh Singer, this 2013 Blacklist alum proves an informative and accurate look at the investigative journalism process as well […]

Posterized Propaganda March 2014: ‘Noah’, ‘Nymphomaniac,’ ‘The Grand Budapest Hotel,’ ‘Enemy’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]

REVIEW: Eat Pray Love [2010]

“Learn to believe in love again” The title says it all—Eat Pray Love—a mantra being adopted by women across the globe. I can understand the memoir’s appeal, in a want and desire to achieve an idyllic life and the balance/calm/forgiveness needed to find it, but Elizabeth Gilbert’s tale is a very personal journey. This isn’t […]

REVIEW: Public Enemies [2009]

“Bye-bye blackbird” There’s this thing called clout that allows certain Hollywood types to be able to get people like Shawn Hatosy and Leelee Sobieski in their films for five-minute throwaway roles. It also gets them the ability to have carte blanche on a script that others may not. I think Michael Mann is one of […]

REVIEW: Watchmen [2009]

“The end is nigh” After twenty years the ultimate graphic novel, a tale many hold to be amongst the greatest stories ever written, illustrated or not, has finally been brought to cinematic life. Many tried and failed to find the way to do it. Should an epic tale set in such a specific period of […]

REVIEW: The Good Shepherd [2006]

“The rest of you are just visiting” The man who used to add credibility and substance to a film, Robert De Niro, has of late made some horrible career moves. For someone who has been in classic films and who created some of the most memorable characters in cinema, being a film god will not […]

REVIEW: Mission: Impossible III [2006]

“There is a point where bold becomes stupid.” Ving Rhames’s character Luthor speaks the above words and couldn’t be more right. Just by looking at the evolution of the Mission: Impossible series, one can see a bold example of cerebral storytelling shot by virtuoso Brian De Palma and a cold, mechanical showing of a really […]