The 89th Oscars recap through tweets …

  pic.twitter.com/oGJkXytnQ2 — PwC LLP (@PwC_LLP) February 27, 2017 So that actually happened. Warren Beatty opened the Best Picture envelope, furrowed his brow, and looked for another card. He’s thinking, “This is wrong.” He stalls—his body language coming off as a joke in the moment, the audience and his co-presenter Faye Dunaway laughing at what appears to be an old man who forgot his glasses. And since no one came running onto the stage to say something actually was wrong, he silently turned to Faye with the card. And the…

Read More

REVIEW: The Terminator [1984]

“It’s just him and me” Sometimes the road to success hinges on a series of happenstances and whom you know. Just ask James Cameron: on-set special effects director for Piranha II: The Spawning (former boss Roger Corman produced the first) before it became his directorial debut due to creative differences between his predecessor and producer Ovidio G. Assonitis (who subsequently took it away from Cameron after shooting wrapped). Hardly a glowing experience to warrant handing the not-yet thirty-year old six-million dollars to bring an original script to life, but Orion…

Read More

TIFF14 REVIEW: Nightcrawler [2014]

“If you want to win the lottery you have to have the money to buy a ticket” There are some huge ebbs and flows in Dan Gilroy‘s Nightcrawler. At times I loved it, others I felt bad for laughing, and some instances made me wonder what exactly it was I was watching. In the end, however, I can unequivocally say it’s a gem of a lean, mean film that never let’s its foot off the gas pedal with an iconic antihero in Jake Gyllenhaal‘s Lou Bloom who might currently be…

Read More

REVIEW: Edge of Tomorrow [2014]

“The only thing missing is you” When a script is placed on The Black List—an unauthorized survey of the “best” unproduced screenplays making the rounds—it’s generally a calling card for the writer. Many of these works come off to huge success and springboard the author to great heights in hopes more box office winners lay dormant inside his or her mind. With the highly entertaining Edge of Tomorrow, however, this isn’t quite the case. While based on a Japanese young adult novel by Hiroshi Sakurazaka entitled All You Need Is…

Read More

REVIEW: Million Dollar Arm [2014]

“That better have been filtered water” The seventh and final season of “Mad Men” has begun yet star Jon Hamm is only now getting his first leading man role in a feature film. So why does what should be an auspicious event considering his obvious talent seem less than noteworthy? As good at comedy as drama, no one can deny he owns chauvinistic smarm on TV or has the chops to play a business-first sports agent who exclusively dates models while scheming to earn his next buck. The problem lies…

Read More

REVIEW: 2 Guns [2013]

“I did wink at him because he’s my bitch now” What do you get when you throw forty-three million dollars at an unsuspecting bank-robbing duo comprised of a DEA agent and a Naval Intelligence Officer, both believing the other is a criminal they can use as a fall guy on their respective missions? A pretty fun time, that’s what. With a poster depicting Denzel Washington’s Bobby and Mark Wahlberg’s Stig back-to-back with guns drawn and money raining down, it’s easy to write the whole thing off as a lame duck…

Read More

REVIEW: Aliens [1986]

“Game over, man. Game over!” Leave it to über action champion James Cameron to turn a darkly serious sci-fi thriller into a brutally fun romp successful enough to spawn two more sequels and a separate spin-off series that has kept H.R. Giger‘s grotesque xenomorph relevant today. Fresh off the success of Terminator 2, Cameron joined original Alien producers David Giler and Walter Hill to flesh out a new concept that would take the saga into another genre and wider audience appeal. Proving a strong female lead could carry a film…

Read More

REVIEW: Alien [1979]

“What is Special Order 937?” When you hear the title Alien, images are conjured up of Bill Paxton having a mental breakdown, Lance Henriksen rapidly stabbing a knife through his fingers, and Sigourney Weaver‘s Ripley inside a mechanical forklift suit engaging a slobbering, hulking monster. The most fascinating thing about this comes not from how iconic the franchise has become, but instead the realization that none of these moments occurred in the original film. Somehow James Cameron‘s action-packed sequel has usurped its predecessor’s slow, cerebral horror in our consciousness to…

Read More

REVIEW: Haywire [2012]

“Oh, God. There’s a deer in the car.” If not for the cast list, I would treat Steven Soderbergh‘s Haywire as the newest entry to the experimental, off-the-beaten path section of his oeuvre. Without mentioning the larger scale Che—which is quite possibly his least mainstream film of the aughts—this quiet actioner fits right in as a sibling to Bubble and especially The Girlfriend Experience by using an untrained dramatic actress inside a plot playing to her strengths. Mixed Martial Arts fighter Gina Carano won’t be winning awards for her thespian…

Read More

REVIEW: Near Dark [1987]

“Normal folks, they don’t spit out bullets when you shoot ’em” Before cult classic Point Break and sci-fi winner Strange Days, Kathryn Bigelow had an 80’s vampire gem called Near Dark. Having heard a lot of good word of mouth on this one, and my love for Days, I needed to check it out. Vampire films have a tendency to become redundant, always following rules and never being creative. Seeing 30 Days of Night add a little something to the genre, it was interesting to see what Bigelow and co-writer…

Read More