REVIEW: Isle of Dogs [2018]

“You’ve heard the rumor, right?” I feel like the twee sensibilities of writer/director Wes Anderson might be catching up to him. Moonrise Kingdom was a sort of rejuvenation proving both exactly like his oeuvre and wholly unique as its child’s perspective lent a fresh voice to his usual brand of artificial melodrama. But rather than […]

REVIEW: Ghostbusters [2016]

“Ain’t no bitches gonna bust no ghosts” They lied. I walked out of Paul Feig‘s Ghostbusters reboot to find my childhood intact. Memories didn’t disappear as the run-time progressed with cooties-infested women replacing the nerdy, elitist dickheads in jumpsuits who ran amok in New York City years ago. In fact, these 21st century scientists actually […]

REVIEW: Stripes [1981]

“Excuse me, stewardess. Is there a movie on this flight?” Considering it’s become such a major staple of Bill Murray‘s career, it’s crazy to think Stripes began as a prospective Cheech and Chong vehicle. Written by screenwriters Len Blum and Daniel Goldberg based on an idea from director Ivan Reitman, it may have gone in […]

REVIEW: The Jungle Book [2016]

“You did not respond to reason so now you will know fear” Looking back at Disney’s 1967 adaptation of Rudyard Kipling‘s The Jungle Book objectively may surprise you as it’s little more than a sing-a-long loosely tied into a low-stakes adventure of escape from the big bad jungle that’s ultimately portrayed as sympathetic if still […]

REVIEW: The Life Aquatic with Steve Zissou [2004]

“Esteban was eaten!” It’s ambitious, hilarious, visually complex, and kind of … boring. I hoped that last adjective was merely the distant memory of a twenty-two year old expecting more out of Wes Anderson‘s The Life Aquatic with Steve Zissou when first released in theaters due to his infinite love for The Royal Tenenbaums two […]

REVIEW: St. Vincent [2014]

“It is what it is” The Toronto International Film Festival appears to be embracing the quasi-family friendly odd couple comedy with R-rated color after last year’s Bad Words and this year’s St. Vincent, written and directed by Theodore Melfi and currently receiving theatrical release a month after its debut. Whereas the former went all-in with […]

REVIEW: The Royal Tenenbaums [2001]

“How interesting. How bizarre!” Nothing Wes Anderson does will ever match the brilliance of his third film, The Royal Tenenbaums. A lot of this has to do with when I first saw it back in the winter of 2002, but I say it objectively too. I was still in college, still in the midst of […]

REVIEW: Rushmore [1998]

“I saved Latin. What did you ever do?” Writer/director Wes Anderson‘s style was officially born on his sophomore effort Rushmore. That’s not to say his debut was devoid of the trademarks we associate him with today, it was simply set in a world possessed by more authentic rules. He’s since made a career out of […]

REVIEW: The Grand Budapest Hotel [2014]

“Who’s got the throat-slitter?” The films of Wes Anderson have always resided in some sort of parallel universe full of stylistic flights of fancy, but never has one been so completely defined by its fantasy than The Grand Budapest Hotel. His previous work exists to pay homage with stories filled to the brim by aesthetic […]

The 86th Oscars recap through tweets …

Welcome to the 86th Annual Academy Awards everyone! If you didn’t watch the festivities that occurred Sunday night at the Dolby Theatre you are probably a lot better off than most of us because it was a very lackluster affair. We all hoped Ellen DeGeneres would bring a fun, smart, witty return to her success […]

REVIEW: The Monuments Men [2014]

“Present company expected” There was real potential for George Clooney‘s The Monuments Men to turn into a broad comedy about a hapless band of seven working their way through Europe in search of the stolen masterpieces Adolf Hitler hid away for his own personal collection of greed. It had the hokey score sounding like a […]