Writing the truth … Babel’s Alexandra Fuller

With what might have been the largest audience Just Buffalo Literary Center’s Babel series has seen since Salman Rushdie, novelist Alexandra Fuller brought the house down with her unparalleled candor and humor. Without notes or books to read she treated her lecture as she would one of her works—a carefully composed soliloquy spanning a life that’s traveled from an English birth to an adolescent home in war-torn Rhodesia (now Zimbabwe) to her current roots laying residency as an American citizen in Wyoming. We learned of an Uzi-toting mother, an “illiterate”…

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Starting and ending in doubt … Babel’s Nuruddin Farah

Deliberately enunciating his words, novelist Nuruddin Farah used a calculated cadence to talk about his tireless ability to find trouble. The second speaker in Just Buffalo Literary Center‘s 2012-2013 Babel series, his Somali roots provide a very interesting connection to Buffalo considering the nation’s past two prime ministers came from here. His own history with the country isn’t quite as auspicious, however, as the subject of his work actually provoked the dictatorship to sentence him to death in absentia after fleeing to England in self-exile years ago. Farah chose his…

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Teaching us what it is to be human … Babel’s Russell Banks

As novelist Russell Banks admitted during the first lecture of the 2012-2013 Just Buffalo Literary Center‘s Babel season, he is the series’ first participant with a clear “American accent”. I’m not sure if that fact made my brain marginalize his inclusion because he wasn’t some international luminary from an exotic corner of the world or not, but his very brief time at the podium left me wanting. I love the work picked as his showcase piece—well, the movie based on it anyway for which I gave a perfect score—as well…

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All new homes come with a clarinet … Babel’s Alexander McCall Smith

The Michael Kelleher-less era of Babel began tonight with one of the biggest crowds the series has ever seen. If Alexander McCall Smith didn’t find himself standing before more audience members than Salman Rushdie two years ago, the numbers must have been close. But while the popular kilt-wearing author is probably used to the spotlight at such a large venue like Kleinhans Music Hall, new Just Buffalo Literary Center Artistic Director Barbara Cole’s was ushered in at a definite peak. Assured and unafraid to talk at length, Cole’s introduction played…

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If I were satisfied, I wouldn’t keep doing it … Babel’s Zadie Smith

Not to overshadow the presence of British novelist Zadie Smith ushering in 2012’s year of Babel, the sobering news that Just Buffalo Literary Center‘s Michael Kelleher was stepping down as Artistic Director to head up a position at Yale came with some shock and a well-deserved standing ovation. The man who really spearheaded the series five years ago was taking the next step in his professional career and was able to give one last glowing introduction for the night’s international guest artist despite choking up a bit during his thank…

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Up, down, in, and out … Babel’s Naomi Shihab Nye

Language has ‘the power to carry us away’. This is what Naomi Shihab Nye said when asked why she was drawn to literature. The daughter of a displaced Palestinian journalist—a theme thus far for the 2011/12 season of Just Buffalo Literary Center’s Babel—she has been enamored by language since a very early age living all over the country from St. Louis to Brockport to Texas. A very appreciative woman, she gave thanks and love to Buffalo, her Rochester publishers BOA Editions, Inc., and the Western New Yorkers who bought a…

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Curiosity is a moral virtue … Babel’s Amos Oz

To Amos Oz—the first speaker of the 2011/12 season of Just Buffalo Literary Center’s Babel—he is just a postman scrawling notes onto the letters of the dead. The Israeli novelist has written many books, but it is his personal history in A Tale of Love and Darkness that has won over hearts and minds the world over. Translated into 28 languages, his depiction of his family and the whole of Israel couldn’t have been written until sixty years passed and he was finally able to ‘speak’ to his parents long…

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The big man with a small voice … Babel’s Chris Abani

Best. Babel. Ever. It’s as simple as that. Of the twelve authors I have seen over the past two years, besides the more superstar names like Michael Ondaatje and Salman Rushdie—easy fodder to gather excitement on my end to read—Chris Abani is the first to invigorate me enough that I literally want to do nothing but finish the book I have been pretending to read the past five months and begin his Graceland. Right from the get-go of his season-ending appearance for Just Buffalo Literary Center’s Babel, I was sold.…

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The healing power of stories … Babel’s Edwidge Danticat

With the recent earthquake in Japan calling to mind last year’s disaster in Haiti, Just Buffalo Literary Center’s newest Babel visitor couldn’t have been more appropriate. Moved to America at the age of twelve, the Haitian-born Edwidge Danticat found herself at the forefront of media coverage last year—a sort of expert on her Caribbean nation during those tough times. She did her best to steer outlets towards more fitting sources—historians, culturists, etc—but welcomed the duty to speak and put a face on her people. One of the youngest authors to…

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REVIEW: Biutiful [2010]

“Still are your lashes, and so is your heart” It may be the first feature that Alejandro González Iñárritu directed without longtime writing partner Guillermo Arriaga, it may be the film that proves he was the driving force behind his loose trilogy of masterpieces spanning multiple languages and locales, but Biutiful also shows that his tales of emotionally wrought drama work best in an interweaving multi-layer structure. Amores Perros, 21 Grams, and Babel all used three distinct plot threads, allowing them to coexist on a single plane and connect together,…

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Telling your story brings you home … Babel’s Maxine Hong Kingston

With Ed Cardoni back to open the festivities of the second installment of Just Buffalo Literary Center’s fourth Babel season, one could catch a quick glimpse of Maxine Hong Kingston trying to get on stage. During his tales of art funds and legislature votes and veto prevention, Kingston walked through the door before being asked to return backstage until after Michael Kelleher’s introduction of the series’ first American-born author. It was a sign of her enthusiasm and joy in talking to her fans and speaking about her work—each novel a…

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