REVIEW: Child’s Play [2019]

Are we having fun now? It’s not everyday a remake gets produced of a currently running franchise, but that’s exactly what’s happened with Child’s Play. While original screenwriter Don Mancini continues to advance the escapades of his version’s murderous doll possessed by a serial killer’s soul (most recently in 2017’s Cult of Chucky with a television show on Syfy arriving in 2020) thanks to the help of Universal Pictures, MGM and United Artists decided to flex their legal retention of ownership in the property by branching off anew. After Mancini…

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REVIEW: An Evening with Beverly Luff Linn [2018]

That man ain’t dead. There’s an unforgettable scene from “Twin Peaks” season two that can be a make-it or break-it point for viewers due to how far David Lynch and company were willing to go with the cringe factor of their off-kilter comedic tone. It’s the one where Agent Cooper is lying on the floor of his hotel room after being shot by an unknown assailant. He’s bleeding out when the lovingly coined Señor Droolcup comes to the door with a glass of milk and obliviousness for the ages. Instead…

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REVIEW: Ingrid Goes West [2017]

“What’s your biggest emotional wound?” Many people are going to like Ingrid Goes West because its dark comedy seemingly mocks a culture they’ve wholeheartedly embraced. They’ll laugh because they see the titular lead (Aubrey Plaza‘s Ingrid Thorburn) as an exaggerated version of themselves: glued to social media, but letting it literally control her life. She’s who they could be if they didn’t have the self-control to stop themselves from losing perspective as far as differentiating real life and identity from the fictitious ones cultivated online. So on this shallow, surface…

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Posterized Propaganda August 2014: ‘Guardians of the Galaxy,’ ‘Sin City,’ ‘Starred Up,’ and More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. 2014 soldiers on and the poster selection just gets worse. Luckily the films themselves haven’t been as uninspired. Or maybe they have. After all, this summer is down almost 19%…

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REVIEW: Monsters University [2013]

“Technically I caught the pig” I entered the theatre with low expectations and a willingness to be surprised, curious towards Monsters University’s trailers lacking plot description besides a generalized notion of witnessing Mike Wazowski (Billy Crystal) and Jimmy “Sulley” Sullivan (John Goodman) becoming best friends. What would first-time Pixar feature-film director Dan Scanlon and co-writers Robert L. Baird and Daniel Gerson have up their sleeves? How would they fill the inevitable gaping hole of not bringing back the adorable Boo from Monsters, Inc. due to their newest installment’s status as…

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REVIEW: A Glimpse Inside the Mind of Charles Swan III [2013]

“What are all these shoes?” Yeah, so Roman Coppola definitely threw the kitchen sink in much earlier than the moment he actually put it onscreen at the end of A Glimpse Inside the Mind of Charles Swan III. But I don’t think anyone would expect different from a post-“tiger blood” Charlie Sheen for all intents and purposes playing his own crazy self jumping through a bunch of fever dreams on a broken heart. We’d like to believe the actor’s noggin is filled to the brim with depraved and lecherous fantasies…

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REVIEW: Safety Not Guaranteed [2012]

“My calibrations are flipping pinpoint, okay?” Sweetly cute, subtly intelligent, and simply life affirming in the best possible way, Safety Not Guaranteed is the epitome of indie darling. Reminiscent to Chronicle from earlier this year, director Colin Trevorrow and writer Derek Connolly have really taken care to use genre clichés in a way that somehow makes them appear fresh. We’ve seen the reporter lying for a story only to end up falling for her subject. We’ve seen the misunderstood weirdo toe the line between insanity and the impossible to give…

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REVIEW: Funny People [2009]

“I feel like we’re going to prom” Judd Apatow is an enigma. He is the idol of all freaks and geeks out there, calling the beautiful and talented Leslie Mann his wife and having a career any comedian would sell his soul for. He has created, in my opinion, a major hit with 40 Year-Old Virgin and a minor disappointment in Knocked Up, while having the time to also produce some gems that may supercede his own work on the side. So, the release of Funny People, (does the poster…

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