TIFF20 REVIEW: Seize printemps [Spring Blossom] [2020]

I’d give everyone a five. How do you know a relationship sparked with another is truly love and not merely the absence of the listlessness you felt before its creation—a mere distraction? The answer is probably a simple case of seeing with objective eyes and feeling with an unencumbered heart, but those aren’t easy things to possess while the excitement of the moment remains fresh. So sixteen-year old Suzanne (Suzanne Lindon) will continue longing for the serious stranger standing outside the theater on her way to school regardless. And thirty-five-year…

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REVIEW: Paradise Hills [2019]

There’s always a way to get what you want. It’s Uma’s (Emma Roberts) wedding day and everyone is excited. She sings a song while her affluent guests clap and dance, the conversations surrounding her making mention of how much work she’s put into making this whole occasion possible. The idyllic scene’s ornate beauty and plastic smiles seem to be in a permanent state of universal bliss until a woman lets Uma know that her new husband (Arnaud Valois‘ Son) waits in their bedroom. Here is where the happy bride pauses…

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REVIEW: 120 battements par minute [BPM (Beats per Minute)] [2017]

You can’t split responsibility. At one point during Robin Campillo‘s 120 battements par minute [BPM (Beats per Minute)] a high school girl tells a group of ACT UP Paris members that she doesn’t have to worry about AIDS because she’s not gay. It’s a horrific glimpse at the unconscionable lack of information sexually active teenagers were provided at the height of the disease epidemic during the early 1990s. To see her confident incredulity is to see the danger of ignorance and the importance of self-made, self-educated, and unfortunately mainly HIV-positive…

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