REVIEW: Aguirre, der Zorn Gottes [Aguirre, Wrath of God] [1972]

“Meat is floating by” Talk about the heart of darkness. It’s completely unsurprising that Francis Ford Coppola would admit to using Werner Herzog‘s Aguirre, der Zorn Gottes [Aguirre, the Wrath of God] as inspiration for his Apocalypse Now because they epitomize the stark moral depravity of warped conquering “heroes”. The quiet rage underlying every action […]

REVIEW: Rushmore [1998]

“I saved Latin. What did you ever do?” Writer/director Wes Anderson‘s style was officially born on his sophomore effort Rushmore. That’s not to say his debut was devoid of the trademarks we associate him with today, it was simply set in a world possessed by more authentic rules. He’s since made a career out of […]

TIFF11 REVIEW: Twixt [2012]

“Keeping track of time around here is pointless” After a stellar career directing some of cinema’s greats—The Godfather, Apocalypse Now, The Conversation—you can’t blame Francis Ford Coppola for deciding to film smaller passion projects in his twilight. After the self-financed Tetro and Youth Without Youth, he returns with a story from an unusual origin. With […]

NYAFF11 REVIEW: Machete Maidens Unleashed! [2010]

“Human life was cheap, film was cheap—it was a great place to make a picture” As the most telling quote of Machete Maidens Unleashed! exclaims, “The stories are 10 times better than the actual films”. The anecdotes and memories of those involved in the Filipino exploitation genre of cinema are an amazing account of a […]

REVIEW: Tetro [2009]

“You can’t look into the light” I had heard that Francis Ford Coppola’s first film in a decade, 2007’s Youth Without Youth, skewed more toward the arthouse, experimental spectrum of cinema. After his early masterpieces, including the bloated budget of Apocalypse Now, his career went the way of minor Hollywood-fare, like Jack and The Rainmaker. […]

REVIEW: Tropic Thunder [2008]

“Welcome to the goodie room” Despite my somewhat indifference, bordering on dislike, of Ben Stiller and most of what he does, Tropic Thunder has been on my much-anticipated list for some time now. The audacity of what he was attempting, spoofing the industry that was giving him the money to do so, blatantly and lovingly, […]

REVIEW: The Descent [2005]

“Love every day” I am not a big fan of the horror genre. Many of them are just too campy or schlocky to be terrifying, too derivative of each other, or too slow and drawn out while trying to be suspenseful. Besides the first two masterpieces of the Hellraiser series and the original, read only […]