REVIEW: Glass [2019]

Why are we the only ones? It began nineteen years ago with a tale about emotional and physical duress—byproducts of tortured lives being led by purportedly “great” men too defeated to reach their full potential until circumstances reveal the power possessed within. M. Night Shyamalan was playing with the notion of superheroes walking the thin line between reality and fantasy. He sought to show how quick humanity is to explain away the impossible as quite ordinary, reducing those leaning upon the former into victims of delusion. Through Unbreakable‘s David Dunn…

Read More

REVIEW: Split [2017]

“In the sun we find our purpose” It doesn’t get better than The Village where M. Night Shyamalan is concerned. That film was a perfect confluence of his screenwriting and directing capabilities, a tale of love and protection through drastic measures as metaphor for the struggles of parenthood steeped in heavy emotion and guilt without regret. A marketing campaign billing it “horror” ruined any chance for success with audiences unwilling to look past the auteur’s penchant for twists. Its target demographic is perhaps still unaware of how much they’d enjoy…

Read More

REVIEW: The Witch [2016]

“We shall conquer this wilderness. It will not consume us.” I find it funny that the Satanic Temple has “endorsed” Robert Eggers‘ stunning debut The Witch considering its pro-Catholic message. The first thing we see is William (Ralph Ineson) standing before his 17th century Puritan plantation’s governors as his family is excommunicated and exiled into the neighboring New England woods. They believe they can survive alone once happening upon a tract of land with which to build a small farm, but without God’s protection tragedy befalls them. Suddenly the corn…

Read More