REVIEW: The Goldfinch [2019]

I lost something that should have been immortal. Theo Decker (Oakes Fegley) lost a lot one fateful day at The Metropolitan Museum of Art when an unexplained terrorist bombing took his mother, home, stability, and, most importantly, his childhood away. One second he’s stealing a glimpse of the young girl (Aimee Laurence‘s Pippa) beside him in front of a famed Carel Fabritius painting while his mom’s hand leaves his shoulder and the next sees him rising from the ashes of the aftermath, dead bodies everywhere. And if dealing with the…

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REVIEW: Jonathan [2018]

I don’t want to take you with me. Something isn’t right. Jonathan (Ansel Elgort) is tired despite his routine bordering on monotony being the same for who knows how many years. He wakes at 7:00am without an alarm, goes for a morning run, and heads to work as a draftsman at an architecture firm run by a man he respects as a genius. He returns home, films a video message to his roommate about the details of his day and any interactions with mutual acquaintances, and goes to sleep ……

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REVIEW: Baby Driver [2017]

“They call. I go.” I’ll admit that writer/director Edgar Wright‘s departure from Ant-Man was met with mixed feelings on my part. On one hand I was disappointed that we’d never see what he could have done with the material—something I had anticipated for many years. On the other, however, was the realization that I’d rather only see work devoid of outside interference when his name was attached. If the rumors were true about Marvel wanting to rewrite the script he and Joe Cornish crafted to make changes they saw as…

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REVIEW: Insurgent [2015]

“You have to forgive yourself” I don’t know which of the three writers credited (Brian Duffield, Akiva Goldsman, and Mark Bomback) on Insurgent is responsible for the complete overhaul of Veronica Roth‘s source novel, but I applaud him. If not for the retention of its characters’ arcs, one could argue the majority of this cinematic version is a wholly original work. Ultimately, however, Tris (Shailene Woodley) and Four’s (Theo James) progression within the confines of a scorched Chicago is what gives Insurgent its identity. We as an audience and fans…

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Posterized Propaganda October 2014: ‘Gone Girl,’ ‘Nightcrawler,’ ‘Whiplash,’ and More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. Say goodbye to summer. Tent pole season is over and the critical darlings have begun to pop up on the Fandango queue. October is still a weird month, however, since…

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Wiig, Gyllenhaal, and Monster Love at the 2014 Toronto International Film Festival

Friends and family think me crazy for driving up the QEW so I can sit in darkened theaters for around thirty of a total eighty-hours in Toronto, but I wouldn’t spend my early September days any other way. This is what the Toronto International Film Festival does—it makes you look sanity in the face, say no thanks, and go the exact opposite way towards a world-renowned cinematic spectacle those same people are jealous about once I tell them I saw Kristen Wiig tell a joke. It was a funny one too…

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TIFF14 REVIEW: Men, Women & Children [2014]

“I guess I was just scared” We are the pale blue dot. Earth? No. The intermittently blinking light on the end of an out-of-touch parent’s device for transparently spying on a daughter’s electronic path when he/she should be proud for having a smart and compassionate teen unlike the majority populating the local high school. Our world’s different from the one Carl Sagan represented by filling the Voyager spacecraft with records of music, languages, and calls of whales. Now in a post-9/11 America we fear strangers as well as friends, peers,…

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REVIEW: The Fault in Our Stars [2014]

“Pain demands to be felt” We all die. Heaven, Hell, Purgatory, Oblivion: they’re all destinations that connote life has ceased to be. This is the constant; what you do during the interim is not. So whether you’re healthy, sick, sad, or happy, you have the power to make the best of any situation. You do. Not your parents, friends, loves, idols. You. Nothing teaches this lesson in literature better than the kind of cancer tome John Green hoped to put his own unique spin on with The Fault in Our…

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REVIEW: Divergent [2014]

“Faction before blood” Like it or not, the twenty-first century has brought cultural alterations. For instance, the conversation about futuristic dystopias and/or social upheaval no longer includes 1984, Brave New World, or Fahrenheit 451. Our contemporary equivalents are now The Hunger Games, The Maze Runner, and Divergent. They may not be at the same reading level, target the same demographic, or prove as smart and prophetic as the former trio, but that doesn’t mean they aren’t relevant or effective. All except for one thing impossible to ignore: their delivery method.…

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