REVIEW: Dark Waters [2019]

You think they’re gonna show me?! It’s crazy how our country protects for-profit businesses in ways that allow them to accrue astronomical profits with little to no oversight. There’s this notion that what they provide our economy outweighs the damage they inflict on our society. But who reaps that financial benefit? Rather than collect millions of dollars in taxes that could fund programs the poor need to survive, we line the pockets of the already rich and watch their trickle down faucets divert someplace else to line them thicker still.…

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REVIEW: Serenity [2019]

Go catch that fish, Dill. **Spoilers** I was rooting for Steven Knight‘s Serenity long before sitting down at the theater. Why wouldn’t I? The trailer had it looking like one of my favorite types of films—namely the sort wherein what we see and experience ultimately proves to be the inner-workings of a troubled, delusional mind. I clung to this belief that there would be more than meets the eye even tighter upon hearing how stars Matthew McConaughey and Anne Hathaway got angry at Aviron Pictures for canceling their planned press…

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REVIEW: Passengers [2008]

Better now than later. An explosion, crash, confused man, and burning plane: this is the sequence of images as Rodrigo García‘s Passengers commences. It’s a pretty straightforward visual set-up for the incident everything else will surround before his lead (Anne Hathaway‘s Dr. Claire Summers) is introduced during the next scene. She’s a trauma counselor enlisted by her boss (Andre Braugher‘s Perry) to take point on helping the small group of people who survived process the event. They’re all in differing stages of psychological distress with one remembering a fire (Ryan…

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REVIEW: Becoming Jane [2007]

Are there no other women in Hampshire? I had never seen Julian Jarrold‘s Becoming Jane before today and yet my constantly being hit with a sense of familiarity while watching made me question that truth. The reason stems from the fact that screenwriters Kevin Hood and Sarah Williams crafted their tale of young Jane Austen fifteen years before her first novel (Sense and Sensibility) was published to unfold as though it was Pride and Prejudice. They’ve based this reading of Austen’s life on letters written to her sister Cassandra about…

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REVIEW: Havoc [2005]

There is a monetary zone of geography which we’re not allowed to pass. I can’t help wondering what Havoc might have been if Jessica Kaplan had the means to make it herself in the 90s like today’s aspiring filmmakers can thanks to affordable technology. She was seventeen when she sold her script “The Powers That Be” based on what she experienced growing up in West Los Angeles. It appears she was more or less the role Matt O’Leary plays (Eric)—an observer trying to understand why these rich white kids are…

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REVIEW: Ocean’s 8 [2018]

“Hims are noticed. Hers are ignored.” The best way to reboot a franchise is via a sequel. It’s smart because of the connection whether it be setting or characters since familiarity allows us as viewers to settle in without having to relearn what the property intrinsically contains. Look at Creed—or to a lesser extent Star Wars: The Force Awakens—for the perfect example of how something like this works. Both are practically carbon copies of the original installments within their respective franchises and trade on nostalgia to place a new generation…

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TIFF16 REVIEW: Colossal [2017]

“I’m sorry. It was a mistake. It won’t happen again.” Whether the existence of time travel or an alien invasion, writer/director Nacho Vigalondo has proven king at dealing with large-scale concepts affecting small-scale characters. Always looking to portray how genre catastrophes are handled by nobodies on the ground without government credentials or scientific degrees, he continues this trend again with his latest monster movie Colossal … for the most part. After certain truths are revealed, it’s easy to discover how two former classmates in a sleepy city with one watering…

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REVIEW: Alice Through the Looking Glass [2016]

“Everyone parts with everything eventually, my dear” Now that the whole “should we reboot or create a sequel or just go ahead and do both at once” debacle is over thanks to Tim Burton‘s misguided Alice in Wonderland, maybe Disney’s desire to create an imaginative and surprisingly dark franchise of the absurd could find creative merit to match its insane billion dollar gross. This is because the filmmakers (Linda Woolverton returns as screenwriter with James Bobin taking over the director’s chair) have acquired the latitude to think outside the box…

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The 87th Oscars recap through tweets …

I’m not sure why I keep filling myself with false hope that the Oscars will one day be an entertaining show to watch. The optimism is almost completely unfounded by this point. Whether they go weird (Anne Hathaway and James Franco), safe (Billy Crystal), hip (Seth MacFarlane), or try and steal another show’s success (Neil Patrick Harris), the result is the same. NPH should have been the shot of adrenaline the 87th Annual Academy Awards needed—a song and dance guy who’s young, fun, and funny. Sadly—and I do blame the…

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REVIEW: Interstellar [2014]

“Who’s they?” Say what you will about Christopher Nolan, the man knows how to make resonate blockbusters. He knows movies—plain and simple. There has always been a power in cinema that hits us at an emotionally deep level, a window into our souls through the characters onscreen we have learned to cherish as though extensions of ourselves. Nolan appreciates this truth and has proven to possess an uncanny ability to tap into that universal consciousness despite using inherently obtuse stories rooted in scientific fantasy and actual theoretical physics the layperson…

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VIDEO: Jenny Lewis’ “Just One of the Guys”

Indie-folk/Alt-country, genre hyphenate singer/songwriter Jenny Lewis is back with her third (second if you don’t count her collaboration with The Watson Twins) solo album entitled The Voyager. It follows a successful duo disc with beau Johnathan Rice and last year’s Rilo Kiley effort Rkives. And it’s great. The first video has been released for track “Just One of the Guys”—a song dealing her biological clock and perhaps indifference to joining the maternal club. Directed by Lewis herself, it features Anne Hathaway, Brie Larson, a hilarious Kristen Stewart, and a fourth…

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