REVIEW: The Irishman [2019]

It’s what it is. Aging lead Frank Sheeran (Robert De Niro) is approached by two detectives towards the end of Martin Scorsese‘s The Irishman (the cinematic adaptation of Charles Brandt‘s I Heard You Paint Houses as scripted by Steve Zaillian) who let him know he’s the only one left. All the other big-time mafiosos from the Bufalino family and elsewhere had met their demise either from bullet, garrote, or disease (with the rare case of natural causes thrown into the mix). The tactic was to let Frank know that there…

Read More

REVIEW: The Good Dinosaur [2015]

“Look who got relevated” You constantly hear about movies needing reshoots, but The Good Dinosaur‘s troubles went beyond cosmetic enhancements into full-blown emergency room triage. I’m talking two years of development before a release date announcement, two more before that date and original director Bob Peterson (who came up with the story alongside his directorial replacement Peter Sohn) were scrapped, and another two wherein the plot got completely retooled until the final film would bare little resemblance to the germ of an idea on which it began. Pixar’s cancelled Newt…

Read More

REVIEW: X-Men: The Last Stand [2006]

“Same as the Professor: visiting an old friend.” I’m sad to inform you that X-Men: The Last Stand did not age well. Not that anyone called it great when it was released—it was little more than serviceable then—but boy does it falter when viewed in close proximity with the two stellar entries coming before it. I’d like to blame Bryan Singer for jumping ship to DC so he could helm Superman Returns or even Matthew Vaughn and his family issues preventing him from taking the reins. Heck, I’d love to…

Read More

REVIEW: X-Men [2000]

“What do they call you? Wheels?” It’s hard to believe-fourteen years gone-that X-Men was the comic book property used to usher in our current “golden age” of superhero movies. I guess I shouldn’t be surprised considering it’s probably the most relatable due to its being devoid of flying aliens, radioactive spiders, and Gods. No, short of Batman transforming the memory his parents’ murder into the life of a vigilante, mutants are the most “human” creation Marvel or DC has created (at least to someone with barely a cursory knowledge of…

Read More

Picking Winners at the 83rd Annual Academy Awards

Spree contributing writer William Altreuter, graphic designer Jared Mobarak, and I are going to share our thoughts on this week’s Oscar nominations. Let’s kick things off with a category whose victor—Colin “Mr. Darcy” Firth—seems to have already been agreed upon. — Christopher Schobert Best Actor:Javier Bardem: BiutifulJeff Bridges: True GritJesse Eisenberg: The Social NetworkColin Firth: The King’s SpeechJames Franco: 127 Hours William Altreuter: If the Academy had wanted to make a statement Jim Carrey‘s amazing turn in I Love You Phillip Morris would have found its way onto this list. Wouldn’t that…

Read More

REVIEW: Trick ‘r Treat [2008]

“Charlie Brown’s an a**hole” I’m not sure what it is about this year, but the Halloween season has made me treat horror films with a little more respect than usual. Or perhaps the fare I’ve seen has just been leaps and bounds better than the norm. The latest winner comes from Michael Dougherty, he of X2 writing fame, and his pet project Trick ‘r Treat. Financed by friend Bryan Singer and including a cast of some recognizable faces, the flick had been languishing in cinematic purgatory for years, originally to…

Read More

REVIEW: Down in the Valley [2005]

“I invited Tex to the beach” I’m not quite sure exactly how I felt about Down in the Valley. At many times I thought it was a gorgeous film, shot perfectly, but at others I felt uncomfortable and shocked. We are given a love story between a troubled young man and a high school girl trapped in a family that could self-destruct at any moment. These two have been on a journey to find themselves, and in each other’s kindred spirits finds another to help steer them onto the right…

Read More