REVIEW: Cléo de 5 à 7 [Cleo from 5 to 7] [1962]

“You shouldn’t use the word ‘despair’” It’s crazy to think that Cléo de 5 à 7 [Cleo from 5 to 7] was just the second feature length fictional narrative French auteur Agnès Varda ever made. The maturity in minimal storytelling, singular visual style, and existential metaphor surrounding death’s value that spans classes are stunning to behold. While following Cléo (Corinne Marchand) in virtual real time for an hour and a half as she distracts herself with shopping and work before calling her doctor for potentially devastating test results, we pass…

Read More

REVIEW: Le mépris [Contempt] [1963]

“I love you totally, tenderly, tragically” Director Jean-Luc Godard has tested cinema’s boundaries throughout his career. So it’s hardly surprising his foray into CinemaScope color with a bigger budget would be as much an aesthetic exercise showing off the technology’s splendor as it is a scathing look at the industry with the money and ego to utilize it. Stories of behind the scenes strife on Le mépris [Contempt] rival the faux behind the scenes nonsense onscreen with Godard clashing against his producers (who wanted more sex appeal), alienating third lead…

Read More

REVIEW: Bande à part [Band of Outsiders] [1964]

“Everything that is new is thereby already traditional” When it comes to a film by Jean-Luc Godard, it may be better for you to go in with eyes wide, ready to go on a journey of surrealism and cerebral craziness instead of one tied to a strict plot. Bande à part [Band of Outsiders] is a perfect example of this as the story itself, loosely based on an American pulp novel, is very slight and acts only as a framework for the events occurring. Two classmates learning English strike up…

Read More