REVIEW: Storks [2016]

“We never stop” While a bunch of adults were definitely having a good time during Nicholas Stoller‘s Storks, I’m not sure about their children. It wasn’t restlessness, though. If anything they were catatonic, a similar state as myself. Now I did chuckle at a few of the higher concept stuff because the absurdity of a stork and penguin stabbing each other with a fork in silence so as not to wake a sleeping baby is funny. And the children chuckled at least twice in response to displays of destruction because…

Read More

REVIEW: Hotel Transylvania [2012]

“What? Now there’s no sheep in the road.” After the abysmal failure of That’s My Boy, seeing Adam Sandler and Andy Samberg highlight another film’s marquee this year didn’t instill confidence. Cartoon or not, the pairing still left a sour taste in my mouth that the addition of their larger-than-life comedic buddies Kevin James, David Spade, and Molly Shannon did nothing to alleviate. Only the names behind the scenes gave me a sliver of hope that Hotel Transylvania could end up a fun hybrid of writers Robert Smigel (“SNL’s” TV…

Read More

Posterized Propaganda August 2012: A Summer Lull

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. August isn’t fooling around with a ton of releases spanning both big budget and independent productions. I couldn’t even begin to talk about them all here—sorry Sparkle—but there sadly aren’t…

Read More

REVIEW: That’s My Boy [2012]

“Secret tickle time” Just when you thought Adam Sandler had hit bottom and could only improve upon a lackluster string of film’s that have to make you question the quality of his earlier gems, he proves it can always get worse. From Sean Anders (the director of Sex Drive) and David Caspe (creator of “Happy Endings”) comes one of the most unoriginal comedies in years. Recycling the ‘disastrous wedding’ trope that I’m sad to say was actually done better in Meet the Parents—a film I also abhor—we’re made to watch…

Read More

REVIEW: Friends with Benefits [2011]

“Shut up Katherine Heigl, you stupid liar” I refuse to call it a romantic comedy. Yes, there are clichés, there’s love, some sex, and a little bit of heart, but Friends with Benefits is not just the sum of those parts. It is a raunchy buddy comedy that excels despite its genre’s limitations, a fun, witty, and smart tale of two damaged souls who find their best friend and successfully add a physical relationship to the equation. This tale weaves us through the delicate emotional turmoil of a couple twenty-somethings…

Read More

REVIEW: Cloudy with a Chance of Meatballs [2009]

“A film by a lot of people” I knew right after the above review title quote flashed across the screen that Cloudy with a Chance of Meatballs was going to be a fun time. Sony Pictures Animation did not let me down, keeping me enthralled and smiling for the entire duration. Based on a children’s book from 1978, the film follows the exploits of a young scientist and his dreams of changing the world with his inventions. Up to adulthood, however, he has achieved little more that a ‘menace to…

Read More

REVIEW: I Love You, Man [2009]

“You sound like a leprechaun” Hollywood comedy these days is just one giant extended family tree. Everyone—and I mean everyone—has a connection and brings their friends along wherever they go. The new film I Love You, Man is no exception. This is a very good thing, because if I were to go on writer Larry Levin’s previous work, (scripting the Dr. Dolittle remake saga), I would have stayed far, far away. But instead I saw the Apatow flair with Jason Segel and regular Paul Rudd mixed with a little NBC…

Read More

TIFF08 REVIEW: Nick and Norah’s Infinite Playlist [2008]

“Where’s Fluffy?” What do you get when you cast Michael Cera as an awkward late-teen/quasi-geek; a sassy, smart, attractive girl who is a better catch then she thinks; a killer Indie soundtrack; and comedic side characters that deliver the goods? Juno? Not quite. Peter Sollett decided to follow-up his acclaimed drama Raising Victor Vargas by jumping on the pretentious cool train to do a “smart” teen comedy. What we get is Nick and Norah’s Infinite Playlist, which debuted at the Toronto International Film Festival. It is a real good time;…

Read More