He’s not coming. To see the titular character (Charlotte Rampling) at the start of Andrea Pallaoro‘s Hannah is to see someone like any other. She rides public transportation to her eccentric acting class, cooks dinner, and enjoys a quiet evening beside her spouse. The film’s start is ostensibly a silent one with only the noises of her journey and the sounds of her teacher permeating the calm serenity of a life lived in routine. We think nothing of it. I personal wondered where things would go. I knew Hannah’s story…
Read MoreREVIEW: Hannah [2018]
