REVIEW: The Hobbit: The Battle of the Five Armies [2014]

“One light, alone in the darkness” No matter how entertaining The Hobbit: The Battle of the Five Armies is—definitely the best of the trilogy—I still can’t shake the feeling that J.R.R. Tolkien‘s tale would have been better served as a two-parter. A lot of the added information director Peter Jackson and his stable of co-writers injected throughout the first two installments come to a head here amongst the end-to-end carnage and it does add more emotion and higher stakes albeit between characters who shouldn’t be included in this Lord of…

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REVIEW: The Hobbit: The Desolation of Smaug [2013]

“I could have anything down my trousers” There is a certain charm to the middle section of a book where characters met start to come into their own before the big climax. It’s a crucial section, one its bookends need to truly succeed. However, when a single work of fiction is stretched and divided into three acts, this portion will inevitably prove anticlimactic when isolated from the rest. Peter Jackson and company are sadly not immune to this truth while attempting to model J.R.R. Tolkien‘s The Hobbit after his Lord…

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REVIEW: The Hobbit: An Unexpected Journey [2012]

“Home is now behind you” It’s hard to return to Middle Earth without thinking about Randal Graves from Clerks II and his defense of Star Wars possessing as its cornerstone the fact Peter Jackson‘s film version of J.R.R. Tolkien‘s Lord of the Rings trilogy was all a bunch of people walking. He’s not wrong. What the generalization misses, however, is just how integral the gorgeous landscapes of New Zealand play in creating this fantastical world. We accept the long treks across mountains and through trees because it breathes life into…

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Posterized Propaganda December 2012: A Cinematic Library with ‘Django Unchained’, ‘The Hobbit,’ ‘Les Miserables’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. Here we are at the end of 2012, ready for the release of the last few Oscar. It’s a time where story generally triumphs over mainstream appeal and where the…

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INTERVIEW: Emilio Estevez, writer/director of The Way

I walked into the Elgin Theatre a year and a half ago for the Toronto International Film Festival’s screening of Emilio Estevez‘s The Way without knowing exactly what I was in for. I loved his Bobby a few years earlier, but after reading the glossy sheet of information pertaining to the film handed out to all in attendance I knew this was going to be a completely different beast. Spiritual, personal, and a testament between father and son, this new work is an inspirational journey of finding oneself at a…

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