TIFF14 REVIEW: 归来 [Gui lai] [Coming Home] [2014]

“So you do have a heart” I kept trying to think about what films Zhang Yimou‘s 归来 [Gui lai] [Coming Home] reminded me of while watching. Obvious ones came to mind like Away From Her and Amour where Gong Li‘s Yu was concerned and even Atonement for Huiwan Zhang‘s Dandan. But it was a fellow […]

The 85th Oscars recap through tweets …

@jaredmobarak • and the #Oscars begin … #Oscars13 @jaredmobarak • SUCCESS!! Tommy Lee Jones smiles! #Oscars13 @jaredmobarak • poor Don Cheadle #Oscars13 Welcome to the 85th annual Academy Awards from the newly renamed Dolby Theatre. Bankruptcy is a drag, ain’t it Kodak? Hopes were high after host Seth MacFarlane‘s surprisingly hilarious Ted made me wonder […]

Top 25 Films of 2012

(short and sweet and to the point; culled from watching ~140 releases. constantly updated as i catch up to those i missed. click poster for review if applicable) #25: End of Watch directed by David Ayer #24: Amour directed by Michael Haneke #23: Moonrise Kingdom directed by Wes Anderson #22: How to Survive a Plague […]

Picking Winners at the 85th Annual Academy Awards

Supporting Actress: Amy Adams: The Master Sally Field: Lincoln Anne Hathaway: Les Misérables Helen Hunt: The Sessions Jacki Weaver: Silver Linings Playbook William Altreuter: It often seems to me that the Best Supporting categories are where the most interesting things are to be found in the Academy Award nominations, and this year is proving me right. What we often get—especially with Best Actress […]

REVIEW: Amour [2012]

“Promise me one thing.” For someone as famously attuned to the intellectual thriller oftentimes leaning towards the hidden recesses of humanity’s darkest proclivities, seeing writer/director Michael Haneke‘s name attached to the universally lauded Amour was always a bit of a puzzle. Depicting the final months in the lives of two eighty-year old former music teachers—Georges […]

Posterized Propaganda December 2012: A Cinematic Library with ‘Django Unchained’, ‘The Hobbit,’ ‘Les Miserables’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]