REVIEW: The Unbelievable Truth [1990]

“Are you a priest or something?” The satire in Hal Hartley‘s debut The Unbelievable Truth is so over-the-top that you almost have to read it as a straight comedy. He’s constantly repeating dialogue through straight-faced actors, breaking up scenes with unnecessary title cards delineating arbitrary time lapses, and makes his characters so over-wrought that we can’t help but find them endearing in their existential crises. It’s about love and capitalist ambition in the youth of America as the self-indulgence of the materialistic 80s transitions into the apathetic 90s with a…

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REVIEW: Cosmopolis [2012]

“My prostate is asymmetrical” Thematically more like what David Cronenberg created before his last three films; I’m not quite sure what to think about Cosmopolis. Faithfully adapted from a novel by Don DeLillo, its look inside the day of billionaire magnate Eric Packer (Robert Pattinson) skews closest to the hellish descents behind the director’s eXistenZ and seminal work Videodrome through a filter of smugness a la Bret Easton Ellis‘ American Psycho. The characters speak in pronouns with a universal aloofness that makes their world appear a coldly detached fabrication of…

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Posterized Propaganda April 2012: Where Art and Commerce Meet

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. There’s a good mix of work coming out in April and the posters do well to mirror such. I’m not quite sure how Chris Sparling could have his script for…

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Top 50 Films of the Decade (2000–2009)

As always, I have not seen every film made in the decade, so this list is only complete as of posting. There are those diamonds in the rough I’ve yet to witness that could render this entire list obsolete. The ‘Naughts’, I believe an appropriate term being used for the decade spanning from 2000–2009, the years we feared wouldn’t come thanks to Y2K, brought with them some amazing films. Technological advancements aside, this time period contained a number of singular auteurs both continuing on already stellar careers and others beginning…

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REVIEW: The Informers [2008]

“How do you know what’s good and what’s bad?” Author Bret Easton Ellis completely resonates with me. Actually, I’m not sure I can make that statement since I’ve never read a book by him, despite having most on my shelf. Where his characters have affected me is in the films adapted from his work. Every single person he infuses into his sprawling tales of excess and youth culture is devoid of morals, selfish beyond measure, and living life as though the next day will be his last. Between American Psycho…

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REVIEW: American Psycho [2000]

“I was returning some videotapes” Oh, the 1980’s, such happy times. Excess in full force, younger upstart yuppies making money that they could only imagine as children while doing as little work as possible. When did going to lunch, out to dinner at restaurants booked for months in advance, and vying for the biggest ego constitute an occupation worth six figures? Only in America. Bret Easton Ellis’ novel was looked upon as very demeaning to women in its portrayal of these masochistic males using their girls as trophies and toys,…

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REVIEW: The Rules of Attraction [2002]

“You better bring back change; Daddy wants change” After viewing The Rules of Attraction, one can definitely see how Roger Avary and Quentin Tarantino were friends. Upon leaving their jobs as video store clerks, the two went out and did Reservoir Dogs together, before collaborating on Pulp Fiction. Tarantino took all the credit for those two movies, basically striking Avary out of Dogs completely and only giving him story credit for Pulp. With Rules of Attraction, one sees that there was probably more influence on both films. While this adaptation…

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Top 25 Films of 2000

(short and sweet and to the point; culled from watching 67 releases. constantly updated as i catch up to those i missed. click poster for review if applicable) #25: The Emperor’sNew Groove directed by Mark Dindal #24: Pay It Forward directed by Mimi Leder. #23: Tully directed byHilary Birmingham #22: X-Men directed by Bryan Singer #21: Quills directed by Philip Kaufman #20: State and Main directed by David Mamet #19: Best in Show directed byChristopher Guest #18: Tigerland directed by Joel Schumacher. #17: Almost Famous directed by Cameron Crowe. #16:…

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