The 91st Oscars recap through tweets …

What a wild ride this Oscars season has been. After so much recent talk about inclusivity and a changing of the guard, it was bound to happen that we’d receive an awkward period of flux. There’s the young crowd cheering a Marvel Cinematic Universe chapter to the franchise’s first Best Picture nominee and the older sect feeling warm and gooey about a story pretending to talk about racism despite really just glossing over the struggle to say most racists are simply misunderstood until sharing a bucket of KFC with the…

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Picking Winners at the 91st Annual Academy Awards

The 91st Annual Academy Awards hits airwaves Sunday, February 24th, 2019 at 8:00pm on ABC. For those handicapping at home, here are the guesses of Buffalo film fanatics Christopher Schobert, William Altreuter, and myself. Jared Mobarak: It’s the type of year where hashtags rhetoric simply won’t work. There’s just not one all encapsulating buzzword to touch upon the myriad problems these nominations face. What do you do when you have a film up for Best Picture that was directed by a known presumed sexual predator who was fired for not…

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Online Film Critics Society Ballot 2018

Below is my December 27th ballot for the 22nd annual Online Film Critics Society Awards honoring movies released domestically in the United States during the 2018 calendar year. Group winners are highlighted in red. (No option to abstain was supplied this year.) Best Picture #1 If Beale Street Could Talk #2 You Were Never Really Here #3 Hereditary #4 Eighth Grade #5 BlacKkKlansman #6 The Favourite #7 Annihilation #8 Roma #9 A Star Is Born #10 First Reformed #11 Suspiria Best Animated Film #1 Spider-Man: Into the Spider-Verse #2 Mirai…

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REVIEW: Roma [2018]

We are alone. To know that Roma is a semi-autobiographical account of writer/director Alfonso Cuarón‘s own childhood growing up in a Mexico City middle class family is to truly understand the weight of personal events opposite public ones. Placing the timeframe as 1970-71 means something for this country with a government takeover of poor village land and the infamous Corpus Christi Massacre’s death toll of around 120 people at the hands of a CIA-trained group of citizen militia coined Los Halcones. But what did those things mean to a child?…

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TIFF15 REVIEW: Desierto [2016]

“Welcome to the land of the free” A tense thriller of survival set against a desolate landscape of quiet austerity until the deafening sound of our heroes’ pursuer returns after a brief respite allowing these strangers the time to emotively talk about their lives—no, it’s not Gravity. Filmmaker Jonás Cuarón certainly has a type, though, since his sophomore effort in the director’s chair Desierto has a lot of formal similarities to his and father Alfonso Cuarón‘s Oscar-winning ride. Thematically different since the whole exists in the wasteland battlegrounds of the…

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REVIEW: Birdman or (The Unexpected Virtue of Ignorance) [2014]

“The truth is always interesting” It’s true what the film’s Times‘ theater critic (Lindsay Duncan) says: an artist should bleed for his craft. Physically, spiritually, metaphorically—blood must be spilt so the world knows he was here, selflessly (selfishly?) making us laugh, cry, and reflect on lives well lived and squandered. This is why those who touch upon life’s intrinsic emotions and universal feelings can demand salaries and compensation so large not even their over-stretched, ambitious, and insane imaginations can think of how to spend it all. They create what we…

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The 86th Oscars recap through tweets …

Welcome to the 86th Annual Academy Awards everyone! If you didn’t watch the festivities that occurred Sunday night at the Dolby Theatre you are probably a lot better off than most of us because it was a very lackluster affair. We all hoped Ellen DeGeneres would bring a fun, smart, witty return to her success with the 79th installment, but the reality ended up being one of the most dull and safe presentations in quite some time. I guess it wasn’t all bad, though, considering the Academy actually got most…

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Top Ten Films of 2013: A year in cinema to write home about

2013 has been a banner year for cinema with a slew of quality pictures that makes you wonder how only nine got enough first place votes to earn an Oscar nomination for Best Picture. Most of my favorites could have filled that elusive tenth spot for some added acclaim—whether having a chance to win or not. I hadn’t even seen a good chunk of these until the calendar flipped to 2014, the sheer amount of winners was too vast. And after only awarding three films a 10/10 rating last year,…

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Picking Winners at the 86th Annual Academy Awards

The Oscars are generally quite boring, since we often know well in advance what is going to win Best Picture, Director, etc. But this year? Not so much. Sure, there are heavy favorites — see below. But it is entirely possible there will be some real surprises. Of course, I could be completely wrong. But if I am, hopefully Bill Altreuter and Jared Mobarak will be right. And away we go … —Chris Best ActorBruce Dern: NebraskaChiwetel Ejiofor: 12 Years a SlaveMatthew McConaughey: Dallas Buyers ClubLeonardo DiCaprio: The Wolf of Wall StreetChristian Bale: American Hustle…

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Posterized Propaganda October 2013: The Faces of ‘Gravity,’ ’12 Years a Slave,’ ‘The Counselor’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. Not too many movies open up in October—and only one studio horror flick at that, despite Halloween. What’s the best way to sell tickets then? Star power. Celebrity faces are…

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TIFF13 REVIEW: Gravity [2013]

“You should see the sun on the Ganges. It’s amazing.” Remember back in the 90s at the advent of IMAX technology how certain amusement parks would have a screen with some “experience” putting you “into the action”? Well Alfonso Cuarón has made one of those for the twenty-first century in Gravity. While I admit such a description may seem like I’m putting the film in a bad light—simplifying it to its basest aesthetic trait—I honestly mean it as a compliment. Space has always been one place to which only a…

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