REVIEW: Jojo Rabbit [2019]

Where are all the goddamn knives? Seeing how skittish little Jojo Betzler (Roman Griffin Davis) appears, a group of older Hitler Youths under an injured Nazi captain’s (Sam Rockwell‘s Klenzendorf) command decide to test his resolve. Since the boy enjoys talking the talk when it comes to killing Jewish people due to believing his father is a war hero doing the same on the frontlines (others wonder if Mr. Betzler turned deserter considering nobody has heard from him, alive or dead, for months), they hand him a bunny and order…

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TIFF19 REVIEW: How to Build a Girl [2020]

This bitch be paying rent. As a young girl with aspirations to write, journalist Caitlin Moran used her hippie homeschool upbringing to enter literary competitions with potential to open industry doors. The Observer‘s “Young Reporter of the Year” at fifteen eventually started her professional career the following year with Melody Maker and never looked back. Did she devolve into the nom de plume Dolly Wild to gleefully trash bands as DM&E‘s resident rock gatekeeper extraordinaire? No. But you have to imagine the opportunity to go that route was available. The…

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TIFF REVIEW: The Predator [2018]

“Did I say that out loud?” Writer Shane Black had a good year in 1987. He burst onto the action screenwriting scene with Lethal Weapon. Co-wrote the cult classic children versus Universal monsters fantasy The Monster Squad with Fred Dekker. And landed a supporting role in the Arnold Schwarzenegger-starring Predator as an exfil team member unwittingly embroiled in a fight against an alien hunter of unfathomable power. It’s therefore only fitting that he’d reunite with Dekker three decades later to direct a new installment in the latter’s oft-returned to franchise.…

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REVIEW: John Wick [2014]

“I’d like a dinner reservation for twelve” If ever there was a film you truly cannot judge by its cover, John Wick is it. We’re talking an action flick about a retired assassin played with stoic Zen by Keanu Reeves (the titular Wick) going on a killing spree against Viggo Tarasov’s (Michael Nyqvist) Russian mob syndicate because the crime boss’ son Iosef (Alfie Allen) stole his car and killed his dog. Sure there’s more emotional heft to this catalyzing event to not think Wick is entirely off his rocker with…

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