REVIEW: Visages, villages [Faces Places] [2017]

“To meet new faces and photograph them so they don’t fall down the holes in my memory” To look at some of the work of “unidentified” artist JR—giant black and white images pasted onto surfaces with a literal or figurative contextual relationship—is to see the type of community-based, socially conscious messaging Agnès Varda built a […]

DESIGN: Cultivate Cinema Circle Fall 2015

Cultivate Cinema Circle Fall 2015 Season October – December 2015 posters designed at 11×17 and 27×40 also viewable at cultivatecinemacircle.com

REVIEW: Les glaneurs et la glaneuse [The Gleaners and I] [2000]

“There’s no shame, just worries” What makes Agnès Varda such an integral voice in cinema is her colloquial way of engaging subjects. Everything appears as though unplanned when she visits locales believed to align with her current topic so as to capture unknown truths and adventure. None of her work does this better than Les […]

REVIEW: Les plages d’Agnès [The Beaches of Agnès] [2008]

“I feel pain everywhere” I think it should be a new rule that documentaries about filmmakers can only be made if the subject him/herself directs. How could you not want this enforced after watching Agnès Varda‘s Les plages d’Agnès [The Beaches of Agnès]? It surely helps that the Frenchwoman is candid, funny, and fearless when […]

REVIEW: Sans toit ni loi [Vagabond] [1985]

“Champagne on the road’s better” When I saw Sans toit ni loi [Vagabond] for the first time as a twenty-year old in college, I did so believing its titular nomad Mona Bergeron (Sandrine Bonnaire) was the focal point. This was a mistake. I was bored—frustrated that I was forced to care about someone who obviously […]

REVIEW: Mur murs [1982]

“That’s part of the beauty. It’s going to change.” What’s there to do while you’re in Los Angeles? Shoot a couple films, of course. That’s exactly what French auteur Agnès Varda decided to do in 1981 with her fictional narrative Documenteur and documentary Mur murs. The latter proves a very down and dirty point and […]

REVIEW: Cléo de 5 à 7 [Cleo from 5 to 7] [1962]

“You shouldn’t use the word ‘despair’” It’s crazy to think that Cléo de 5 à 7 [Cleo from 5 to 7] was just the second feature length fictional narrative French auteur Agnès Varda ever made. The maturity in minimal storytelling, singular visual style, and existential metaphor surrounding death’s value that spans classes are stunning to […]