INTERVIEW: Aaron Moorhead, director/cinematographer & Justin Benson director/writer of The Endless

As someone who loved Aaron Moorhead and Justin Benson‘s Spring to the point of seeking out everything else they had done before that point, hearing about a new work debuting at Tribeca got me excited to see what they would deliver. My assumption was that it was the Aleister Crowley picture they spoke about when […]

TFF17 REVIEW: The Endless [2018]

“Please, be quiet” To resolve is to settle, finding the determination to do something rather than simply wait for something to happen to you. A resolution isn’t therefore a firm ending. On the contrary, it serves to provide beginnings. That decision has the potential to set you onto a path towards freedom either from the […]

Top Ten Films of 2015: Where emotions run high

I have no problem saying 2015 was a great year for cinema. Putting together a Top Ten was difficult at every turn—both because each time I had to do so meant I had seen more films and as a result of my preferences constantly changing. There are more than a few from 11-20 that easily […]

FANTASIA15 REVIEW: Ava’s Possessions [2016]

“Did anyone call in sick for me?” When the industry is inundated with supernatural horror redundancies like it has for the past two decades, work like Edgar Wright and Simon Pegg‘s Shaun of the Dead or Justin Benson and Aaron Moorhead‘s Spring are necessary to kept things from going stale. A point when audiences simply […]

INTERVIEW: Aaron Moorhead, director/cinematographer & Justin Benson director/writer of Spring

Sometimes the festival experience has a way of making you overrate films. The excitement of seeing things early with like-minded individuals, listening to filmmakers talk before and after their screenings, and the general festival aura are hard to separate from the work itself. So I won’t lie and say I didn’t re-watch Aaron Moorhead and […]

REVIEW: Resolution [2013]

“They said they were researching folktales” ***Possible Spoilers*** Films like Justin Benson and Aaron Moorhead‘s Resolution can’t help but get under your skin and risk never letting go. Any issues you may have about production quality, plot holes, pacing, and performances fall away because of one genius detail planting the seeds of curiosity. Then, when […]

REVIEW: A Girl Walks Home Alone at Night [2014]

“Are you a good boy or not?” The comparisons are so spot-on that I knew critics before me had made the same parallels before even looking. Ana Lily Amirpour‘s debut feature A Girl Walks Home Alone at Night is Jim Jarmusch cool with Quentin Tarantino swagger—an Iranian Vampire Western calling to mind Dead Man and […]

Wiig, Gyllenhaal, and Monster Love at the 2014 Toronto International Film Festival

Friends and family think me crazy for driving up the QEW so I can sit in darkened theaters for around thirty of a total eighty-hours in Toronto, but I wouldn’t spend my early September days any other way. This is what the Toronto International Film Festival does—it makes you look sanity in the face, say no […]

TIFF14 REVIEW: Spring [2015]

“I’m not drunk enough to sleep in your mother’s deathbed” The first words in Colin Geddes’ TIFF description for Vanguard selection Spring are, “Before Sunrise gets a supernatural twist.” You read that as a cinephile and you push everything aside to check out what it could mean. A horror romance co-director Aaron Moorhead described in […]