Top 100 Films of the Decade: 2010-2019

If you asked me in 2010 which studios’ films would be amongst my favorites over the next ten years, I probably would have answered two correctly: Fox Searchlight (11) and Sony Pictures Classics (7). Those are two independent shingles of big Hollywood names that have been pumping out quality pictures for decades. Next up would have been The Weinstein Company (5), Warner Bros. (4), Paramount (4), Universal (4), and Sony Pictures (3) because they were cinema. So why are they barely beating those other two combined? Because the game changed.…

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Picking Winners at the 87th Annual Academy Awards

Things look pretty cut and dry where the Academy is concerned in 2015. The Oscars are always a somewhat watered-down look at what really mattered in the past year of cinema and this installment is no exception. In fact, it may be all water at this point. That doesn’t mean there can’t be some intriguing surprises in the second-tier categories like Best Animated Feature (I really hope How to Train Your Dragon 2 loses to one of the other much more aesthetically and conceptually unique nominees) or Short Film Animated…

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INTERVIEW: John Ridley, writer/director of Jimi: All Is By My Side

After all the talk from last year’s TIFF centered around the eventually Oscar-winning Best Picture 12 Years a Slave, you can’t blame yourself for forgetting its Oscar-winning screenwriter John Ridley brought another film he both wrote and directed. Jimi: All Is By My Side flew under the radar and was mired by a media blitz intent on focusing around the fact it didn’t acquire the rights to any of its titular subject Jimi Hendrix‘s music. What it did have, however, was a uniquely arresting visual and aural style that looked…

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Top 25 Films of 2013

(short and sweet and to the point; culled from watching 220+ releases. constantly updated as i catch up to those i missed. click poster for review if applicable) #25: Mud directed by Jeff Nichols #24: Pacific Rim directed by Guillermo del Toro #23: The Conjuring directed by James Wan #22: Satellite of Love directed by Will James Moore #21: Una noche [One Night] directed by Lucy Mulloy #20: The Great Gatsby directed by Baz Luhrmann #19: The Spectacular Now directed by James Ponsoldt #18: Blue Jasmine directed by Woody Allen…

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The 86th Oscars recap through tweets …

Welcome to the 86th Annual Academy Awards everyone! If you didn’t watch the festivities that occurred Sunday night at the Dolby Theatre you are probably a lot better off than most of us because it was a very lackluster affair. We all hoped Ellen DeGeneres would bring a fun, smart, witty return to her success with the 79th installment, but the reality ended up being one of the most dull and safe presentations in quite some time. I guess it wasn’t all bad, though, considering the Academy actually got most…

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Top Ten Films of 2013: A year in cinema to write home about

2013 has been a banner year for cinema with a slew of quality pictures that makes you wonder how only nine got enough first place votes to earn an Oscar nomination for Best Picture. Most of my favorites could have filled that elusive tenth spot for some added acclaim—whether having a chance to win or not. I hadn’t even seen a good chunk of these until the calendar flipped to 2014, the sheer amount of winners was too vast. And after only awarding three films a 10/10 rating last year,…

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Picking Winners at the 86th Annual Academy Awards

The Oscars are generally quite boring, since we often know well in advance what is going to win Best Picture, Director, etc. But this year? Not so much. Sure, there are heavy favorites — see below. But it is entirely possible there will be some real surprises. Of course, I could be completely wrong. But if I am, hopefully Bill Altreuter and Jared Mobarak will be right. And away we go … —Chris Best ActorBruce Dern: NebraskaChiwetel Ejiofor: 12 Years a SlaveMatthew McConaughey: Dallas Buyers ClubLeonardo DiCaprio: The Wolf of Wall StreetChristian Bale: American Hustle…

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Posterized Propaganda January 2014: The Top 10 Movie Posters of 2013

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. Despite being another year of blockbusters and animated fare begging for bland character sheets and Photoshop montages, 2013′s movie posters were surprisingly creative artistically. A bunch of the following images…

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REVIEW: 12 Years a Slave [2013]

“Stay safely” A label such as hero has lost its meaning of late. So ubiquitous today, it’s been rendered empty by being placed upon men and women who—while just, compassionate, and selfless—don’t quite reach the level of endured suffering for the word to earn its full weight. With America’s history possessing so much cowardice and hate, even some of its greatest legends can’t shake the damning facts which prove they’re less than the pristine pillars our books would like to tell. Yet in our darkest time—an era of unforgivable crimes…

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Posterized Propaganda October 2013: The Faces of ‘Gravity,’ ’12 Years a Slave,’ ‘The Counselor’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. Not too many movies open up in October—and only one studio horror flick at that, despite Halloween. What’s the best way to sell tickets then? Star power. Celebrity faces are…

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TIFF13 REVIEW: Jimi: All Is by My Side [All Is by My Side] [2014]

“The rest is just painted with a little science fiction” On paper a biopic of Jimi Hendrix without the rights to his music seems like a complete waste of time. Even with John Ridley‘s All Is by My Side detailing the guitarist’s two years prior to the Monterey Pop Festival in 1967, the thought of not using an iconic track for the credits is a daunting one to overcome. Thankfully, with a bit of ingenious sound design and multiple sensory collages of images and music, we’re able to experience the…

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