• REVIEW: Apollo 11 [2019]

    “The Eagle has landed” A black screen with the title Apollo 11 arrives for an instant before we’re whisked away to July 1969 as those in Mission Control and astronauts Neil Armstrong, Buzz Aldrin, and Michael Collins prepare themselves for the first manned spaceflight to land on the moon. There’s no opening interstitial providing context, […]

  • INTERVIEW: Keith Behrman, writer/director of Giant Little Ones

    One of my favorite things about going to the Toronto International Film Festival is finding the time to see the smaller movies that aren’t on everyone’s must-see lists. While the gamble sometimes turns out to be a dud, the risk is easily justified when you’re able to discover a work as genuinely memorable as Keith […]

  • The 91st Oscars recap through tweets …

    What a wild ride this Oscars season has been. After so much recent talk about inclusivity and a changing of the guard, it was bound to happen that we’d receive an awkward period of flux. There’s the young crowd cheering a Marvel Cinematic Universe chapter to the franchise’s first Best Picture nominee and the older […]

  • Picking Winners at the 91st Annual Academy Awards

    The 90th Annual Academy Awards hits airwaves Sunday, February 24th, 2019 at 8:00pm on ABC. For those handicapping at home, here are the guesses of Buffalo film fanatics Christopher Schobert, William Altreuter, and myself. Jared Mobarak: It’s the type of year where hashtags rhetoric simply won’t work. There’s just not one all encapsulating buzzword to […]

  • REVIEW: Destroyer [2018]

    “Let’s see if it’s your time” It’s billed as a down and dirty revenge flick with some calling it a redundant variation on a theme “better” films already delivered. That’s not how I see it, though. No, Karyn Kusama‘s latest is about guilt. Erin Bell (Nicole Kidman) isn’t drowning herself in alcohol and pushing everyone […]

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film reviews

REVIEW: The Old Man and the Gun [2018]

“I know what I’m doing” Finding an occupation you love is rare when familial and financial responsibilities often dictate a path towards compromise. It’s therefore hard to let one go. Just ask Forrest Tucker, a career criminal in and out of prison since age fifteen whose life consisted of planning his next bank robbery or […]

REVIEW: Game Night [2018]

“It worked for Hitler” I never watched a trailer for Game Night because the posters looked lame and it came out at a time when I couldn’t watch it in a theater. So when the almost universal praise landed to hail it a dark comedy must-see of 2018 … I still didn’t watch the trailer. […]

REVIEW: Jinn [2018]

“I don’t know what it means to be a believer” Religion is sacrifice. I don’t think there’s another way to truly describe what it means to give yourself to faith so completely that you’ll allow it to control your life. It’s always fascinated me that so many ascribe to a God in this way. Whether […]

REVIEW: Gräns [Border] [2018]

“You shouldn’t listen to what humans say” Customs officer Tina (Eva Melander) stands at attention while a line of passengers exiting an international flight walk by, her nostrils perpetually flaring. She’s sniffing them as a means of discerning which might have illegally undeclared possessions on their person. An “Excuse me” later and her partner is […]

REVIEW: Free Solo [2018]

“I realize my body would just explode on impact” Free climbing a mountain wall at any height is insane to me. So watching Alex Honnold gaze upon El Capitan with the simultaneous declarations that it scares the crap out of him and that conquering it without rope would be his ultimate goal makes me shudder. […]

REVIEW: Monster Party [2018]

“Simple as a pimple” I have to think writer/director Chris von Hoffmann saw The Purge and wondered what could be born from reversing the good guy and bad guy roles. Those are generic terms of course since both movies ultimately contain bad guys and worse guys, but for the sake of argument we’ll say that […]

REVIEW: Bullitt County [2018]

“You don’t always have to shoot the rooster” Repression is wild insofar as our minds pushing trauma down to the depths of our soul without a second thought. While guilt will ravage some to the point where certain actions become inescapable no matter what is used to numb the pain, others can completely detach themselves […]

REVIEW: The Sisters Brothers [2018]

“Are you going to watch?” Many assumptions can be made during the opening scene of Jacques Audiard‘s The Sisters Brothers. It’s here where we meet the titular siblings (John C. Reilly‘s Eli and Joaquin Phoenix‘s Charlie Sisters) approaching a ranch with a clear warning of only wanting the man they’ve come to kill. A firefight […]

REVIEW: The Hate U Give [2018]

“Know your worth” The progression of The Hate U Give‘s genesis reveals its message’s importance. Angie Thomas began its short story precursor back in college as a response to Oscar Grant’s 2009 death by police. She would push it aside soon after in hopes to revisit the subject matter once her rage subsided. Her impulse […]

REVIEW: Tito e os Pássaros [Tito and the Birds] [2018]

“You catch fear from ideas” The “outbreak” started years ago when the twenty-four hour news cycle broke onto the scene by stoking fear for ratings out of a necessity for content. We used to only get an hour of local news every night—itself needing to be bolstered by a public interest story or two—with a […]

REVIEW: Life and Nothing More [2018]

“Are you free, dead, or in jail?” Many filmmakers find the need to politicize truths without realizing or believing their existence has already politicized them. There’s power in this sort of manipulation because the product created is working towards opening eyes or (in most cases) reinforcing what those eyes accepted long ago. That power can […]

REVIEW: An Evening with Beverly Luff Linn [2018]

“That man ain’t dead” There’s an unforgettable scene from “Twin Peaks” season two that can be a make-it or break-it point for viewers due to how far David Lynch and company were willing to go with the cringe factor of their off-kilter comedic tone. It’s the one where Agent Cooper is lying on the floor […]

REVIEW: Bad Times at the El Royale [2018]

“Why even have a bell?” Writer/director Drew Goddard‘s affinity for voyeuristic set-ups continues with Bad Times at the El Royale‘s “pervert hotel” aesthetic. His first feature-length screenplay (Cloverfield) was found footage, his directorial debut (The Cabin in the Woods) had a two-way mirror as well as a science fiction surveillance conceit, and now we get […]

REVIEW: Colette [2018]

“It might ruffle some feathers back home” What Wash Westmoreland (who co-wrote with his late husband Richard Glatzer and Rebecca Lenkiewicz) has done with Colette is craft an origin story for the famous, Nobel Prize-nominated French novelist Sidonie-Gabrielle Colette. It begins in Saint-Sauveur-en-Puisaye with her as the teenage daughter of poor country folk unable to […]

REVIEW: Tea with the Dames [2018]

“It’s alright, you can still swear” Friends for over fifty years, Eileen Atkins, Judi Dench, Joan Plowright, and Maggie Smith join together for Nothing Like a Dame [Tea with the Dames] as they often have. This time, however, comes at the behest of director Roger Michell. And while it’s structured to appear like any other […]