• REVIEW: Avengers: Infinity War [2018]

    “He’s never fought me twice” It’s been ten years since we met Tony Stark on the big screen. Ten years of serial storytelling with massive budgets, character crossovers, television offshoots, and Stan Lee cameos that took Hollywood and the box office by storm. Not even steward Kevin Feige could have predicted that type of longevity […]

  • REVIEW: You Were Never Really Here [2018]

    “I must do better, sir” An unparalleled exercise in economy, Lynne Ramsay‘s You Were Never Really Here cements her status as a cinematic master. This brutalist thriller runs a deliberate yet swift 89-minutes, its central character a man of few words with violence bubbling just beneath a too large heart for the hostile world that’s […]

  • The 90th Oscars recap through tweets …

    If you thought this year’s Oscars were going to do something crazy or exciting, you haven’t been paying attention. Between the envelope-gate incident of 2017 and the fact that this was a “multiple of ten” anniversary, the 90th Annual Academy Awards was going to do everything it could to right the ship and ensure nothing […]

  • Picking Winners at the 90th Annual Academy Awards

    The 90th Annual Academy Awards hits airwaves Sunday, March 4th, 2018 at 8:00pm on ABC. For those handicapping at home, here are the guesses of Buffalo film fanatics Christopher Schobert, William Altreuter, and myself. Jared Mobarak: This new look Academy is really starting to pay dividends. The fight for representation might have begun with a […]

  • REVIEW: Black Panther [2018]

    “We had to maintain the lie” It’s easy to forget how important Creed was to getting this specific Black Panther made. From Wesley Snipes wanting to get something off the ground in the 1990s to Kevin Feige courting Ava DuVernay as director post-Selma success, things could have been very different. Hiring Ryan Coogler before his […]

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film reviews

REVIEW: Coco [2017]

“Seize your moment” Disney and Pixar have lately begun to tell more stories that aren’t intrinsically linked to their white male sensibilities (even if they have a tendency to push out voices that should be talking for their characters like Brenda Chapman on Brave). It’s definitely an evolutionary process—one that might actually be helped with […]

REVIEW: Olaf’s Frozen Adventure [2017]

“Tell us yours and we’ll tell you if it’s special enough” A short film like Olaf’s Frozen Adventure epitomizes the law of diminishing returns: for audiences, not Disney. The studio is surely making a ton of merchandise money with little work involved considering the characters are already at their disposal. We’re talking a couple directors, […]

REVIEW: The Shape of Water [2017]

“We’re all alone” Leave it to Guillermo del Toro to create an adult fantasy in the vein of Beauty and the Beast wherein there is no “beauty,” only the “other.” It’s one thing to read or watch a tale of overcoming the odds as a child with a specimen of perfection finding it in his/her […]

REVIEW: The Rape of Recy Taylor [2017]

“They thought the black woman’s body didn’t belong to her” You may not know the name Recy Taylor, but you’ve definitely heard her story. It’s one of rape, lies, and cover-ups. It’s one of irreparable physical and psychological damage that still affects her family more than seventy years later. And it’s also one about a […]

REVIEW: The Post [2017]

“Quality drives profitability” Let’s be real: every Steven Spielberg film is a must-see, hype-driving machine. He’s a cinematic giant who rarely chooses a project to direct without extreme enthusiasm and artistic purpose (whether the result proves timeless or not). But no one could be blamed for letting excitement crescendo higher than usual upon hearing about […]

REVIEW: Loving Vincent [2017]

“Life can even bring down the strong” The stats are incredible: 125 artists animating a feature-length film over seven years based on 800 personal letters with 65,000 individually-painted oil frames. You read those numbers and wonder if it was worth the trouble when a traditionally shot narrative featuring its faux “rotoscoped” actors would have been […]

REVIEW: Downsizing [2017]

“Lots of people are in pain, Ma. In all sorts of ways.” It’s an ingenious comedic premise. With Earth’s population untenable, a couple of Norwegian scientists discover a way to combat our impending doom: genetic shrinkage. With a syringe of blue formula and a microwave oven (the logistics are never explained beyond surface visuals), any […]

REVIEW: Thelma [2017]

“Jesus Satan” The moment you leave home for college is the moment your parents say, “Have fun, but don’t lose who you are in the process.” It’s a worthwhile sentiment that we often take for granted as an implicit notion that we are who we will remain despite embarking on a journey full of unknown […]

REVIEW: Psychopaths [2017]

“Evil’s a straight and simple ‘just because’” It’s hard to reject a film as having no substance when its narrator apologizes for that very fact. Was its hollowness therefore an intentional commentary on the empty nihilistic void that we call life or was the filmmaker throwing us for a “meta” loop with a tongue-in-cheek laugh […]

REVIEW: Mudbound [2017]

“They say it’s bad luck to watch somebody leave” People too often speak about America’s scars as though the damage was done, skin healed over, and remnants already mostly faded away. But this isn’t true. Ask any member of a group that has been marginalized from the moment Europeans landed on the Atlantic shore until […]

REVIEW: Mercy Christmas [2017]

“Fresh is best” Michael Briskett (Steven Hubbell) awakens in a dark room with plastic sheets covered in blood hung behind him. It’s imagery you’ve seen countless times in horror films—butcher accoutrement readied for torture porn carnage. But writer/director Ryan Nelson (alongside Beth Levy Nelson as co-writer) is only giving us a tease of what’s to […]

REVIEW: The Square [2017]

“Do you want to save a human life?” You always hear labels like “before its time” or “of its time,” but what about “beyond its time?” The latter is the phrase I would use to describe Ruben Östlund‘s Palme d’Or-winning (Cannes) The Square because everything it tries to say in a “pay attention before it’s […]

REVIEW: Wonderstruck [2017]

“It’s never the right time” What do a deaf (from birth) girl in 1920s New Jersey and hearing-impaired (due to a recent accident) boy in 1970s Minnesota have in common besides their struggle to communicate? We’ll just have to wait until author/screenwriter Brian Selznick and director Todd Haynes are ready to let us know. In […]

REVIEW: Okja [2017]

“Very healthy!” I’m far from a vegetarian or a pet/animal lover, but I get the reasons why people would be both. And no matter how much I enjoy eating red meat, even I would have to draw the line when confronted with a “Meet your meat” type scenario. What purpose is drawn from such a […]

REVIEW: The Man Who Invented Christmas [2017]

“Why throw everything away for a minor holiday?” As Les Standiford‘s book would tell it, Charles Dickens (Dan Stevens) found himself in somewhat of a creative rut after a lengthy and expensive tour of America post-Oliver Twist. He had published three flops since buying a new London home in need of wholesale remodeling and began […]