• The 90th Oscars recap through tweets …

    If you thought this year’s Oscars were going to do something crazy or exciting, you haven’t been paying attention. Between the envelope-gate incident of 2017 and the fact that this was a “multiple of ten” anniversary, the 90th Annual Academy Awards was going to do everything it could to right the ship and ensure nothing […]

  • Picking Winners at the 90th Annual Academy Awards

    The 90th Annual Academy Awards hits airwaves Sunday, March 4th, 2018 at 8:00pm on ABC. For those handicapping at home, here are the guesses of Buffalo film fanatics Christopher Schobert, William Altreuter, and myself. Jared Mobarak: This new look Academy is really starting to pay dividends. The fight for representation might have begun with a […]

  • REVIEW: Black Panther [2018]

    “We had to maintain the lie” It’s easy to forget how important Creed was to getting this specific Black Panther made. From Wesley Snipes wanting to get something off the ground in the 1990s to Kevin Feige courting Ava DuVernay as director post-Selma success, things could have been very different. Hiring Ryan Coogler before his […]

  • Online Film Critics Society Ballot 2017

    Below is my December 24th ballot for the 21st annual Online Film Critics Society Awards honoring movies released domestically in the United States during the 2017 calendar year. Group winners are highlighted in red. (We were only allowed to vote for one nominee per category this year, but I ranked them all like previous years […]

  • REVIEW: Call Me By Your Name [2017]

    “‘Cause I wanted you to know” It wasn’t until three-quarters of the way through Luca Guadagnino‘s Call Me By Your Name that I finally began to understand the almost universal praise bestowed upon it since debuting at Sundance. Up until then it merely felt like a familiar coming-of-age film wherein the teenager in question was […]

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film reviews

REVIEW: Beloved [1998]

“Love is or it ain’t. Thin love ain’t love at all.” Love creates and destroys. Mix in post-traumatic stress disorder and you’ll never know which until it’s too late. Evil can permeate your soul and color your psychology in ways that merge right and wrong into a singular goal seeking survival. To endure horror is […]

REVIEW: Blade Runner 2049 [2017]

“Because you’ve never seen a miracle” Survival is a selfish endeavor, but not necessarily one driven by ego. On the contrary, survival is often a selfless means to place community ahead of the individual. Look at our country’s current, abhorrent divisions along lines we should have erased decades ago or never created in the first […]

REVIEW: The Natural [1984]

“The only homer I know has four bases in it” There’s a lot going on in Barry Levinson‘s The Natural and baseball is the least of it. The film had always been a blind spot for me as I’m not a fan of the sport and thus could never bring myself to watch—”classic” status or […]

REVIEW: Halloween III: Season of the Witch [1982]

“They’re fun. They’re frightening. And they glow in the dark.” After the insane success of John Carpenter‘s Halloween and the modest follow-through of its sequel Halloween II ($70 million on a $300,000 budget and $25.5 million on a $2.5 million budget respectively), the director readied to leave Haddonfield, Laurie Strode, and their malevolent predator behind. […]

REVIEW: Only the Brave [2017]

“Decide what you live for and what you can live without” Interagency Hotshot Crews are twenty person teams of Type 1 firefighters that exceed all experience, training, and fitness requirements of that designation. Originated in the 1940s to combat wildfires on a national level, these groups move all over the country to suppress flames and […]

REVIEW: The Florida Project [2017]

“What are you playing?” It’s hard not to think about another A24 produced film while watching Sean Baker‘s The Florida Project. The themes it presents due its impoverished central characters barely scrapping by financially on a day-to-day basis are identical to Andrea Arnold‘s American Honey and its band of twenty-somethings traveling the countryside to scam […]

REVIEW: Il conformista [The Conformist] [1970]

“Slaughter and melancholy” At one point towards the end of Bernardo Bertolucci‘s Il conformist [The Conformist], Marcello Clerici (Jean-Louis Trintignant) turns to Manganiello (Gastone Moschin) and relays a brief synopsis of a dream. He talks about how he was a blind man who needed an operation that only his former professor (Enzo Tarascio‘s Quadri) could […]

REVIEW: Creepshow [1982]

Seven years before HBO brought EC Comics’ 1950s-era horror strips to life for their long-running anthology series “Tales from the Crypt”, Stephen King and George Romero delivered their own homage to the style with Creepshow. The former served in the role of screenwriter with two of the five chapters being adaptations of short stories he […]

REVIEW: Never Here [2017]

“You’ve done a bad thing” Miranda Fall (Mireille Enos) is a cataloger. Her art leads her on journeys following new subjects in order to understand who each is by what each does and possesses. She voyeuristically captures their lives in photographs and objects, exhibiting her findings as though a celebration despite some of her targets […]

REVIEW: In a Lonely Place [1950]

“There’s no sacrifice too great for a chance at immortality” Just because you might be innocent of one crime doesn’t mean you’re a saint who’d never commit another. We’ve seen this type of complex premise as recently as “The Night of”, a miniseries about racial prejudice and police neglect wherein the accused (and audience) is […]

REVIEW: The Foreigner [2017]

“Trust or fear” I like a good action thriller without a clear target because it allows the story to develop where cat and mouse chases usually reside. Martin Campbell‘s The Foreigner is a good example as it shows what happens when a sharp plot is made paramount. We know who the bad guys are—a group […]

BIFF17 REVIEW: After the Sun Fell [2017]

“You have an empty space that you need to fill” Everyone’s family is crazy. Some may seem crazier than others, but that’s generally a byproduct of them being less self-conscious. The question we don’t ask ourselves—whether a part of the insanity or watching as an outsider—is why. Why does one member prove so gratingly obnoxious […]

REVIEW: The Craft [1996]

“Nothing makes everything all better again” There’s a ton of untapped potential in Andrew Fleming‘s The Craft. It delivers four embattled teenage girls faced with tragic circumstances out of their control who seek to empower themselves against the internal and external struggles presented by them. This is a premise that allows for empathy and understanding […]

BIFF17 REVIEW: Sunset Park [2017]

“With anger you can lose everything” When Duane Sarcione (Michael T. Weiss) finds himself in the hole with mobster ‘The Sledge’ (Sam Douglas), he has no choice but to run. It’s not a surprising move despite only knowing him for five minutes—gambling has a hold and he’s drowning under the weight of turmoil both in […]

BIFF17 REVIEW: The Sounding [2018]

“There has to be a reason” What is it about our quest to not simply help those in need, but solve what is supposedly ailing them? What in the history of mankind shifted focus from wanting to understand that which was different to assimilating (eradicating) it? Greed. Power. Sanctimony. Ego. There are an infinite number […]