• The 92nd Oscars recap through tweets …

    What a weird, wild night. After the debacle that was Kevin Hart’s appointment as Oscar host last year and the straight-up refusal by everyone else to dare take the baton in the wake of his dismissal, The Academy chose right from the start to not have a host for their 92nd annual event. So what […]

  • Picking Winners at the 92nd Annual Academy Awards

    The 92nd Annual Academy Awards hits airwaves Sunday, February 9th, 2020 at 8:00pm on ABC. For those handicapping at home, here are the guesses of Buffalo film fanatics Christopher Schobert, William Altreuter, and myself. Jared Mobarak: Let’s face it. The Oscars have been irrelevant from a creative standpoint since … probably forever. The whole thing […]

  • Top 100 Films of the Decade: 2010-2019

    If you asked me in 2010 which studios’ films would be amongst my favorites over the next ten years, I probably would have answered two correctly: Fox Searchlight (11) and Sony Pictures Classics (7). Those are two independent shingles of big Hollywood names that have been pumping out quality pictures for decades. Next up would […]

  • Online Film Critics Society Ballot 2019

    Below is my December 26th ballot for the 23rd annual Online Film Critics Society Awards honoring movies released domestically in the United States during the 2019 calendar year. Group winners were announced on January 6th, 2020 and are highlighted in red. Best Picture #1Parasite #2Portrait of aLady on Fire #3Marriage Story #4Knives Out #5Us #6Uncut […]

  • REVIEW: Portrait de la jeune fille en feu [Portrait of a Lady on Fire] [2019]

    “Don’t regret. Remember.” An eighteenth century Italian countess (Valeria Golino) still residing at the French estate of her late husband has decided she’d like to return home. The best way to accomplish this is marrying off one of her daughters to an affluent Milanese suitor since doing so would secure both their futures while also […]

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film reviews

REVIEW: Waves [2019]

“All we have is now” Ronald Williams (Sterling K. Brown) tells his son Tyler (Kelvin Harrison Jr.) what so many parents do: “You don’t know how lucky you are.” What are those words besides a pat on the adult’s back for providing a decent life for their child, though? To me they’re often a source […]

REVIEW: 1917 [2019]

“It’s easier not to go back at all” While it appeared the Germans retreated, they were really just gathering their strength at the easier-to-defend Hindenburg Line as part of Operation Alberich in northern France. With British forces fooled and following closely behind to mount what they believed would be an offensive, their opponents were primed […]

REVIEW: The Aeronauts [2019]

“Doubt is there to be listened to” When Jack Thorne decided to craft a screenplay that was able to embody the insanity of what Richard Holmes described in his book about early aeronautic pioneers, Falling Upwards: How We Took to the Air, he recognized that cherry picking the best bits and smushing them together through […]

REVIEW: Charlie’s Angels [2019]

“Hugs work” It’s been over fifteen years since Charlie’s Angels: Full Throttle hit cinemas. That might not seem so long considering the first movie bowed almost twenty years after the television show went off the air, but TV reboots were all the rage back in the early ‘aughts. That extra time might have actually helped […]

REVIEW: A Million Little Pieces [2019]

“Get it right the first time, James” During the ensuing fallout once James Frey‘s memoir A Million Little Pieces was exposed as a fabrication well beyond his statement admitting to having altered “small details” of his past, it was discovered that the author had tried getting it published as fiction to no avail. Random House, […]

REVIEW: Queen & Slim [2019]

“Can I be your legacy?” Despite what your Fox News watching relatives say, Black people in America aren’t asking to be killed. They aren’t “thugs” leeching off a system those same folks are banking on to carry them through retirement. And their rage at being left for slaughter isn’t an excuse for you to wield […]

REVIEW: The Peanut Butter Falcon [2019]

“Two bandits on the run” Neither Tyler (Shia LaBeouf) nor Zak (Zack Gottsagen) is where he wants to be—each haunted by memories of their loss. The former suffers from demons of his own making after his brother Mark’s (Jon Bernthal) death while the latter contends with his family abandoning him into the guardianship of a […]

REVIEW: Uncut Gems [2019]

“Black Jew power” Writers/directors Benny and Josh Safdie‘s debut feature bowed at Cannes in 2009 to spark a rather prolific career spanning shorts, music videos, documentaries, and critically acclaimed independents featuring an increasingly more familiar stable of actors at the lead. I mention this because that’s also the year that the Safdie brothers approached Adam […]

REVIEW: Abominable [2019]

“Dude. You darted Dave.” Writer/director Jill Culton started production on Abominable in 2010 before eventually leaving the project and ultimately coming back on-board. Still retaining sole writing credit, I have to believe Dreamsworks stayed true to her original narrative vision during those years when she was away. Maybe they fiddled with things to hew closer […]

REVIEW: Honey Boy [2019]

“Why am I here?” The bane of childhood stardom is that nothing you do will ever be a secret again. Your success will be written in black and white in the trades. Personal relationships will be speculated upon in the tabloids. And mistakes—large or small—will trend like wildfire on the internet until they become the […]

REVIEW: A Beautiful Day in the Neighborhood [2019]

“Anything mentionable is manageable” Anyone who grew up watching “Mister Rogers’ Neighborhood” has a friend. Their parents might have smiled at what they inaccurately presumed was a performance, but the children smiled because the connection felt was real. Here was a man who looked them in the eyes and spoke truths with as much compassion […]

REVIEW: The Laundromat [2019]

“Bad is such a big word … for being such a small word” The first time writer Scott Z. Burns paired up with director Steven Soderbergh proved to be a rousing success. The Informant! had real life intrigue, absurd comedy, and an inspired cast to pull everything together in a way that simultaneously educated and […]

REVIEW: The Souvenir [2019]

“Very much in love” Love is a powerful drug. There’s the unadulterated high when things are going good and the debilitating anguish upon suffering withdrawal. We chase the former and fall into bad habits to avoid the latter—sacrificing everything we want to achieve for ourselves in order to sustain a union we cannot fathom being […]

REVIEW: Rockaway [2019]

“The smoke’s getting closer” John (Frankie J. Alvarez) puts on the television to find a replay of a 1994 NBA Championship game with John Starks draining threes. Rather than create a pang of nostalgia for the years when his hometown team was good, however, the image takes him back to a childhood full of tragedy […]

REVIEW: The Irishman [2019]

“It’s what it is” Aging lead Frank Sheeran (Robert De Niro) is approached by two detectives towards the end of Martin Scorsese‘s The Irishman (the cinematic adaptation of Charles Brandt‘s I Heard You Paint Houses as scripted by Steve Zaillian) who let him know he’s the only one left. All the other big-time mafiosos from […]