• REVIEW: Napszállta [Sunset] [2018]

    “It’s starting all over again” I felt as though I was running circles throughout László Nemes‘ sophomore effort Napszállta [Sunset]. It doesn’t help that we’re often inches from Írisz Leiter’s (Juli Jakab) face—if not looking through her very eyes—as she winds her way through an unfamiliar and just out of focus Budapest, Hungary. I speak […]

  • Top 100 Albums of 2018

    Honorable Mention: #100: Mindset by Vacationer #99: Bruce Wayne by Fetty Wap #98: 7 by Beach House #97: Castles by Lissie #96: Shift by Henry Green #95: Kyoto by Tyga #94: White Is Relic/Irrealis Mood by of Montreal #93: Trickster Blues by RF Shannon #92: I can feel you creepinto my private life by Tune-Yards […]

  • REVIEW: Transit [2018]

    “I won’t be writing anymore school essays” It took until the end of Christian Petzold‘s Transit and my reading the press notes to realize Georg’s (Franz Rogowski) story unfolded in the present day. I felt off-balance from the start as far as what the historical context for these events were because he was a German […]

  • REVIEW: Apollo 11 [2019]

    “The Eagle has landed” A black screen with the title Apollo 11 arrives for an instant before we’re whisked away to July 1969 as those in Mission Control and astronauts Neil Armstrong, Buzz Aldrin, and Michael Collins prepare themselves for the first manned spaceflight to land on the moon. There’s no opening interstitial providing context, […]

  • INTERVIEW: Keith Behrman, writer/director of Giant Little Ones

    One of my favorite things about going to the Toronto International Film Festival is finding the time to see the smaller movies that aren’t on everyone’s must-see lists. While the gamble sometimes turns out to be a dud, the risk is easily justified when you’re able to discover a work as genuinely memorable as Keith […]

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film reviews

REVIEW: Relaxer [2019]

“I quit quitting” I remember watching PCU as a kid and thinking how awesome it would be to make my thesis paper about something as inconsequential as whether or not a movie starring Michael Caine or Gene Hackman is always on television at any given time. It’s doubtful I knew what a thesis was back […]

REVIEW: Gloria Bell [2019]

“We could all die tomorrow” I hate the argument that remakes of foreign films allow English-speakers to invest more in the story and performance because they aren’t dividing attention between dialogue and imagery, but I can’t deny some validity to the thought. There’s more to it than just what you hear, though, because a new […]

REVIEW: Ruben Brandt, Collector [2018]

“Characters from famous paintings continue to attack me” Writer/director Milorad Krstic has combined his love for painting and film into an action thriller as surreal as it is familiar. The whole uses his own unique animation style as a filter with which to recreate masterpieces of both visual mediums—each famed piece simultaneously recognizable as its […]

REVIEW: Gloria [2013]

“Are you always this happy?” While sitting next to her ex-husband (Alejandro Goic‘s Gabriel) at their adult son’s birthday party, Gloria (Paulina García) peers at old wedding photos and comments about how naïve they were. He of course tries shifting those sentiments by exclaiming they were in love, but she just smiles and repeats “naïve” […]

REVIEW: Apollo 11 [2019]

“The Eagle has landed” A black screen with the title Apollo 11 arrives for an instant before we’re whisked away to July 1969 as those in Mission Control and astronauts Neil Armstrong, Buzz Aldrin, and Michael Collins prepare themselves for the first manned spaceflight to land on the moon. There’s no opening interstitial providing context, […]

REVIEW: Ksiaze i dybuk [The Prince and the Dybbuk] [2018]

“He never spoke about his past” The title says it all: Ksiaze i dybuk [The Prince and the Dybbuk]. Rather than describe two separate entities, however, Elwira Niewiera and Piotr Rosolowski‘s documentary portrays director Michal Waszynski as both and neither. Their investigations lead them to multiple countries as close friends and basic strangers attempt to […]

REVIEW: The Wedding Guest [2019]

“That’ll be a lot more work” There’s actually a lot to like about Michael Winterbottom‘s The Wedding Guest from its performances to its locale and onwards towards its characters always proving to be more than our preconceptions initially allow. We’re talking about a serious criminal in Jay (Dev Patel) who has the ability and mindset […]

REVIEW: Van Wilder [2002]

“Write that down” Twenty-four years after Tim Matheson‘s Eric “Otter” Stratton fast-talked his way towards saving a fraternity in National Lampoon’s Animal House, the torch was passed onto former “Two Guys, a Girl and a Pizza Place” star Ryan Reynolds. The timing isn’t surprising since American Pie and its sequel earned box office success while […]

REVIEW: Finding Steve McQueen [2019]

“It’s like an alphabet soup enema” The Dinsio Brothers and their accomplices stole around nine million dollars from four hundred-plus safety deposit boxes inside the United California Bank of Laguna Niguel. To read Amil Dinsio’s website is to learn of his self-proclaimed “master” exploits and how the FBI sought to frame him for the job […]

REVIEW: Captain Marvel [2019]

“I’m not what you think I am” With the snap of his fingers, Thanos made half of Earth’s population disappear. It was the Marvel Cinematic Universe’s most harrowing climactic cliffhanger and it did possess an emotional response despite knowing most if not all of our beloved characters would find their way back before the war […]

REVIEW: Sightseers [2012]

“It was an accident, Mum” It’s always the quiet ones—those introverted, socially inept (when not talking about their preferred topic of choice), and downtrodden souls rejecting their unjust position within a hierarchy outside of their control. They’re the ones who trade a lack of entitlement to do whatever they want for the festering entitlement of […]

REVIEW: The Kid [2019]

“You gotta learn to trust inna fella” With so many different iterations of the same exact story flooding the cinematic market every year via reboots and sequels, it’s nice when someone decides to look at a common narrative through a new lens. This is what director Vincent D’Onofrio and screenwriter Andrew Lanham hope to accomplish […]

REVIEW: Die Unsichtbaren [The Invisibles] [2019]

“After a little while you noticed that they were scared” We’re so used to stories of Holocaust survivors talking about what they endured inside the concentration camps that we forget around seven thousand Jewish men and women stayed hidden during World War II. While only about fifteen hundred ultimately walked away to live their lives […]

REVIEW: Starfish [2019]

“Maybe I’m dead” The logline deals in grief—the loss of a best friend. It describes Aubrey (Virginia Gardner), a woman lost in thought, pain, and sorrow after the death of Grace (Christina Masterson). She wasn’t there for her in her time of need and that regret is eating away her resolve and perhaps even her […]

REVIEW: The Lego Movie 2: The Second Part [2019]

“Listen to the music” A film like The LEGO Movie is a once-in-a-decade type achievement (so to see its filmmakers Phil Lord and Christopher Miller also write/produce another once-in-a-decade feat with Spider-Man: Into the Spider-Verse only shows how inventive and original the two are). It daring to use its subject matter’s tactility and utility rather […]