• TIFF17 REVIEW: Jusqu’à la garde [Custody] [2017]

    “Which of you is the bigger liar?” It didn’t win the Oscar for best live action short in 2014, but Xavier Legrand’s Just Before Losing Everything was by far my favorite nominee. Discovering his debut feature Jusqu’à la garde [Custody] was constructed as an expansion of that story therefore made it a must-see. The short […]

  • REVIEW: De sidste mænd i Aleppo [Last Men in Aleppo] [2017]

    “If I leave, it will be to the cemetery” It’s a shame that those who need to watch Last Men in Aleppo are those who won’t. I’m talking the brainwashed masses quick to call a liberal media “fake news” while they help facilitate legitimate fake news fabricated by enemy regimes hoping to plant dissent. They […]

  • REVIEW: Lady Macbeth [2017]

    “We did it” At the back of William Oldroyd‘s Lady Macbeth (adapted for the screen by Alice Birch from Nikolai Leskov‘s 1865 novella Lady Macbeth of Mtsensk) are the ideas of oppression, power, and the fluidity of both as the oppressed often find themselves clawing their way to a position of becoming oppressor above another […]

  • REVIEW: Dunkirk [2017]

    “He may never be himself again” War is often depicted as a quantifiable number of those who survived and those who did not. Many films choose this route, picking a battle to show the firefight’s chaos and cost. We remember the Battle of Gettysburg and D-Day as turning points, insane offensives that wrought heavy casualties […]

  • INTERVIEW: Matt Tyrnauer, director of Citizen Jane: Battle for the City

    Debuting at the Toronto International Film Festival in 2016, Matt Tyrnauer‘s Citizen Jane: Battle for the City has received rave reviews across the country as it opened in limited release April 21st, 2017. Centering on Jane Jacobs—a journalist, author, and activist—the film showcases the problems inherent to how urban planners in the mid-twentieth century worked. […]

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film reviews

REVIEW: It [2017]

“Welcome to the Losers’ Club” There was a lot said about the new cinematic adaptation of Stephen King’s It when Cary Fukunaga signed on a few years ago. Enough about him as a rising auteur capable of infusing some magic into a story so intrinsically tied to the Tim Curry-starring miniseries from 1990 that his […]

TIFF17 REVIEW: Svanurinn [The Swan] [2017]

“You were so good when you were little” What once was a traditional rite of passage for Icelandic children has now become punishment. Whereas her mother probably visited her Aunt Ólöf’s (Katla M. Þorgeirsdóttir) farmland to learn responsibility and work ethic away from the allure of her ocean-side city, young Sól (Gríma Valsdóttir) makes the […]

TIFF17 REVIEW: Menoana e Mehlano ea Marseilles [Five Fingers for Marseilles] [2017]

“The land is all the scripture we need” Director Michael Matthews and writer Sean Drummond were drawn to the landscapes of South Africa’s Eastern Cape while traveling their homeland, especially the echoes of classic cinematic western environments. Learning about how its current towns arose—from the ashes of Apartheid-era cities mimicking European capitals by name—only cemented […]

TIFF17 REVIEW: Gutland [2017]

“Well, it’s not impossible to learn” When a German drifter walks into the quaint Luxembourg village of Schandelsmillen with a scruffy beard, bag full of money, and stoically gruff attitude, we wonder what secrets his past holds. Jens Fauser (Frederick Lau) arrives with a single question: “Do you need help with the harvest?” That specific […]

TIFF17 REVIEW: Kissing Candice [2017]

“I never know whether I’m awake or asleep” With a first scene as stylish as that from Kissing Candice, the words “music video chic” come to mind before you can even discover writer/director Aoife McArdle is a James Vincent McMorrow regular who also released a short in collaboration with U2’s 2014 release Songs of Innocence. […]

REVIEW: Papillon [1973]

“Blame is for God and small children” While Henri Charriere‘s account of his incarceration and escape from the penal colony known as French Guiana has a contentious history as far as it being an autobiography or novel of historical fiction, such debate is inconsequential to Franklin J. Schaffner‘s cinematic adaptation Papillon. Whether or not what […]

TIFF17 REVIEW: Skyggenes Dal [Valley of Shadows] [2017]

“What we don’t understand scares us” Six year-old Aslak (Adam Ekeli) lives a quiet life with his single mother Astrid (Kathrine Fagerland) in a rural town adjacent to farmland and a mountaintop forest. He’s too young to understand all that’s happening around him—especially considering he’s generally told to keep away from the adults when they’re […]

REVIEW: Patty Cake$ [2017]

“Blood is thicker than Jäger” If you ever watched Hustle & Flow and wondered what it might look like rebranded for a younger audience, Geremy Jasper‘s Patti Cake$ has arrived—with a side of cultural appropriation. Admittedly this added “bonus” is a wild card attribute that has the potential of turning the whole very sour, very […]

REVIEW: De sidste mænd i Aleppo [Last Men in Aleppo] [2017]

“If I leave, it will be to the cemetery” It’s a shame that those who need to watch Last Men in Aleppo are those who won’t. I’m talking the brainwashed masses quick to call a liberal media “fake news” while they help facilitate legitimate fake news fabricated by enemy regimes hoping to plant dissent. They […]

TIFF17 REVIEW: The Crescent [2017]

“Yeah, sweetie. Daddy got lost.” It starts by enveloping us in marbleizing paint—overlapping colors raked to warp dots into abstract patterns—and the loud aural pulses of a musical soundscape as heavy and permanent as those oils are fluidly malleable. We assume it’s merely a sensory aesthetic Seth A. Smith constructs to provide the tone for […]

TIFF17 REVIEW: Du forsvinder [You Disappear] [2017]

“We just want to make sure you’re well enough” What if it was an established fact that free will as a concept was dictated by our body’s chemistry? Every decision we think we’re making is really made implicitly by our organs—more correctly, they are dictating to our brains what it is we want. That shopping […]

TIFF17 REVIEW: Los Burritos [Cocaine Prison] [2017]

“If it doesn’t happen, what can I do?” If you’ve ever watched season three of “Prison Break” and wondered what was going on with Sona’s weird open air slum-like community barely watched by guards, know that the truth isn’t very far off. Just look at Bolivia’s San Sebastian Prison in Cochabamba, a small concrete establishment […]

TIFF17 REVIEW: Cardinals [2017]

“Good to have me back” The big story surrounding Grayson Moore and Aidan Shipley‘s feature debut Cardinals playing the Toronto International Film Festival stems from the fact that both men graduated from the city’s own Ryerson University. As a longtime festival venue/partner, this premiere will inevitably be treated as a homecoming. But don’t let that […]

REVIEW: Good Time [2017]

“Cross the room if you’ve ever felt lonely” The first person we meet in Josh and Benny Safdie‘s Good Time isn’t its lead Connie Nikas (Robert Pattinson). Before he enters the picture to propel the film towards its kinetic search for ten grand, things begin much slower and much quieter with his brother Nick (played […]

TIFF17 REVIEW: Black Kite [2017]

“For a drop of water I’ll tell you my whole story” With the world caught in a time and place allowing it to quickly judge so much on so little, tiny human stories like Black Kite prove to be their most potent. Ask Americans about the Taliban and some will probably say the term is […]