• TIFF18 REVIEW: First Man [2018]

    “It’s kinda neat” The non-controversy surrounding Damien Chazelle‘s First Man shouldn’t surprise anyone who knows how political parties have appropriated art into their agendas since the dawn of time. Of course they’d glom onto the decision to ignore the lunar flag planting as some “un-American” thing rather than read the script, watch the movie, or […]

  • TIFF18 REVIEW: If Beale Street Could Talk [2018]

    “Flesh of each other’s flesh” Fonny Hunt (Stephan James) puts out his arms for a hug upon seeing an old friend in Daniel (Brian Tyree Henry) after too much time and too many men their age have passed. Smiles and laughter enter the scene before they are soon replaced by beers and reminiscing. And then […]

  • TIFF18 REVIEW: Aniara [2018]

    “The utter nonsense of living” So much of our desire to exist is based in control. We have the ability to move our homes, restart careers, and work towards a future of our choosing. No matter how difficult things become, there’s always a hope for better or an avenue towards change. It’s only when we’re […]

  • REVIEW: Night Comes On [2018]

    “I don’t think you’re like him” When the parole board asks seventeen-year old Angel Lamere (Dominique Fishback) why she hasn’t seen her younger sister (Tatum Marilyn Hall‘s Abby) in two years despite only being incarcerated for one, her reply was an honest yet simplistic, “I wasn’t a good influence.” The fact that she is where […]

  • REVIEW: Sorry to Bother You [2018]

    “More like apples and the Holocaust” If you’re still unsure about whether capitalism brought the United States to its current position with extreme political divisiveness and the fallacy of what’s left of the “American Dream,” rapper-turned-writer/director Boots Riley is here to break it down via a debut as satirically sound as it is insanely, absurdly […]

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film reviews

TIFF18 REVIEW: Rojo [2018]

“They say bodies appear in the desert” The film opens as people leave a house with objects in-hand, the assumption being that they were bought in an estate sale or pilfered before one could begin. A man (Diego Cremonesi) looks in the front door as clueless as we are to what’s happening before a jump […]

TIFF18 REVIEW: Can You Ever Forgive Me? [2018]

“Do you think they all know?” Do you have a Lee Israel work on your shelf? What should be a matter of owning one of her books or not since she was a notable author of biographies who hit the New York Times Best Sellers list, things get much more complicated when you look closer […]

TIFF18 REVIEW: Float Like a Butterfly [2018]

“Keep your head up” A lot can change in five to ten years and even more can unfortunately remain the same. When we first meet the Joyce family little Frances’ age has yet to hit double digits, her younger brother Patrick still clinging to their mom’s side. Their band of traveling Irish sing their folk […]

REVIEW: A Simple Favor [2018]

“Oopsy” You don’t wonder which woman has secrets after meeting Stephanie Smothers (Anna Kendrick) and Emily Nelson (Blake Lively). Instead you wonder which has more. They’re built to be hiding something in their past whether dark or not. The former: a goody two-shoes, little Miss Perfect type who always has the energy to show up […]

TIFF18 REVIEW: Monsters and Men [2018]

“Six dudes for one guy” The conversation surrounding Black Lives Matter is (and should be) about the victims of police violence who’ve yet to see any killers in blue face real consequences. It’s not about saying their lives matter more than anyone else, but that they matter at all. Because if you look at the […]

TIFF18 REVIEW: Mid90s [2018]

“I don’t kiss and tell” The summer between middle school and high school is a formative one for any kid. There’s this sense of moving away from childhood and towards young adulthood—of needing to act older to fit in considering the pecking order has restarted with you down at the bottom. Factor in a sibling […]

TIFF18 REVIEW: If Beale Street Could Talk [2018]

“Flesh of each other’s flesh” Fonny Hunt (Stephan James) puts out his arms for a hug upon seeing an old friend in Daniel (Brian Tyree Henry) after too much time and too many men their age have passed. Smiles and laughter enter the scene before they are soon replaced by beers and reminiscing. And then […]

REVIEW: The Miseducation of Cameron Post [2018]

“There’s no hiding from God” “Separation of church and state” has always fascinated me since the only consistency within is the ability to pick and choose when and how it’s enforced. We’re the “land of the free” and therefore shouldn’t impose certain laws and safeties upon religious communities trying to practice their faith. But when […]

TIFF18 REVIEW: Fiore Gemello [Twin Flower] [2018]

“Shall we go?” Two strangers running from personal demons collide at the start of Laura Luchetti‘s Sardinia-set Fiore gemello [Twin Flower]. He (Kallil Kone’s Basim) is an Ivory Coast immigrant desperate for money yet unequipped with the correct paperwork to earn gainful employment. She (Anastasiya Bogach’s Anna) is desperate to escape a pursuer (Aniello Arena‘s […]

TIFF18 REVIEW: Aniara [2018]

“The utter nonsense of living” So much of our desire to exist is based in control. We have the ability to move our homes, restart careers, and work towards a future of our choosing. No matter how difficult things become, there’s always a hope for better or an avenue towards change. It’s only when we’re […]

TIFF18 REVIEW: Jessica Forever [2018]

“Why wouldn’t you come with us?” Redemption is a tricky concept. Can you be redeemed without forgiveness from those you wronged? Are our actions in the aftermath enough to achieve some semblance of peace if they show we’ve learned through remorse? Everyone has a different opinion on the matter whether victim, loved one, stranger, or […]

TIFF18 REVIEW: Where Hands Touch [2018]

“I want her to be like everyone else: unremarkable” Now is not the time to make a film romanticizing Nazism or allowing anyone who donned the swastika during World War II a modicum of sympathy. I’d argue there could never be such a time—at least not for those who say they felt bad but still […]

REVIEW: Predator [1987]

“I ain’t got time to bleed” I really hope the anecdote is true that Jim and John Thomas wrote their script for Predator based on a joke positing how the only opponent left for Rocky Balboa to fight after Ivan Drago was an alien. It’s a cheesy thought and cheesier premise, so the fact that […]

TIFF18 REVIEW: Hölmö nuori sydän [Stupid Young Heart] [2018]

“Nobody knows” It was fun to laugh back in January when Donald Trump spoke to the media about how he wanted fewer immigrants from “shithole” countries and more from the likes of Norway. We laughed because it was obvious what the difference between the two was for him—my ignorance towards Scandinavian politics stopping at the […]

TIFF18 REVIEW: The Truth About Killer Robots [2018]

“We will not consider the question of the robot’s guilt” The title to Maxim Pozdorovkin‘s documentary The Truth About Killer Robots is intentionally sensationalized for the same reasons a real newspaper article about the death by machine of a Volkswagen factory worker would be accompanied by a photograph of a terminator. James Cameron put a […]