• REVIEW: Blade Runner 2049 [2017]

    “Because you’ve never seen a miracle” Survival is a selfish endeavor, but not necessarily one driven by ego. On the contrary, survival is often a selfless means to place community ahead of the individual. Look at our country’s current, abhorrent divisions along lines we should have erased decades ago or never created in the first […]

  • REVIEW: The Florida Project [2017]

    “What are you playing?” It’s hard not to think about another A24 produced film while watching Sean Baker‘s The Florida Project. The themes it presents due its impoverished central characters barely scrapping by financially on a day-to-day basis are identical to Andrea Arnold‘s American Honey and its band of twenty-somethings traveling the countryside to scam […]

  • TIFF17 REVIEW: Princesita [2018]

    “The darker the night, the brighter the stars” Miguel (Marcelo Alonso) compares God to a fire when explaining how the ones our religions’ sacred books describe aren’t quite right. Our creator is simpler than those iterations. He has the power to turn wood into ash and water into steam. He has the power to transform. […]

  • TIFF17 REVIEW: Jusqu’à la garde [Custody] [2018]

    “Which of you is the bigger liar?” It didn’t win the Oscar for best live action short in 2014, but Xavier Legrand’s Just Before Losing Everything was by far my favorite nominee. Discovering his debut feature Jusqu’à la garde [Custody] was constructed as an expansion of that story therefore made it a must-see. The short […]

  • REVIEW: De sidste mænd i Aleppo [Last Men in Aleppo] [2017]

    “If I leave, it will be to the cemetery” It’s a shame that those who need to watch Last Men in Aleppo are those who won’t. I’m talking the brainwashed masses quick to call a liberal media “fake news” while they help facilitate legitimate fake news fabricated by enemy regimes hoping to plant dissent. They […]

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film reviews

REVIEW: Suck It Up [2017]

“… And she fell down” Grief is a strange, personal, and often entirely unexpected reponse to tragedy. It will differ depending on who you are, the point in life you’re at, the cause, and myriad details spanning scenario, age, love, hate, or surprise. To cope with a grandparent’s death for example is something we all […]

REVIEW: The Killing of a Sacred Deer [2017]

“You’re too young to worry” Writer/director Yorgos Lanthimos is an artist who deals with consequences through elaborately skewed and often-uncomfortable scenarios just left of the off-putting spot that’s just left of center. He uses absurdity and humor to provoke us in order for his complex existential and social messages to hit home in a way […]

REVIEW: Visages, villages [Faces Places] [2017]

“To meet new faces and photograph them so they don’t fall down the holes in my memory” To look at some of the work of “unidentified” artist JR—giant black and white images pasted onto surfaces with a literal or figurative contextual relationship—is to see the type of community-based, socially conscious messaging Agnès Varda built a […]

REVIEW: Beloved [1998]

“Love is or it ain’t. Thin love ain’t love at all.” Love creates and destroys. Mix in post-traumatic stress disorder and you’ll never know which until it’s too late. Evil can permeate your soul and color your psychology in ways that merge right and wrong into a singular goal seeking survival. To endure horror is […]

REVIEW: Blade Runner 2049 [2017]

“Because you’ve never seen a miracle” Survival is a selfish endeavor, but not necessarily one driven by ego. On the contrary, survival is often a selfless means to place community ahead of the individual. Look at our country’s current, abhorrent divisions along lines we should have erased decades ago or never created in the first […]

REVIEW: The Natural [1984]

“The only homer I know has four bases in it” There’s a lot going on in Barry Levinson‘s The Natural and baseball is the least of it. The film had always been a blind spot for me as I’m not a fan of the sport and thus could never bring myself to watch—”classic” status or […]

REVIEW: Halloween III: Season of the Witch [1982]

“They’re fun. They’re frightening. And they glow in the dark.” After the insane success of John Carpenter‘s Halloween and the modest follow-through of its sequel Halloween II ($70 million on a $300,000 budget and $25.5 million on a $2.5 million budget respectively), the director readied to leave Haddonfield, Laurie Strode, and their malevolent predator behind. […]

REVIEW: Only the Brave [2017]

“Decide what you live for and what you can live without” Interagency Hotshot Crews are twenty person teams of Type 1 firefighters that exceed all experience, training, and fitness requirements of that designation. Originated in the 1940s to combat wildfires on a national level, these groups move all over the country to suppress flames and […]

REVIEW: The Florida Project [2017]

“What are you playing?” It’s hard not to think about another A24 produced film while watching Sean Baker‘s The Florida Project. The themes it presents due its impoverished central characters barely scrapping by financially on a day-to-day basis are identical to Andrea Arnold‘s American Honey and its band of twenty-somethings traveling the countryside to scam […]

REVIEW: Il conformista [The Conformist] [1970]

“Slaughter and melancholy” At one point towards the end of Bernardo Bertolucci‘s Il conformist [The Conformist], Marcello Clerici (Jean-Louis Trintignant) turns to Manganiello (Gastone Moschin) and relays a brief synopsis of a dream. He talks about how he was a blind man who needed an operation that only his former professor (Enzo Tarascio‘s Quadri) could […]

REVIEW: Creepshow [1982]

Seven years before HBO brought EC Comics’ 1950s-era horror strips to life for their long-running anthology series “Tales from the Crypt”, Stephen King and George Romero delivered their own homage to the style with Creepshow. The former served in the role of screenwriter with two of the five chapters being adaptations of short stories he […]

REVIEW: Never Here [2017]

“You’ve done a bad thing” Miranda Fall (Mireille Enos) is a cataloger. Her art leads her on journeys following new subjects in order to understand who each is by what each does and possesses. She voyeuristically captures their lives in photographs and objects, exhibiting her findings as though a celebration despite some of her targets […]

REVIEW: In a Lonely Place [1950]

“There’s no sacrifice too great for a chance at immortality” Just because you might be innocent of one crime doesn’t mean you’re a saint who’d never commit another. We’ve seen this type of complex premise as recently as “The Night of”, a miniseries about racial prejudice and police neglect wherein the accused (and audience) is […]

REVIEW: The Foreigner [2017]

“Trust or fear” I like a good action thriller without a clear target because it allows the story to develop where cat and mouse chases usually reside. Martin Campbell‘s The Foreigner is a good example as it shows what happens when a sharp plot is made paramount. We know who the bad guys are—a group […]

BIFF17 REVIEW: After the Sun Fell [2017]

“You have an empty space that you need to fill” Everyone’s family is crazy. Some may seem crazier than others, but that’s generally a byproduct of them being less self-conscious. The question we don’t ask ourselves—whether a part of the insanity or watching as an outsider—is why. Why does one member prove so gratingly obnoxious […]