INTERVIEW: Alex Winter, director of Deep Web

While you may know him as Bill S. Preston, ESQ, Alex Winter the actor has effortlessly become Alex Winter the director. Hot on the heels of his successful Napster documentary Downloaded comes Deep Web: a look behind the curtain at the 96% of the internet we don’t see. But while the film began as an overview of this expansive world freely accessible by Tor—for good (journalistic anonymity) and bad (illegal drug trade)—something happened during production that blew the doors wide open. Ross Ulbricht was arrested under the accusation that he…

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REVIEW: Avengers: Age of Ultron [2015]

“It wasn’t a nightmare. It was a legacy.” He may not have been there at the start, but Joss Whedon stewarded the Marvel Cinematic Universe through its make or break stage. It was one thing to give the world high-tech flying fun via a sarcastic playboy, otherworld fantasy come to earth courtesy of a haughty royal, and the ‘aw shucks’ patriotism necessary for a bona fide WWII hero on their own terms. Bringing them together along with even more allies was anything but. Yet Whedon—fearless when it comes to delving…

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REVIEW: Ex Machina [2015]

“The history of man? That’s the history of Gods.” Artificial intelligence isn’t new. It’s in video games, toys, software platforms—most computer systems we interact with daily possess it in some capacity. The idea that one day someone will code a manufactured consciousness capable of becoming sentient, however, is still in the realm of science fiction. Already a well-worn trope, its implementation has seen resurgence of late. Not only is a new installment of Skynet’s war-torn future coming with Terminator Genisys, but “Person of Interest” has been ruling the cyber-thriller forum…

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REVIEW: Buffalo ’66 [1998]

“Just look like we are a married couple … spanning time” In 2004 Christina Ricci was quoted in Time Out magazine as saying, “Buffalo ’66 was the most beautiful example of self-absorption I’ve ever seen in my life.” She’s not wrong. Even if she had a good experience on set and didn’t loathe writer/director/star Vincent Gallo like most involved on the film, she’d still not be wrong. Gallo’s character Billy Brown is the epitome of self-centered aggression mixed with an absolute lack of self-esteem—a description that describes Buffalo, NY in…

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INTERVIEW: Aaron Moorhead, director/cinematographer & Justin Benson director/writer of Spring

Sometimes the festival experience has a way of making you overrate films. The excitement of seeing things early with like-minded individuals, listening to filmmakers talk before and after their screenings, and the general festival aura are hard to separate from the work itself. So I won’t lie and say I didn’t re-watch Aaron Moorhead and Justin Benson‘s Spring—my favorite of TIFF 2014—with a little trepidation in case the memory proved grander than reality. 109-minutes later, however, I realized I might have actually underrated it. This supernatural, sci-fi, horror, romantic drama…

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Top Ten Films of 2014: A deluge of sci-fi doppelgängers and one-word titles

I don’t want to label 2014 as a good, bad, or average year. I want to call it inventive, original, and delightfully dark. Whether it’s doppelgänger paradoxes leading to murderous rage, the bleak carnage of war, prison violence, or psychologically debilitating struggles to be great, my favorite films had an edge that cut to the bone by credits’ end. The best thing I can say about 2014 is that my top ten (heck, maybe my top twenty-five) could be re-organized and re-listed without making me too angry about what is…

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REVIEW: Relatos salvajes [Wild Tales] [2014]

“Crime of passion?” Best. Wedding. Ever. And trip to the bureaucratic black hole that is government sanctioned towing. And expertly planned, faux fateful airline flight this side of “Lost”. I mean it. Damián Szifrón‘s Relatos salvejes [Wild Tales] is a twisted cousin of Krzysztof Kieslowski‘s The Decalogue, a sextet of darkly comic morality plays where chaos reigns and vengeance rewards the unhinged desperate for a win. From the hilariously absurd yet perfectly revealed machinations of its opening segment “Pasternak” to the vicious table turn of its last “Til Death Do…

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REVIEW: Faults [2015]

“What did you lose?” There’s an inherent paradox to the universally held idea of cults being destructive. So quick to deem what occurs within them unnatural—namely a leader using his charisma to indoctrinate the weak into a “family” that understands them—we forget to acknowledge how much of our own lives follow the same pattern. As children we look up to our parents, grandparents, role models, etc. As adults we seek validation from bosses, peers, and spouses, measuring our success on a scale built upon what a public we hold as…

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Top 100 Albums of 2014

Honorable Mention Sylvan Esso – Sylvan Esso; Empire – Orphan; Skrillex – Recess; The Drums – Encyclopedia; Run the Jewels – Run the Jewels 2; St. Paul & The Broken Bones – Half the City; Johnny Marr – Playland; Pharrell Williams – G I R L; Patterns – Waking Lines; Wu-Tang Clan – A Better Tomorrow; Mark Lanegan Band – Phantom Radio; Ray LaMontagne – Supernova; Blood Red Shoes – Blood Red Shoes; Jack White – Lazaretto; Coldplay – Ghost Stories. Top 100

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The 87th Oscars recap through tweets …

I’m not sure why I keep filling myself with false hope that the Oscars will one day be an entertaining show to watch. The optimism is almost completely unfounded by this point. Whether they go weird (Anne Hathaway and James Franco), safe (Billy Crystal), hip (Seth MacFarlane), or try and steal another show’s success (Neil Patrick Harris), the result is the same. NPH should have been the shot of adrenaline the 87th Annual Academy Awards needed—a song and dance guy who’s young, fun, and funny. Sadly—and I do blame the…

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INTERVIEW: William Fichtner, actor and Cheektowaga, NY native

Even if the name William Fichtner hasn’t procured a place on your cinematic Rolodex, you definitely know his face. He had a successful run on hit TV series “Prison Break” as complicated FBI Agent Alex Mahone, recently starred opposite the latest incarnation of the Teenage Mutant Ninja Turtles, and found himself standing in the way of Heath Ledger‘s Joker during The Dark Knight‘s opening heist. There’s also his Colonel Willie Sharp sternly uttering my father’s favorite Armageddon quote: “Get off the nuclear warhead … now.” He’s coming into focus now,…

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