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REVIEW: Spotlight [2015]

2015/12/022015/12/05 Jared Mobarak

“What arraignment?” If Thomas McCarthy’s maligned fairy tale The Cobbler provided any help in securing money to put his script Spotlight in front of cameras, it was worth every disparaging word thrown its way. Co-written with Josh Singer, this 2013 Blacklist alum proves an informative and accurate look at the investigative journalism process as well as an engrossing exposé that refuses to let go despite our knowing the story it exposed. Much like famed predecessor All the President’s Men, audiences arrive keenly aware of the Catholic Church scandal at its…

REVIEW: Steve Jobs [2015]

2015/11/262015/11/27 Jared Mobarak

“Computers aren’t paintings” Despite being an Apple guy from way back playing with LOGO the turtle in grade school before eventually swapping out MacBook Pros every five years or so from college on, I never really cared who Steve Jobs was beyond the kindly looking genius in a black turtleneck. To me the appeal was ease of use—I embraced the closed system Aaron Sorkin’s script readily attributes to Jobs—and the design. How can you not love the packaging, look, and logo during the Jobs 2.0 era? It’s impeccable. Whether or…

REVIEW: The Look of Silence [2015]

2015/11/242015/11/26 Jared Mobarak

“If we didn’t drink human blood, we’d go crazy” Just when you thought a documentary couldn’t get more harrowing than Joshua Oppenheimer‘s look at murderers in The Act of Killing, the director gives editorial power to their victims in The Look of Silence. The descriptive label “companion piece” is apt because they both exist in tandem to find the truth from every angle of the 1965 Indonesian genocide wherein all who opposed a military coup (“Communists”) were rounded up and exterminated. Rather than Oppenheimer behind the camera asking questions of…

REVIEW: Brooklyn [2015]

2015/11/212015/11/22 Jared Mobarak

“I’m not sure I have a home anymore” I believe a very crucial distinction should be made before going into director John Crowley and writer Nick Hornby‘s adaptation of Colm Tóibín‘s Brooklyn for those unfamiliar with the book. When I watched the trailer it appeared very much like an Oscar-bait romance with a firecracker love triangle between young Eilis Lacey (Saoirse Ronan) and two men in Tony Fiorello (Emory Cohen) and Jim Farrell (Domhnall Gleeson). To a certain extent it is, but don’t get fooled into expecting swooning melodrama to…

REVIEW: James White [2015]

2015/11/20 Jared Mobarak

“It’s okay to be sad” It begins and ends with a face of pain—the titular James White‘s (Christopher Abbott). We see that something is eating away at him, trapping him inside himself so imbibing drugs, alcohol, and sex is his only reprieve. We also know he’ll eventually recover even before family friend Ben (Ron Livingston) says so aloud. James isn’t okay now and won’t be by the conclusion of Josh Mond‘s semi-autobiographical work, but he’ll at least be in a better position to begin the healing process. It’s ultimately something…

REVIEW: Dope [2015]

2015/11/172015/11/18 Jared Mobarak

“Congratulations. You have found your iPhone.” Malcolm Adekanbi (Shameik Moore) is a geek. You don’t even need the opening line of Rick Famuyiwa‘s Inglewood-set high school adventure Dope to state as much once we meet him. A self-proclaimed “oreo” with straight-As, constant beat-downs by Bloods-member Bug (Keith Stanfield), and Harvard aspirations his guidance counselor (Bruce Beatty) even scoffs at, the time to finally escape and be what his neighborhood loves to mock him for has arrived. SATs are around the corner, an interview with an Ivy League-alum in the position…

REVIEW: The Martian [2015]

2015/10/292015/10/30 Jared Mobarak

“Mars will come to fear my botany powers” Sometimes we need a good old-fashioned feel good tale that doesn’t talk down to us for smiles to unabashedly form at the movies. Ridley Scott‘s The Martian provides exactly that. You have a healthy dose of infectious humor, life and death suspense, space exploration to an uncharted planet, and Earth coming together for hope. It’s easy to find a depressing film putting utilitarian principles to work so one man can die for the many to live, so seeing a piece that throws…

INTERVIEW: Sebastian Schipper, director/cowriter of Victoria

2015/10/062020/03/21 Jared Mobarak

The word on the street about Victoria is that it’s a must-see for one reason: its entire two-plus hour runtime was captured in a single, pulse-pounding continuous take. While that aspect is definitely paramount, don’t think the film has nothing else to offer. This thing gets your blood pumping as much from the authentic performances of regular people in over their heads as it does the technical artistry. And the man leading the way to orchestrate both these halves is Sebastian Schipper. We talked with the co-writer/director about his trust…

REVIEW: Cléo de 5 à 7 [Cleo from 5 to 7] [1962]

2015/09/232015/10/20 Jared Mobarak

“You shouldn’t use the word ‘despair’” It’s crazy to think that Cléo de 5 à 7 [Cleo from 5 to 7] was just the second feature length fictional narrative French auteur Agnès Varda ever made. The maturity in minimal storytelling, singular visual style, and existential metaphor surrounding death’s value that spans classes are stunning to behold. While following Cléo (Corinne Marchand) in virtual real time for an hour and a half as she distracts herself with shopping and work before calling her doctor for potentially devastating test results, we pass…

TIFF15 REVIEW: High-Rise [2016]

2015/09/132019/12/29 Jared Mobarak

“I think he’s lost his focus” As soon as the voice of Tom Hiddleston‘s Dr. Robert Laing was heard speaking narration above his weathered and crazed visage manically moving from cluttered, dirty room to darkened feverish corner, my mind started racing. Terry Gilliam‘s Fear and Loathing in Las Vegas popped into my consciousness and then his Brazil after a quick title card shoves us back in time to watch as Laing enters his new concrete behemoth of a housing structure oppressively standing above a vast and still parking lot. Add…

REVIEW: Phantom Boy [2015]

2015/09/122015/09/17 Jared Mobarak

“My reign will start in darkness” French directors Alain Gagnol (who also wrote) and Jean-Loup Felicioli have another winner on their hands with Phantom Boy. The much-anticipated follow-up to their Oscar-nominated animation A Cat in Paris was five years in the making and well worth the wait. With its vibrant colors muted for a NYC noir aesthetic and every 2D field shaded by roughly textured shadows in constant motion, the frames literally flicker off the screen to leave a lasting impression. The story—centering on a young cancer patient able to…