REVIEW: Spider-Man: Into the Spider-Verse [2018]

“It’s just puberty” You have to hand it to Sony for thinking outside the box. Not long ago they had the number one cinematic superhero property with Tobey Maguire donning the Spidey-suit to take on the Osborns. They tried to strike gold twice with a new “Amazing” iteration starring Andrew Garfield, but the results simply […]

REVIEW: We the Animals [2018]

“We wanted more” There are a lot of hard truths within We the Animals. Describing patriarch Paps (Raúl Castillo) as “loving but unpredictable” in the press notes gets right to the heart of that complexity since a more apt description could be “abuser.” He’s a man with a hot temper who inflames his wife (Sheila […]

REVIEW: Minding the Gap [2018]

“We formed a family together” It begins as a film about self-created community, three young men coming together on their skateboards to escape the private turmoil experienced at home. The sport was a cathartic outlet more than some bid to act cool, helping them become close enough friends to share details about their individual demons […]

REVIEW: Widows [2018]

“This isn’t your world” When the first trailer for Widows dropped, I thought, “Steve McQueen is branching out to genre fare now.” This wasn’t a slight, just an observation. I obviously wanted to see it, but thought I could wait before the notes out of TIFF declared it a must-see. Suddenly I needed to reevaluate […]

REVIEW: Wildlife [2018]

“I feel like I need to wake up” The start of Paul Dano‘s directorial debut Wildlife depicts a happy household of mother (Carey Mulligan‘s Jeanette Brinson), father (Jake Gyllenhaal‘s Jerry), and son (Ed Oxenbould‘s Joe). They’ve just moved from Utah to Montana so Jerry can work as a country club’s resident “pro”—a job allowing Jeanette […]

TIFF18 REVIEW: First Man [2018]

“It’s kinda neat” The non-controversy surrounding Damien Chazelle‘s First Man shouldn’t surprise anyone who knows how political parties have appropriated art into their agendas since the dawn of time. Of course they’d glom onto the decision to ignore the lunar flag planting as some “un-American” thing rather than read the script, watch the movie, or […]

TIFF18 REVIEW: If Beale Street Could Talk [2018]

“Flesh of each other’s flesh” Fonny Hunt (Stephan James) puts out his arms for a hug upon seeing an old friend in Daniel (Brian Tyree Henry) after too much time and too many men their age have passed. Smiles and laughter enter the scene before they are soon replaced by beers and reminiscing. And then […]

TIFF18 REVIEW: Aniara [2018]

“The utter nonsense of living” So much of our desire to exist is based in control. We have the ability to move our homes, restart careers, and work towards a future of our choosing. No matter how difficult things become, there’s always a hope for better or an avenue towards change. It’s only when we’re […]

REVIEW: Night Comes On [2018]

“I don’t think you’re like him” When the parole board asks seventeen-year old Angel Lamere (Dominique Fishback) why she hasn’t seen her younger sister (Tatum Marilyn Hall‘s Abby) in two years despite only being incarcerated for one, her reply was an honest yet simplistic, “I wasn’t a good influence.” The fact that she is where […]

REVIEW: Sorry to Bother You [2018]

“More like apples and the Holocaust” If you’re still unsure about whether capitalism brought the United States to its current position with extreme political divisiveness and the fallacy of what’s left of the “American Dream,” rapper-turned-writer/director Boots Riley is here to break it down via a debut as satirically sound as it is insanely, absurdly […]

REVIEW: Leave No Trace [2018]

“We can still think our own thoughts” It’s easy to depict PTSD-suffering war veterans as unstable, dangerous, and beyond help from inevitable tragedy. This depiction has sadly become the Hollywood norm to conjure volatile dramatics devoid of the empathy those struggling to combat their demons deserve. If anyone could supply the necessary humanity to portray […]