REVIEW: For Sama [2019]

“I don’t regret anything” After five years of footage depicting the rapid decline in Aleppo as college protests turn to rebellion with a dictatorial regime finding friends in Russia to decimate innocent civilians it intentionally refuses to differentiate from soldiers and extremists, Waad Al-Khateab realizes that the snippets she’s uploaded to expose these atrocities to […]

REVIEW: Waves [2019]

“All we have is now” Ronald Williams (Sterling K. Brown) tells his son Tyler (Kelvin Harrison Jr.) what so many parents do: “You don’t know how lucky you are.” What are those words besides a pat on the adult’s back for providing a decent life for their child, though? To me they’re often a source […]

REVIEW: Honey Boy [2019]

“Why am I here?” The bane of childhood stardom is that nothing you do will ever be a secret again. Your success will be written in black and white in the trades. Personal relationships will be speculated upon in the tabloids. And mistakes—large or small—will trend like wildfire on the internet until they become the […]

REVIEW: 기생충 [Gisaengchung] [Parasite] [2019]

“This is so metaphorical” Min (Seo-joon Park) arrives unannounced at the semi-basement dwelling of his old friend Kim Ki-woo (Woo-sik Choi). The former is a college student about to study abroad, the latter an unemployed high school graduate doing his best to leech free wifi by the bathroom window since he, his sister (So-dam Park‘s […]

TIFF19 REVIEW: The Rest of Us [2020]

“Feels Inside Not Expressed” Despite death being a definitive end, there’s still a chance for new beginnings in the aftermath. Sometimes it’s by necessity and sometimes by choice. In the case of Craig, however, it’s inevitably both thanks to his leaving behind two families: his first and his second. While he left Cami (Heather Graham) […]

TIFF19 REVIEW: Knives Out [2019]

“The cow and the shotgun” No stranger to a good mystery—noir (Brick) or comedy (The Brothers Bloom)—Knives Out sees Rian Johnson getting back to a wholly original property before returning to the world of Star Wars. From the stellar cast to its Clue-esque estate (even he couldn’t resist that joke), this whodunit has looked impeccably […]

TIFF19 REVIEW: Sound of Metal [2020]

“Will it come back?” The film opens with Riz Ahmed‘s Ruben sitting at a drum kit while guitar distortions deafen us. Eventually Olivia Cooke‘s Lou starts screaming as his sticks connect for a steady beat until all hell breaks loose. We’re in this venue with them, the in-close camerawork proving Ahmed’s lessons paid off because […]

TIFF19 REVIEW: Håp [Hope] [2019]

“What do we tell the kids?” Tomas (Stellan Skarsgård) was married with three children when Anja (Andrea Bræin Hovig) met him. She didn’t want to fall in love, but twenty years and three more kids later show that’s exactly what happened. When Anja raised their babies, Tomas worked—a lot. When it was time for her […]

TIFF19 REVIEW: Calm with Horses [2020]

“That’s not you” To cross the Devers family is to earn retribution. This is a known fact to all in the rural Irish town of Glanbeigh. Some strangers arrive and overstep their bounds without knowing (as if getting involved with drug dealers was an act whose danger can be unknown), but most everyone knows everyone […]

REVIEW: The Nightingale [2019]

“You’re my life” After giving grief and survivor’s guilt physical form by way of a violent monster known as The Babadook, writer/director Jennifer Kent turns her sights on trauma and the ways our bodies, minds, and souls react to unimaginable and unprovoked pain endured at the hands of mankind’s superiority complexes born from delusions of […]

REVIEW: Luce [2019]

“I can’t be perfect” So much of who we are and what we become relies on perception. Race, gender, religion, sexuality, language, culture, education, and socio-economic standing all play a role because we’re perceived by those like us and those not. We therefore exist in a tenuous bubble of expectations wherein normalcy is a razor-thin […]