TIFF18 REVIEW: First Man [2018]

“It’s kinda neat” The non-controversy surrounding Damien Chazelle‘s First Man shouldn’t surprise anyone who knows how political parties have appropriated art into their agendas since the dawn of time. Of course they’d glom onto the decision to ignore the lunar flag planting as some “un-American” thing rather than read the script, watch the movie, or […]

TIFF18 REVIEW: If Beale Street Could Talk [2018]

“Flesh of each other’s flesh” Fonny Hunt (Stephan James) puts out his arms for a hug upon seeing an old friend in Daniel (Brian Tyree Henry) after too much time and too many men their age have passed. Smiles and laughter enter the scene before they are soon replaced by beers and reminiscing. And then […]

TIFF18 REVIEW: Aniara [2018]

“The utter nonsense of living” So much of our desire to exist is based in control. We have the ability to move our homes, restart careers, and work towards a future of our choosing. No matter how difficult things become, there’s always a hope for better or an avenue towards change. It’s only when we’re […]

REVIEW: Night Comes On [2018]

“I don’t think you’re like him” When the parole board asks seventeen-year old Angel Lamere (Dominique Fishback) why she hasn’t seen her younger sister (Tatum Marilyn Hall‘s Abby) in two years despite only being incarcerated for one, her reply was an honest yet simplistic, “I wasn’t a good influence.” The fact that she is where […]

REVIEW: Sorry to Bother You [2018]

“More like apples and the Holocaust” If you’re still unsure about whether capitalism brought the United States to its current position with extreme political divisiveness and the fallacy of what’s left of the “American Dream,” rapper-turned-writer/director Boots Riley is here to break it down via a debut as satirically sound as it is insanely, absurdly […]

REVIEW: Leave No Trace [2018]

“We can still think our own thoughts” It’s easy to depict PTSD-suffering war veterans as unstable, dangerous, and beyond help from inevitable tragedy. This depiction has sadly become the Hollywood norm to conjure volatile dramatics devoid of the empathy those struggling to combat their demons deserve. If anyone could supply the necessary humanity to portray […]

INTERVIEW: Xavier Legrand, writer/director of Custody

It’s always a treat to see a director whose work you’ve enjoyed in short form make the leap to features—especially when the latter debuts at a venue as auspicious as the Toronto International Film Festival. This is exactly what happened with Xavier Legrand last year. Less than half a decade after earning his first Oscar […]

Top 100 Albums of 2017

Honorable Mention: #100: Talking by Elderbrook #99: Carnival III:The Fall and Rise of a Refugee by Wyclef Jean #98: Somewhere in Between by VÉRITÉ #97: The World We Built by The Wild Reeds #96: Lines by Charlie Cunningham #95: Ti Amo by Phoenix #94: Confidently Lost by Sabrina Claudio #93: Last Place by Grandaddy #92: […]

REVIEW: Hereditary [2018]

“Why are you afraid of me?” If anyone has the ability to dive into the deepest, darkest secrets of an otherwise normal looking suburban family, it’s the writer/director of The Strange Thing About the Johnsons. It’s been seven years since Ari Aster‘s viral short film about incest and sexual abuse came out and yet his […]

REVIEW: American Animals [2018]

“Like what?” The more you hear about privileged white kids shooting-up schools because they’re under such “debilitating” pressure alienating them from the “cool” kids, turn “alt-right” with a projection of hatred that stems from a hatred in themselves courtesy of a false notion that they’re somehow “special,” and find themselves acting out of boredom in […]

REVIEW: Solo: A Star Wars Story [2018]

“You said never improvise” Nine movies into the cinematic world of George Lucas‘ Star Wars—three of which extend past his control over the franchise—and we remain tethered to the Skywalkers. It makes sense. In order for Disney to commoditize the property, they must first reconnect with old fans and familiarize the new. So they stuck […]