REVIEW: Strawberry Flavored Plastic [2018]

“The unscratchable itch” How do you make a serial killer sympathetic? Easy answer: compromise your own morality. This is the reality that Errol Morgan (Nicholas Urda) and Ellis Archer (Andres Montejo) present themselves upon discovering the subject of their documentary isn’t the reformed ex-con guilty of a crime of passion they thought. No, Noel Rose […]

REVIEW: Mom and Dad [2018]

“Whatever” I have to imagine every parent at some point wonders where their life could have gone if they didn’t have children. This doesn’t make them bad people—only those who actually act on the urge by abandoning their families without so much as a goodbye fall under that label. It just proves they’re human. It’s […]

REVIEW: Proud Mary [2018]

“No one leaves” The first trailer for Proud Mary hit the internet in July of 2017. After that came a few badass 70s-style James Bond-like posters with star Taraji P. Henson in shadows, gun drawn. It was hard not to get excited for what appeared to be a stylized assassin flick in the vein of […]

REVIEW: Stratton [2017]

“I’m thinking that the only two people in the universe we can trust are you and me” It must have been a tough blow to see the newly minted Man of Steel bow out of a project that potentially had franchise capabilities five days before shooting was to commence, but that’s exactly what happened when […]

REVIEW: Nocturama [2016]

“It was bound to happen” What if a devastating act of violence was committed without purpose? Does it still have meaning? The answer of course is “yes” since such an attack leaves victims whether dead or psychologically scarred. Consequences reverberate well past borders of the town, country, and continent in which they occur because of […]

REVIEW: Murder on the Orient Express [1974]

“With the help of a hat box” If the way in which Hercule Poirot (Albert Finney) manipulates his suspects into perfectly incriminating themselves upon inquisition—often unbeknownst to us until the final reveal—infers that he has a photographic memory, we the audience need a bit more exposition as it concerns yet unseen connections than perhaps the […]

REVIEW: Blade Runner 2049 [2017]

“Because you’ve never seen a miracle” Survival is a selfish endeavor, but not necessarily one driven by ego. On the contrary, survival is often a selfless means to place community ahead of the individual. Look at our country’s current, abhorrent divisions along lines we should have erased decades ago or never created in the first […]

REVIEW: Never Here [2017]

“You’ve done a bad thing” Miranda Fall (Mireille Enos) is a cataloger. Her art leads her on journeys following new subjects in order to understand who each is by what each does and possesses. She voyeuristically captures their lives in photographs and objects, exhibiting her findings as though a celebration despite some of her targets […]

REVIEW: In a Lonely Place [1950]

“There’s no sacrifice too great for a chance at immortality” Just because you might be innocent of one crime doesn’t mean you’re a saint who’d never commit another. We’ve seen this type of complex premise as recently as “The Night of”, a miniseries about racial prejudice and police neglect wherein the accused (and audience) is […]

REVIEW: The Foreigner [2017]

“Trust or fear” I like a good action thriller without a clear target because it allows the story to develop where cat and mouse chases usually reside. Martin Campbell‘s The Foreigner is a good example as it shows what happens when a sharp plot is made paramount. We know who the bad guys are—a group […]

REVIEW: Blade Runner [1982]

“All those moments will be lost in time like tears in rain” An over-populated Earth circa 2019 uses synthetic androids known as replicants for the hard labor of colonization. Their lifespans are barely four years long, their circuitry prone to fits of amoral aggression. Each subsequent version becomes stronger and smarter, the risk of mutiny […]