REVIEW: I Kill Giants [2018]

“We’re stronger than we think” While the main creative force behind I Kill Giants is unquestionably screenwriter Joe Kelly (whose limited comic series of the same name alongside artist J.M. Ken Niimura is the basis for his script), director Anders Walter‘s Oscar-winning short Helium shows he’s hardly a stranger to its subject matter. These two […]

REVIEW: Like Me [2018]

“Tell me a story” While it may do a better job at depicting the nihilistic depravity of living through social media at the detriment of “real life” than Ingrid Goes West, Robert Mockler‘s Like Me still fails to capture the psychological prison this artificial life creates beyond its surface chaos. We watch Kiya (Addison Timlin) […]

REVIEW: Looking Glass [2018]

“I just needed some air” I can’t stop going back to an old Variety report from 2016 that contained a Braxton Pope quote about producing Looking Glass as what was then to be music video director Dori Oskowitz‘s feature length debut. He spoke about how excited he was to partner with the artist in bringing […]

REVIEW: DeKalb Elementary [2017]

“We’re all gonna die today” There’s a moment in Reed Van Dyk‘s DeKalb Elementary where the young, mentally unstable white male shooter (Bo Mitchell‘s Steven Hall) exits the school in search of a suicide-by-cop scenario. He opens fire on the police—receiving bullets in return—until the courageously calm black female receptionist (Tarra Riggs‘ Cassandra Rice) asks […]

REVIEW: Maze Runner: The Death Cure [2018]

“It’s about knowing when you’ve lost” Could you sacrifice a percentage of the population if it meant saving mankind in its entirety? What about if it merely gave you a chance at that salvation? These are the big questions we ask ourselves at the end of the world—ones that force us to face the reality […]

REVIEW: Birdland [2018]

“Crime is nature” Some filmmakers keep their endings ambiguous so the art lingers with the viewer in order to interpret the piece rather than merely consume it. Writer/director Peter Lynch looks to go one step further with his noir Birdland (co-written by Lee Gowan) by rendering the whole a mystery wherein beginnings and ends are […]

REVIEW: The Commuter [2018]

“One little thing” If the timeline is to be believed, the fourth meet-up between director Jaume Collet-Serra and Liam Neeson entitled The Commuter was the result of the latter rather than the former. Byron Willinger and Philip de Blasi‘s story went through the hands of at least two other stewards as well as a rewrite […]

REVIEW: Mom and Dad [2018]

“Whatever” I have to imagine every parent at some point wonders where their life could have gone if they didn’t have children. This doesn’t make them bad people—only those who actually act on the urge by abandoning their families without so much as a goodbye fall under that label. It just proves they’re human. It’s […]

REVIEW: Proud Mary [2018]

“No one leaves” The first trailer for Proud Mary hit the internet in July of 2017. After that came a few badass 70s-style James Bond-like posters with star Taraji P. Henson in shadows, gun drawn. It was hard not to get excited for what appeared to be a stylized assassin flick in the vein of […]

REVIEW: Stratton [2017]

“I’m thinking that the only two people in the universe we can trust are you and me” It must have been a tough blow to see the newly minted Man of Steel bow out of a project that potentially had franchise capabilities five days before shooting was to commence, but that’s exactly what happened when […]

REVIEW: Nocturama [2016]

“It was bound to happen” What if a devastating act of violence was committed without purpose? Does it still have meaning? The answer of course is “yes” since such an attack leaves victims whether dead or psychologically scarred. Consequences reverberate well past borders of the town, country, and continent in which they occur because of […]