REVIEW: Scarlet Street [1945]

“So you won’t forget me” There’s a great horror concept within Fritz Lang‘s Scarlet Street. Unfortunately it’s pushed aside for a film noir that never quite gains traction. The problem as I see it stems from the fact that screenwriter Dudley Nichols tries to frame aging pushover Christopher Cross (Edward G. Robinson) as a sympathetic […]

REVIEW: Curvature [2018]

“Trust yourself and nobody else” It’s been a week of grief and mourning for Helen (Lyndsy Fonseca) after finding her husband Wells (Noah Bean) dead by suicide at their secluded cabin. She’s dealing with his absence like anyone would by closing off spaces they shared together in hopes of avoiding too many easy triggers for […]

REVIEW: Revenge [2018]

“Elizabeth and the kids ok?” The front half of Coralie Fargeat‘s debut feature Revenge provides audiences the sort of sensory overload that hits like a sledgehammer. You might not think this will be the case considering things start off with a serenely static shot of desert expanse while a helicopter approaches from the center of […]

REVIEW: You Were Never Really Here [2018]

“I must do better, sir” An unparalleled exercise in economy, Lynne Ramsay‘s You Were Never Really Here cements her status as a cinematic master. This brutalist thriller runs a deliberate yet swift 89-minutes, its central character a man of few words with violence bubbling just beneath a too large heart for the hostile world that’s […]

REVIEW: Sweet Smell of Success [1957]

“No. You’re dead, son. Get yourself buried.” The hook is simple: Steve Dallas (Martin Milner) and Susan Hunsecker (Susan Harrison) are in love, but big brother J.J. (Burt Lancaster) doesn’t approve. He hasn’t supported her with penthouses and fur coats to watch a young guitarist whisk her away, but he can’t be caught stopping them […]

REVIEW: Incubo sulla città contaminata [Nightmare City] [1980]

“That sounds like science fiction” There’s a scene between Dean Miller (Hugo Stiglitz) and his wife Anna (Laura Trotter) about two-thirds of the way through Umberto Lenzi‘s Incubo sulla città contaminate [Nightmare City] where they speak about the perils of technology. After an hour of murder, death, and exposed breasts, suddenly the screenwriters decide to […]

REVIEW: An Ordinary Man [2018]

“I am myth” Despite being someone known for family friendly fare (Casper and A Series of Unfortunate Events), Brad Silberling was always the guy behind the under-rated Moonlight Mile to me. Beyond its sentimentality and contrivances, it cemented his name as one to follow. Besides 10 Items or Less, however, he career mostly shifted from […]

REVIEW: A Quiet Place [2018]

“I have always loved you” It’s always a risk going to a film on opening night—especially horror. The genre attracts a younger audience looking to giggle their way through the experience, oftentimes proving so obnoxiously overcompensating in their fear preparation during the preshow trailers and commercials that I wish I stayed home. So it was […]

REVIEW: Aala Kaf Ifrit [Beauty and the Dogs] [2017]

“What law forbids a human being from seeing a doctor?” Fear should never be underestimated as a means for oppression or motivation because there are few emotions more potent. This is why totalitarian regimes use it as a weapon to silence those who dare find the courage to stand up for their rights. They sow […]

REVIEW: Unsane [2018]

“Your life slips away from you, you know?” The tagline to Steven Soderbergh‘s Unsane reads as follows: “Is she or isn’t she?” Its context stems from Sawyer Valentini (Claire Foy) being presented as an unreliable narrator. She’s picked up her life and moved it from Boston to Pennsylvania to escape the troubles of her past—namely […]

REVIEW: I Kill Giants [2018]

“We’re stronger than we think” While the main creative force behind I Kill Giants is unquestionably screenwriter Joe Kelly (whose limited comic series of the same name alongside artist J.M. Ken Niimura is the basis for his script), director Anders Walter‘s Oscar-winning short Helium shows he’s hardly a stranger to its subject matter. These two […]