REVIEW: Videodrome [1983]

“Better on TV than on the streets” To watch David Cronenberg‘s Videodrome today is to acknowledge his clairvoyance as far as technology’s capacity to control via (mis)information. He filmed this body horror classic about subliminal messaging in mass consumption in 1983: years before the political firestorm in 1992 revolving around ubiquitous violence in videogames via […]

TIFF17 REVIEW: Motorrad [2017]

“How did you get past the wall?” You won’t find a better locale for a film than Serra da Canastra in Minas Gerais, Brazil. Its rocky landscapes and serene hills are gorgeous, their quiet solemnity a perfect contrast to the loud gas-guzzling motorcycles director Vicente Amorim has roaming their dirt paths in Motorrad. The only […]

TIFF17 REVIEW: Downrange [2017]

“How’d your passengers turn out? Any weirdos?” A car slams on its breaks at the pop of a flat. Inside is Todd (Rod Hernandez) and Sara (Alexa Yeames), a young couple toting around a bunch of strangers who pitched in gas money to reach everyone’s shared destination. Putting on the spare this SUV is thankfully […]

REVIEW: mother! [2017]

“His words are yours” Paramount has taken pains to ensure you know as little about Darren Aronofsky‘s mother! as possible. I know this because they’ve made it very difficult to find any images with which to populate this review. Their press site has no entry. The Toronto International Film Festival site contains no stills. And […]

TIFF17 REVIEW: Gutland [2017]

“Well, it’s not impossible to learn” When a German drifter walks into the quaint Luxembourg village of Schandelsmillen with a scruffy beard, bag full of money, and stoically gruff attitude, we wonder what secrets his past holds. Jens Fauser (Frederick Lau) arrives with a single question: “Do you need help with the harvest?” That specific […]

TIFF17 REVIEW: Kissing Candice [2018]

“I never know whether I’m awake or asleep” With a first scene as stylish as that from Kissing Candice, the words “music video chic” come to mind before you can even discover writer/director Aoife McArdle is a James Vincent McMorrow regular who also released a short in collaboration with U2’s 2014 release Songs of Innocence. […]

REVIEW: Papillon [1973]

“Blame is for God and small children” While Henri Charriere‘s account of his incarceration and escape from the penal colony known as French Guiana has a contentious history as far as it being an autobiography or novel of historical fiction, such debate is inconsequential to Franklin J. Schaffner‘s cinematic adaptation Papillon. Whether or not what […]

TIFF17 REVIEW: Cardinals [2017]

“Good to have me back” The big story surrounding Grayson Moore and Aidan Shipley‘s feature debut Cardinals playing the Toronto International Film Festival stems from the fact that both men graduated from the city’s own Ryerson University. As a longtime festival venue/partner, this premiere will inevitably be treated as a homecoming. But don’t let that […]

REVIEW: Good Time [2017]

“Cross the room if you’ve ever felt lonely” The first person we meet in Josh and Benny Safdie‘s Good Time isn’t its lead Connie Nikas (Robert Pattinson). Before he enters the picture to propel the film towards its kinetic search for ten grand, things begin much slower and much quieter with his brother Nick (played […]

REVIEW: Wind River [2017]

“Don’t steer away from the pain” After watching his first two spec scripts find homes with established directors—Denis Villeneuve and David Mackenzie bringing those words to life beautifully in neo-westerns Sicario and Hell or High Water respectively—actor turned screenwriter Taylor Sheridan finally steps behind the camera with his latest Wind River. While not as complex […]

REVIEW: The Killers [1946]

“Stop listening to those golden harps, Swede” “The Killers” is a dialogue-driven short story by Ernest Hemingway that describes the melancholic criminal comeuppance of a man long-removed from the deeds that signed his death warrant. It reads like a fast-paced and stripped-down script whose intrigue is built out of that which we’ll never know. Context […]